1,563,170 research outputs found
Salon des Refusés, a cura di Roberto Pinto - Intervista a Roberto Pinto a cura di Elisabetta Modena / Salon des Refusés, edited by Roberto Pinto - An interview with Roberto Pinto, by Elisabetta Modena.
No full textDal 29 marzo al 25 maggio 2003 presso Palazzetto Tito – Fondazione Bevilacqua La Masa (Venezia) viene allestita la mostra Salon des Refusés, curata da Roberto Pinto.
La mostra presenta progetti di arte pubblica non realizzati di: Maria Thereza Alves, Minerva Cuevas, Carlos Garaicoa, Alberto Garutti, Kendell Geers, Eva Marisaldi, Callum Morton, Antoni Muntadas, Jorge Orta, Lucy Orta, Nedko Solakov, Bert Theis, Sislej Xhafa. Il progetto viene oggi raccontato a distanza di quasi dieci anni dal curatore Roberto Pinto in una intervista a cura di Elisabetta Modena. In occasione della mostra viene realizzato un catalogo a schede immaginato come il primo di una serie work in progress poi mai realizzata che ripubblichiamo su MoRE in una versione digitale.From 29 March to 25 May 2003, at Palazzetto Tito - Fondazione Bevilacqua La Masa (Venice) took place the exhibition Salon des Refusés curated by Roberto Pinto.
The exhibition presented unrealized public art projects by artists such as Maria Thereza Alves, Minerva Cuevas, Carlos Garaicoa, Alberto Garutti, Kendell Geers, Eva Marisaldi, Callum Morton, Antoni Muntadas, Jorge Orta, Lucy Orta, Nedko Solakov, Bert Theis, Sislej Xhafa . The project is now being told after almost ten years by the curator Roberto Pinto in an interview with Elisabetta Modena for MoRE. For the exhibition it was also published a catalogue made entirely of single files, here republished in a digitized version
Retracts of violence in the poetry of Claudia Roquette-Pinto
No full textRESUMO: O presente artigo objetiva salientar aspectos da violência social e seus reflexos dentro da poética de Cláudia Roquette-Pinto, em específico em seu poema “Sítio”. Será abordado o modo com o qual a autora trabalha suas criações, e que resulta na classificação de suas obras como referência no âmbito da poesia contemporânea brasileira. _________________________________________________________________________ ABSTRACTThe present article aims to emphasize aspects of social violence and its effects in the poetry of Cláudia Roquette-Pinto, in special into her poem “Sítio”. It will be discussed the way that the author works her creations, which results in the classification of her artworks as a reference within contends about Brazilian contemporary poetry
The Italian metalinguistic ability tests TAM-2 and TAM-3 (Pinto & Titone 1989 ; Pinto 1995, 1999) and their use in research: an overview
No full textThis article describes two metalinguistic ability tests, the TAM-2 and the TAM-3 (Pinto
& Titone 1989 ; Pinto 1995, 1999), which address two different age ranges, 9-14 and late adolescenceadulthood,
respectively. In both tests, there is a clear distinction between L questions, which elicit
an intuitive and global form of metalinguistic awareness (henceforth, MLA), and ML questions,
which request justification of the previous L questions, and thus elicit MLA at the explicit level. To
assess these more complex ML processes, a three-step scale has been created, based on Piaget’s final
equilibration model (Piaget, 1975) which posits three types of mental regulations to face cognitive
conflicts : alpha, beta, and gamma. As metalinguistic tasks are intrinsically generated by cognitive
conflicts between linguistic elements of different nature (in form and in meaning), the alpha, beta,
and gamma pattern has been transposed to the metalinguistic domain. This coding system ensures
continuity between the TAM-2 and the TAM-3, beyond differences in metalinguistic complexity. This
article also offers an overview of the extensive research that has been conducted with the TAM-2 and
the TAM-3, not only in their original linguistic version, i.e. Italian, but in all the other linguistic versions
available (English, French, Spanish, and German)
Mel Pinto Cuarteto, ensamble de jazz (Colombia)
No full textConcierto interpretado por Mel Pinto Cuarteto. Junto a Lina Lomanto y Andrea Hoyos, esta Melisa Pinto completa el cuadro de pianistas jóvenes que destacan en la actualidad del jazz. Grabó el disco Oí na’ ma, del cual se presentaron varias piezas en este concierto: “En Cartagena”, composición que integra elementos rítmicos de la cumbia y armonías del jazz moderno; “Espera sincera”, balada inspirada en los bundes del Pacífico colombiano; “Serenando”, basada en el ritmo de bullerengue sentado y cuyo nombre alude al regionalismo utilizado en la Costa Caribe para referirse a la llovizna, y, finalmente, “El puyacactus”, un chandé endemoniado en el que tendremos la suerte de escuchar un poderoso solo de batería a cargo de Jacobo Álvarez. Completan el programa “Raspando cucayo”, la versión de “Ronca canalete” (una juga tradicional del repertorio musical guaripeño) y “5.04”, composición que toma prestados elementos rítmicos del abozao
Prefazione a Nino Pinto, Il Ritorno
No full textLa Prefazione all'ultima raccolta poetica di Nino Pinto (Il Ritorno), data alle stampe postuma a seguito del rinvenimento del manoscritto autografo, illustra la struttura e le caratteristiche stilistico-tematiche dell'opera, ultimo atto della parabola letteraria di Pinto (una sorta di suo testamento etico-spirituale), inquadrando la proposta all'interno della personalissima e assai colta operazione poetica dell'autor
Entrevista a la Dra. Mónica Pinto
No full textFil: Pinto, Mónica. Universidad de Buenos Aires. Facultad de Derecho. Buenos Aires, Argentin
Experiential strategies to increase the use of sales channels at Fuller Pinto S.A.
No full textLa implementación de estrategias competitivas en el mercado globalizado se ha convertido en uno de los principales retos en las organizaciones. En este sentido explorar nuevos nichos de mercado basados en la experiencia del consumidor y las herramientas que se pueden incorporar en el área de mercadeo se convierte hoy en día en objetivos organizacionales. En aras de lo anterior en Fuller Pinto S.A., se busca siempre estar a la vanguardia de las necesidades inmediatas de los consumidores y sus colaboradores. De este modo se planteó en este proyecto desarrollar estrategias experenciales para incrementar el uso de los canales de venta de fuller pinto S.A. Para ello en primera instancia se identificaron las estrategias de venta en los diferentes canales, encontrando que una realidad presente es la necesidad de evocar la emocionalidad del consumidor a partir de los sentidos y la comunicación directa e inmediata, tal como lo ofrecen las diferentes plataformas digitales. Tales afirmaciones fueron reforzadas en la evaluación de la experiencia del consumidor. Con base en lo anterior se propusieron indicadores de desempeño que articulen las propuestas basadas en la resaltación de sentimientos y pensamiento a través de herramientas de mercadeo como publicidad visible e interactiva en los diferentes canales de venta.
Palabras Claves: marketing experiencias, estrategias experenciales, canales de venta, experiencia del consumidorThe implementation of competitive strategies in the globalized market has become one of the main challenges in organizations. In this sense, exploring new market niches based on the consumer's experience and the tools that can be incorporated into the marketing area are today becoming organizational objectives. For the sake of the above, at Fuller Pinto S.A., we always seek to be at the forefront of the immediate needs of consumers and their collaborators. In this way, it was proposed in this project to develop experiential strategies to increase the use of the sales channels of fuller pinto S.A. For this, in the first instance, the sales strategies in the different channels were identified, finding that a present reality is the need to evoke the emotionality of the consumer from the senses and direct and immediate communication, as offered by the different digital platforms. Such claims were reinforced in the evaluation of the consumer experience. Based on the above, performance indicators were proposed that articulate the proposals based on the highlighting of feelings and thoughts through marketing tools such as visible and interactive advertising in the different sales channels.
Keywords: experiential marketing, experiential strategies, sales channels, consumer experienceAdministrador (a) de EmpresasPregrad
Isaac Pinto autograph 1765
No full textContains the presumed signature of Pinto on the flyleaf of a boo
Identidade e alteridade na Peregrinação de Fernão Mendes Pinto
No full textMestrado em Estudos PortuguesesO presente trabalho pretende apresentar uma análise da evolução
antropológica de Fernão Mendes Pinto aquando do seu contacto com a cultura
Oriental. É também nosso objectivo comprovar que a definição que o autor
tenta fazer do “Outro” oriental lhe vai permitir redescobrir a sua identidade.
O encontro de uma cultura nova permitiu ao homem de Quinhentos
iniciar o processo multicultural, e por conseguinte encetar o diálogo
intercultural. Na análise da Peregrinação tentaremos reflectir de que forma
Fernão Mendes Pinto foi influenciado por esse processo ao descrever o
“Outro” com o qual se encontrou, e em tantos aspectos tão diferente de si.
ABSTRACT: The present work intends to present an analysis of the anthropological
evolution of Fernão Mendes Pinto related to his contact with the oriental
culture. It is also our purpose to prove that through the definition that the author
tries to do of the “Other” he begins to rediscover his own identity.
The encounter with a new culture allowed the men of the 16h century
to begin the multicultural process, and consequently the intercultural dialogue.
In our analysis of the Peregrinação we will try to reflect about the way that
Fernão Mendes Pinto was influenced by the process of describing the “Other”,
with whom he contacted, and in so many ways so different from him
Salon des Refusés, a cura di Roberto Pinto - Intervista a Roberto Pinto a cura di Elisabetta Modena / Salon des Refusés, edited by Roberto Pinto - An interview with Roberto Pinto, by Elisabetta Modena.
No full textDal 29 marzo al 25 maggio 2003 presso Palazzetto Tito – Fondazione Bevilacqua La Masa (Venezia) viene allestita la mostra Salon des Refusés, curata da Roberto Pinto.
La mostra presenta progetti di arte pubblica non realizzati di: Maria Thereza Alves, Minerva Cuevas, Carlos Garaicoa, Alberto Garutti, Kendell Geers, Eva Marisaldi, Callum Morton, Antoni Muntadas, Jorge Orta, Lucy Orta, Nedko Solakov, Bert Theis, Sislej Xhafa. Il progetto viene oggi raccontato a distanza di quasi dieci anni dal curatore Roberto Pinto in una intervista a cura di Elisabetta Modena. In occasione della mostra viene realizzato un catalogo a schede immaginato come il primo di una serie work in progress poi mai realizzata che ripubblichiamo su MoRE in una versione digitale.From 29 March to 25 May 2003, at Palazzetto Tito - Fondazione Bevilacqua La Masa (Venice) took place the exhibition Salon des Refusés curated by Roberto Pinto.
The exhibition presented unrealized public art projects by artists such as Maria Thereza Alves, Minerva Cuevas, Carlos Garaicoa, Alberto Garutti, Kendell Geers, Eva Marisaldi, Callum Morton, Antoni Muntadas, Jorge Orta, Lucy Orta, Nedko Solakov, Bert Theis, Sislej Xhafa . The project is now being told after almost ten years by the curator Roberto Pinto in an interview with Elisabetta Modena for MoRE. For the exhibition it was also published a catalogue made entirely of single files, here republished in a digitized version
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