3,683 research outputs found
The aesthetics of Pierre Boulez
To enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Messy Love: Jean Vanier\u27s l\u27Arche
The article focuses on Jean Vanier, founder of the international organization L\u27Arche, who won the 2009 Nation Builder of the Year award from the newspaper Globe and Mail. The author describes Vanier as the impeccable subversive of the value system that equates human dignity with utility. It notes that he taught at the University of Saint Michael\u27s College in Toronto, Ontario. It relates how Vanier established L\u27Arche
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
Este artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
L´écriture fragmentaire de Jean Sénac
This paper explores the statute of self writing in Ebauche du père of Jean Sénac. The work�s title suggests directly the crisis of identity. The story is likewise marked by this problem; it reveals a kind of dislocated shape which breaks with the classical writing. In fact, the real trouble résults from the double pacts of reading: the first one allowed the autobiographical interpretation because the author gives his name to his narrator-personage. But, the work�s cover mention cancels the first contract and classified this writing in the fiction�s category.Cet article examine le statut de l�écriture du moi dans Ebauche du père de Jean Sénac. Le titre de l�oeuvre ne laisse aucune illusion sur la crise identitaire que prend en charge le récit. En outre, à la lecture de l�oeuvre, les traces du malaise se décèlent aisément au vu de l�effondrement des repères reconnus de l�écriture classique. Inscrite sous l�enseigne de la fiction, cette écriture à l�accent autobiographique a pour but la réinvention et la reconstitution d�un « je » tiraillé entre deux origines
Prima pars totius summe maioris beati Antonini ; [Repertorium].
Copia digital : BIDICAM: Biblioteca digital de Castilla-La ManchaEl "Repertorium", con port. y sign. propias, preceden a la "Prima pars" (port. en h. a\b1\s)Pie de imp. tomado del colofón del "Repertorium" (en L\b5\s)Marca tip. en la port. del "Repertorium"Sign.: A-I>868<Texto a dos colLetra góticaPort. orlada y a dos tinta
Langage et filialité dans l'œuvre de Jean Grosjean
By Jean Grosjean, french poet, critic, author of translations and stories, the Word is named « language ». So every man is called, here and now, to be born as disciple as through language. Jean Grosjean learn us to be sons of the Father, as the « language ». He assimilitates the poetic stance to a pathway of pascal adherence.Pour Jean Grosjean, le langage est un chemin. Son œuvre, tant poétique que critique, ses récits, ses traductions, montrent à l'envi que le parler, chez cet auteur, précède l'être. Le recours très marqué à saint Jean fonde le passage d'une théologie essentialiste à celle, supérieure, du dialogue dans le cœur de Dieu. Dans toute son œuvre, Grosjean ne dissocie jamais le Père du Fils. La vérité même du dialogue en Dieu détermine celle des interlocuteurs privilégiés - les « êtres de langage » - appelés comme Dieu à sortir d'eux-mêmes pour exister. Parler, écrire, laisser les Écritures s'accomplir dans l'écriture même, c'est retrouver l'« abnégation » et l'« abandon » du Père dans la « gloire du Fils ».Lorber Jean-Luc. Langage et filialité dans l'œuvre de Jean Grosjean. In: Revue des Sciences Religieuses, tome 74, fascicule 4, 2000. pp. 466-486
AMPA Receptor Subunits Get Their Share of the Pie
Determining the precise subunit composition of AMPARs in situ has been an enduring challenge. In this issue of Neuron, Lu et al. make significant headway into this pesky problem by using a clever single-cell genetic knockout approach. In a Herculean effort, they provide the field with the completeness of a pie chart outlining the contribution of each AMPAR subunit to basal synaptic transmission at CA1 hippocampus synapses—and we get a pie chart for somatic extrasynaptic receptors, too
Jean-Jacques Rifaud à Genève
Jean-Jacques Rifaud (1786-1852) is known for its pionnering discoveries and for a few publications fairly clumsy. He also left some important archives, of which a few thousand new pages have recently been added to the inventory of the Bibliothèque de Genève. In addition to Egypt, these documents also concern V enice, Belgium, Holland and Switzerland. After a brief presentation of the Egyptian archives, this article focuses on his descriptions of Geneva, highlighting the author\u27s bipolar personality, his pretensions, and the lack of originality of his observations.Jean-Jacques Rifaud (1786-1852) est connu par ses découvertes pionnières et par quelques publications assez maladroites. Il laisse également d’importantes archives, dont quelques milliers de feuillets nouveaux ont été récemment portés à l’inventaire de la Bibliothèque de Genève. Outre l’Égypte, ces documents concernent aussi Venise, la Belgique, la Hollande et la Suisse. Après une présentation rapide du contenu des archives égyptiennes, cet article s’attarde plus particulièrement sur ses descriptions de Genève, mettant en exergue la personnalité bipolaire de l’auteur, ses prétentions, ainsi que le manque d’originalité de ses observations
Jean-Jacques Rousseau: On The Individual and Society
In this study, Merle L. Perkins links individual freedom with national power in offering a close reading of Jean-Jacques Rousseau\u27s major texts. He sees in Rousseau\u27s thought an extreme tension and interdependence between the idiosyncrasy of nonconforming character and an almost obsessive concern with the external pressures operating on the state.
Merle L. Perkins is the author of numerous books on philosophy, including The Moral and Political Philosophy of the Abbé de Saint-Pierre and Diderot and the Time-Space Continuum: His Philosophy, Aesthetics, and Politics.https://uknowledge.uky.edu/upk_political_theory/1001/thumbnail.jp
Da ideia de infância em Jean-Jacques Rousseau ou do "sono da razão"
Dissertação (mestrado) - Universidade Federal de Santa Catarina. Centro de Ciencias da Educação. Programa de Pós-Graduação em EducaçãoOs pensamentos expostos no século XVIII pelo genebrino Jean-Jacques Rousseau influenciaram de maneira decisiva a forma como o Ocidente passou a perceber a infância. Este autor provocou uma verdadeira divisão de águas ao publicar Emílio ou Da Educação (1762). Com este feito, mais que balançar os alicerces educacionais da época, ele delega à criança um lugar no mundo. A infância passa a ter um valor em si mesma, e a ser vista como etapa fundamental na constituição humana. Ao destacar este período da vida, além de romper definitivamente com o que vigorava em seu tempo, no qual a criança era tida como um erro passageiro - um infante (aquele que não fala); um "adulto em miniatura"; ou mero objeto de paparicação e prazer - Jean-Jacques cria uma ótica inovadora de conceber a criança. Dizia que: "A natureza quer que as crianças sejam crianças antes de serem homens." Ao elaborar um conceito de infância, Rousseau afirma que "a infância é o sono da razão". O que nos surpreende devido este autor ter vivido em pleno "Século das Luzes", justamente quando a razão era evocada como o guia seguro para o pensamento e para ação em todas as idades. Ao contrário do que possa parecer, Rousseau não desmerece o período infantil, associando-o à escuridão ou a inferioridade primeira da humanidade. Ele é considerado o "inventor da infância". Retomar pensamentos que versam sobre essas ideias rousseaunianas, inaugurais da concepção moderna de Infância, por meio de pesquisa teórica, é o objetivo traçado aqui, com intuito de avançar nas compreensões estabelecidas em torno das contribuições de Jean-Jacques Rousseau para temática em exame.The thoughts exposed in the eighteenth century by the genevan, Jean-Jacques Rousseau, influenced in a decisive way the West has to realize his childhood. This author has caused a real division of the waters or publish Emile, or On Education (1762). With this done more than shake the foundations of educational time, it leaves the child a place in the world. The child is given a value in itself, and be seen as key step in the human constitution. By highlighting this period of life, and the final break with that which prevailed in his time, in which the child was seen as a mistake passenger - an infant (who does not speak), a "miniature adult" or mere object of pampering and pleasure - Jean-Jacques creates a new perspective to conceive a child. He said: "Nature wants children to be children before being men." In developing a concept of childhood, Rousseau says that "childhood is the sleep of reason". What surprises us because this author has lived in the middle of "Age of Enlightenment", just when the reason was mentioned as the sure guide for thought and action in all ages. Contrary to what may seem, Rousseau does not diminish the infantile period, associating him to the darkness or the inferiority of humanity first. He is considered the "inventor of childhood." Resume thoughts that talk about these ideas Rousseau, the inaugural modern conception of childhood, through theoretical research, stroke is the goal here, with the aim to advance the understandings established around the contributions of Jean-Jacques Rousseau to thematic examination
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