1,721,056 research outputs found
La poésie des désastres entre science et religion : la culture encyclopédique du baroque méridional
No full textCet article se concentre sur la réception des catastrophes naturelles dans la poésie lyrique baroque et vise à montrer la proximité entre poésie et prose dans la production littéraire de l’Italie du Sud. À travers l’analyse de trois poésies de la seconde moitié du XVIIe siècle et leur comparaison avec un « discours » scientifique de Tommaso Cornelio – consacré à une éclipse de soleil de 1652 –, il est possible de révéler non seulement des similitudes dans la structure narrative de ces textes, mais aussi l’utilisation des mêmes images et du même lexique. Cette étude, qui permet d’approfondir la relation entre science et poésie au cours du XVIIe siècle, dessine les contours d’un produit poétique très répandu dans la vice-royauté espagnole de Naples : la poésie des désastres. La démonstration souligne en outre que la poésie des désastres est le fruit des connaissances scientifiques napolitaines ainsi que le produit particulier d’un territoire fréquemment frappé par des catastrophes naturelles.Questo articolo si concentra sulla ricezione dei disastri naturali nella lirica barocca e mira a mostrare la vicinanza tra poesia e prosa nella produzione letteraria dell'Italia meridionale. Attraverso l'analisi di tre poesie della seconda metà del Seicento e il loro confronto con un “discorso” scientifico di Tommaso Cornelio – dedicato a un’eclissi solare del 1652 – è possibile rilevare non solo analogie nella struttura narrativa di questi testi, ma anche l'uso delle stesse immagini e dello stesso lessico. Questo studio, che ci permette di approfondire il rapporto tra scienza e poesia nel corso del XVII secolo, delinea i contorni di un prodotto poetico molto diffuso nel vicereame spagnolo di Napoli (la poesia dei disastri). La dimostrazione sottolinea anche che la poesia dei disastri è il frutto del sapere scientifico napoletano e il prodotto particolare di un territorio frequentemente colpito da calamità naturali.This article focuses on the reception of natural disasters in Baroque lyric poetry and aims to show the proximity between prose and verse in Southern Italy’s literary output. Through the analysis of three poems from the second half of the 17th century and their comparison with a scientific “discourse” by Tommaso Cornelio –on a solar eclipse in 1652–, it is possible to reveal not only similarities in the narrative structure of these texts, but also the use of the same images and the same lexicon. This study, which allows us to delve further into the relationship between science and poetry during the 17th century, outlines a poetic product that was very widespread in the Spanish Viceroyalty of Naples: the poetry of disaster. The demonstration also underlines that the poetry of disasters is the fruit of Neapolitan scientifical knowledge, as well as the particular product of a territory frequently struck by natural disasters
‘Fictio’ e realtà nella lirica barocca. Il rapporto cronaca-poesia nella Napoli del primo Seicento
Full text linkThe article aims to shed light on disasters’ baroque poetry of Southern Italy. It compares the compositional structure and the language of three printed ‘reports’ on the Vesuvius eruption in 1631 (written by Cesare Braccini and Vincenzo Bove) with the ode Al Vesuvio per l’incendio rinovato by Girolamo Fontanella. Its purpose is to show the similarity between prose and poetry in describing the volcano’s action on the surrounding environment (identical narrative sequences, similar lexicon and the use of stereotyped figures), plus, to address the issue of a poetic witness. Besides an accurate analysis of the texts, the introduction of the Aristotelian theories on poetry, and contemporary baroque Poetics (as Giulio Cesare Cortese’s and Tommaso Campanella’s), will lead to a discourse on mimesis and verysimilitude. Moreover, it will be also useful for a clear interpretation of a kind of lyric poetry which seems to deal with the category of ‘reality’ more than that of ‘fictionality’.Cet article vise à mettre en lumière la poésie baroque du désastre dans le sud d’Italie. On compare la composition du point de vue structurel et du langage de trois ‘rapports’ sur l’éruption du Vésuve du 1631 (écrits par Cesare Braccini et Vincenzo Bove) avec l’ode de Girolamo Fontanella Al Vesuvio per l’incendio rinovato. L’objective est de montrer la similitude entre prose et poésie dans la description des effets du volcan sur l’espace environnant (séquences narratives identiques, lexique commune et utilisation des stéréotypes) et de relever le problème d’une « témoignage » poétique. À côté d’une analyse minutieuse des textes, une introduction à la Poetica aristotélique et à des Poetiche italiennes meridionaux, comme celle de Giulio Cesare Cortese et celle de Tommaso Campanella, ammenera un discours sur les notions de mimesis et de vraisemblance pour un encadrement correct d’une typologie lyrique qui semble bien utiliser des faits divers pour l’inspiration poétique.Il presente articolo mira a ‘gettare’ una luce sulla poesia barocca dei disastri nel Meridione d’Italia. Esso pone a confronto la struttura compositiva e il linguaggio di tre ‘relazioni’ sull’eruzione vesuviana del 1631 (ad opera di Cesare Braccini e di Vincenzo Bove) con l’ode di Girolamo Fontanella Al Vesuvio per l’incendio rinovato. L’obiettivo è mostrare la somiglianza tra prosa e poesia nella descrizione degli effetti del vulcano sull’ambiente circostante (sequenze narrative identiche, lessico comune e utilizzo di figure stereotipate) ed affrontare il problema di una ‘testimonianza’ poetica. Oltre a un’accurata analisi dei testi, una base teorica in materia di Poetica aristotelica, e di specifiche Poetiche barocche del Meridione italiano (quella di Giulio Cesare Cortese e quella di Tommaso Campanella), guiderà un discorso sui concetti di mimesis e di verisimiglianza, al fine di un corretto inquadramento di una tipologia lirica che sembra utilizzare i fatti di cronaca come materiale per l’ispirazione poetica
L'attività istruttoria
No full textAnalisi sull’influenza delle tecnologie digitali nell’acquisizione delle fonti di prova da parte dell'Amministrazione finanziaria. Focus sullo scambio automatico delle informazioni e sulla cooperazione amministrativa nella società dell'informazione. I nuovi obblighi di collaborazione per i contribuenti, gli intermediari e i professionisti. Nuove banche dati e diritti del contribuente.Analysis on the influence of digital technologies in the acquisition of sources of evidence by the financial administration. Focus on automatic exchange of information and administrative cooperation in the information society. The new collaboration obligations for taxpayers, intermediaries and professionals. New databases and taxpayer rights
Il palinsesto della catastrofe. La metafora tra lirica e scienza nel barocco meridionale.
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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