4,786 research outputs found
Francesco Scorza Barcellona o della passione agiografica
L'autrice traccia, sul filo dei ricordi, il profilo scientifico ed umano di Francesco Scorza Barcellona ed introduce gli studi raccolti nel volume.The author traces, on the thread of memories, the scientific and human profile of Francesco Scorza Barcelona and introduces the studies collected in the book
Delle lodi di don Francesco Medici de' principi di Toscana : orazione /
Engraved t.p. vignette of Medici arms. On recto of 2nd leaf is Callot's full-page engraved port. of Francesco de' Medici, son of Grand Duke Ferdinand I. It is in Lieure's 1st state. The port. also appeared the same year in Alessandro Adimari's Esequie dell' ill.mo & ecc.mo principe don Francesco Medici (Florence : Gio. Donato & Bernardino Giunti); see Lieure. Large woodcut Giunti device on p. [31].Lieure, J. Jacques Callot,Mode of access: Internet.At head of front pastedown is bookplate of Francesco Riccardi de Vernaccia (Florence, ca. 1780; see Gelli, p. 387). Below it is the label of Horatius (Orazio) Landau, with stamped shelfmark 53021. At foot is the bookplate of U. Manganelli, signed with the initials SER. A dedicatory inscription at foot of t.p. has been scratched out.Binding: modern marbled paper, backed in green vellum. Date, author & title writte on spine.Port. trimmed into the image at right margin and foot
Frankenstein
@inproceedings{orsini2015graph,
title={Graph invariant kernels},
author={Orsini, Francesco and Frasconi, Paolo and De Raedt, Luc},
booktitle={IJCAI Proceedings-International Joint Conference on Artificial Intelligence. IJCAI},
year={2015}
Didattica e ricerca. L’esperienza del Laboratorio aragonese e sforzesco
In the workshop on Diplomatic correspondences in the Italian Renaissance, directed in January-May 2018 by Francesco Storti and Francesco Senatore in the Istituto italiano per gli studi filosofici of Naples, 12 undergraduate and graduate students learned to read and trascribe italian diplomatic dispatches of the 15th cent., producing a specimen of scientific edition. In the opinion of the author, such activities and similar ones are very useful for future school teachers and scholars and they could be introduced in the university and pHD courses of history. Students of humanistic sciences should have concrete contacts with the historical research on primary sources. On the other hand, editing of historical sources could become a marginal activity because it is not enough appreciated in the current research evaluation processes.
Keywords: Didattica, edizione documentaria, diplomazia rinascimentale; education, documentary edition, renaissance diplomac
LA MADONNA ESTERHAZY DI RAFFAELLO
LA MADONNA ESTERHÁZY DI RAFFAELLO A PALAZZO MARINO, di Francesco Murano,
Fotografie di Sergio Oriani
Il curatore della mostra, Stefano Zuffi, ha voluto inquadrare criticamente l’opera di Raffaello
proveniente dal Museo di Budapest, ponendola tra la Vergine delle Rocce di Francesco Melzi,
proveniente dall’Istituto delle Suore Orsoline di Milano e la Madonna della Rosa di Giovanni
Antonio Boltraffio, proveniente dal Museo Poldi Pezzoli della stessa città. L’architetto Corrado
Anselmi ha progettato un affascinante allestimento, concependolo come un percorso che si
sviluppa attraverso tre soste utili all’ammirazione delle opere. L’autore Francesco Murano,
spiega con ricchezza di particolari i vincoli del progetto illuminotecnico e le scelte luministiche.Once again, for the Christmas season, the Municipally of Milan decided to display an important work in the frame of the Palazzo Marino’s Alessi Hall. For this year 2014, the choice has been to propose the Estheràzy Madonna by Raphael, from the Museum of Budapest.
The exhibition curator, Stefano Zuffi, wanted to critically frame to work of Raphael by placing it between the Vegine delle Rocce (Virgin of the Rocks) by Francesco Melzi, coming from the Milan’s Istituto delle Suore Orsoline, and the Madonna della Rosa by Giovanni Boltraffio, from the Milanese Museo Poldi Pezzoli.
The Architect Corrado Anselmi designed a fascinating display, convinced as a path that develops through three stops that are useful for the enjoyment of the works.
The author Francesco Murano, explains with many details the lighting design project
Phantasy, Multiverse and Protopia: Ran Slavin's Israeli Futurism
The essay discusses Israeli artist Ran Slavin's transmedia production, since the 1990s, as a key example of Israeli Futurism. The essay contextualizes Slavin's films, multimedia installations, photography, soundscapes, CGI imagery, and tech-based output as a way to process the conflictual dynamics at the basis of the foundation of Israel, the mythologies of Judaism and the ongoing metamorphosis of Jewish identity. The author of this essay, Francesco Spampinato, is also the editor of this major retrospective monograph on Slavin's work
A paraconsistent and substructural conditional logic
A logic is called 'paraconsistent' if it rejects the rule called 'ex contradictione quodlibet', according to which any conclusion follows from inconsistent premises. While logicians have proposed many technically developed paraconsistent logical systems and contemporary philosophers like Graham Priest have advanced the view that some contradictions can be true, and advocated a paraconsistent logic to deal with them, until recent times these systems have been little understood by philosophers. This book presents a comprehensive overview on paraconsistent logical systems to change this situation. The book includes almost every major author currently working in the field. The papers are on the cutting edge of the literature some of which discuss current debates and others present important new ideas. The editors have avoided papers about technical details of paraconsistent logic, but instead concentrated upon works that discuss more "big picture" ideas. Different treatments of paradoxes takes centre stage in many of the papers, but also there are several papers on how to interpret paraconistent logic and some on how it can be applied to philosophy of mathematics, the philosophy of language, and metaphysics
Comprendiendo el pensamiento de Francesco Tonucci… con Francesco Tonucci
This work analyzes the educational proposal of Francesco Tonucci with the author himself, based on a documentary review of his work and the content analysis of an interview- colloquium that was held in May 2024 at the Faculty of Education of the University of Santiago de Compostela, on the occasion of his appointment as Doctor Honoris Causa. An approach is made to her career and her thinking, organizing it around three topics: school, childhood free time and the City of Girls and Boys Project, her best-known pedagogical proposal.Este trabajo analiza la propuesta educativa de Francesco Tonucci con el propio autor, a partir de una revisión documental de su obra y del análisis de contenido de una entrevista-coloquio que se celebró en mayo de 2024 en la Facultad de Educación de la Universidad de Santiago de Compostela, con motivo de su nombramiento como Doctor Honoris Causa. Se realiza una aproximación a su trayectoria y a su pensamiento, organizándola en tono a tres tópicos: la escuela, el tiempo libre de la infancia y el Proyecto La Ciudad de las niñas y los niños, su propuesta pedagógica más conocida.Este trabajo analiza la propuesta educativa de Francesco Tonucci con el propio autor, a partir de una revisión documental de su obra y del análisis de contenido de una entrevista-coloquio que se celebró en mayo de 2024 en la Facultad de Educación de la Universidad de Santiago de Compostela, con motivo de su nombramiento como Doctor Honoris Causa.
Se realiza una aproximación a su trayectoria y a su pensamiento, organizándola en tono a tres tópicos: la escuela, el tiempo libre de la infancia y el Proyecto La Ciudad de las niñas y los niños, su propuesta pedagógica más conocida
Donatello e il pergamo del Sacro Cingolo a Prato: una nuova lettera di Michelozzo (e altri chiarimenti documentari)
Si segnala e si pubblica per la prima volta un’importante lettera di Michelozzo agli “operai” del Sacro Cingolo di Prato, databile al 1430 e dedicata al pergamo del Cingolo, allora in corso di realizzazione da parte di Donatello, di Michelozzo stesso, di Pagno di Lapo Portigiani e di altri aiuti. Nell’ampio commentario che precede e che segue la trascrizione della missiva, documento cruciale per confermare definitivamente il ruolo di Donatello come progettista e responsabile principe del capolavoro pratese, sono introdotte numerose precisazioni sul “dossier” archivistico connesso al pergamo medesimo. Tra esse si evidenziano qui l’individuazione del notaio fiorentino ser Jacopo di ser Michele di Bonagiunta Dietiguardi da San Gimignano, cancelliere del Comune di Prato nel 1438, quale autore, in quell’anno, di una delle testimonianze più notevoli che riguardano l’intero progresso del lavoro; e la ricostruzione della curiosa vicenda di una lettera agli “operai” del Sacro Cingolo affidata nel 1455 da Michelozzo e Donatello a fra Filippo Lippi, il quale non la recò mai a destinazione, servendosi piuttosto di quella carta per riscriverci sopra una propria nota di debito verso il suo ex allievo e collaboratore Giovanni di Francesco del Cervelliera da Rovezzano.An important letter by Michelozzo to the “operai” of the Sacro Cingolo di Prato (the members of the board of works for the major church in that town) is reported and published for the first time: it dates back to 1430 and is dedicated to the pulpit of the Cingolo, at that time under construction by Donatello, by Michelozzo himself, by Pagno di Lapo Portigiani and by other assistants. In the extensive commentary that precedes and follows the transcription of the letter – a document crucial to the definitive confirmation of Donatello’s role as designer and chief manager of the Prato masterpiece – numerous clarifications are introduced concerning the archival “dossier” connected to the pulpit itself. Among them we highlight here the identification of the Florentine notary ser Jacopo di ser Michele di Bonagiunta Dietiguardi da San Gimignano, chancellor of the Municipality of Prato in 1438, as the author, in that year, of one of the most remarkable testimonies concerning the entire progress of the work; also of note is the reconstruction of the curious story of a letter to the “operai” of the Sacro Cingolo entrusted in 1455 by Michelozzo and Donatello to fra Filippo Lippi, who never brought it to its destination, but instead wrote over it a debit note of his own to his former pupil and collaborator Giovanni di Francesco del Cervelliera da Rovezzano
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