30,642 research outputs found
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
The "Felix" Prince-Condottiero in Humanist Literature: The portrayal of Alfonso the Magnanimous’s "Felicitas"
No full textThis essay analyses the concept of "felicitas" as a political attribute associated to the figure of the prince and military leader in Italian Renaissance literature. This use of the complex idea of "felicitas", drawn from the classical tradition, appears especially in historiographical and political works devoted to the deeds of important rulers and condottieri and are informed by ideological implications. In particular, the chapter focuses on works produced in the context of the kingdom of Naples which can be considered as significant case studies: Bartolomeo Facio’s historical text on Alfonso of Aragon; his "De viris illustribus"; and Biondo Flavio’s works addressed to the Magnanimous. In this output, the political leader is celebrated, and at the same time legitimized, through the description of his successful and virtuous profile in the concrete historical dimension. The "felicitas" is seen as a fundamental attribute of this ideal image of ruler, becoming an inborn gift corresponding with a natural inclination towards success
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Maria Callas
No full textIl volume traccia il profilo di Maria Callas (1923-1976) come cantante-attrice, illustrando il suo percorso artistico attraverso i registi con i quali collaborò nella sua carriera, dagli anni ateniesi all’incontro con l’amato Pasolini. Dalla Wallmann a Visconti, da Zeffirelli alla Pavlova: da tutti il celebre soprano assorbì indicazioni e consigli reinterpretandoli secondo la propria sensibilità ed esperienza. Ogni dettaglio recitativo, gesto, movimento era da lei analizzato criticamente, ripetuto e perfezionato in lunghe prove, come avviene in genere sulla scena della prosa. La forza ineguagliabile delle sue interpretazioni risiede dunque nella perfetta fusione tra canto e gesto teatrale. Emerge così il ruolo centrale che Maria Callas ha svolto nello sviluppo della regia nel teatro d’opera.The book profiles Maria Callas (1923-1976) as a singer-actress, illustrating her artistic journey through the directors with whom she collaborated during her career, from her Athenian years to her encounter with her beloved Pasolini. From Wallmann to Visconti, from Zeffirelli to Pavlova: from all of them the celebrated soprano absorbed indications and advice, reinterpreting them according to her own sensitivity and experience. Every recitative detail, gesture, movement was critically analysed by her, repeated and perfected in long rehearsals, as is usually done on the prose stage. The unequalled strength of her interpretations thus lies in the perfect fusion of singing and theatrical gesture. The central role that Maria Callas played in the development of directing in opera theatre thus emerges
sj-docx-1-ahd-10.1177_00914150221112294 - Supplemental material for Age, Individual Resources, and Perceived Expectations for Active Aging: General and Domain-Specific Effects
No full textSupplemental material, sj-docx-1-ahd-10.1177_00914150221112294 for Age, Individual Resources, and Perceived Expectations for Active Aging: General and Domain-Specific Effects by Maria K. Pavlova, Sonja Radoš, Klaus Rothermund and Rainer K. Silbereisen in The International Journal of Aging and Human Development</p
I frammenti autografi dell'Orlando furioso: un'ipotesi per lo 'scrittoio' di Ariosto
No full textIl capitolo esamina alcuni manoscritti relativi alla giunta di Olimpia per rintracciare una stratigrafia della scrittura dell'Orlando Furioso. Alcuni ingranaggi del racconto sono infatti messi a punto da Ariosto mentre opera in un regime a metà tra la trascrizione di versi già pronti e la composizione di nuovi: in uno stato “intermedio”, che esemplifica un procedimento di scrittura cui è sottesa una dialettica mai spenta tra sistemazione e invenzione
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
Get PDFDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Di donne e cavallier
No full textDa tempo la critica ariostesca va richiamando l’attenzione sui caratteri peculiari della prima edizione (1516) dell’Orlando Furioso, un «capolavoro assoluto» (Dionisotti) che va considerato per il suo valore autonomo, subito riconosciutogli dai lettori, e non solo in funzione dell’approdo finale del 1532. Questo volume, che raccoglie i contributi di otto specialisti di Ariosto e della cultura cinquecentesca, attivi in Italia e all’estero (Marco Dorigatti, Claudio Vela, Tina Matarrese, Neil Harris, Alberto Casadei, Anna Maria Cabrini, Eleonora Stoppino, Maria Pavlova), propone una riflessione mirata sulla princeps, sulla sua specifica fortuna e sull’attività dell’autore negli anni della prima elaborazione del poema, allargando lo sguardo al panorama culturale a lui contemporaneo
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
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