1,721,110 research outputs found
R. Paul Chambers
No full textMarietta College Theta Kappa Nu fraternity; coat of arms, studio portrait of man. R. Paul Chambers (Mariettana, 1927, p. 122). Different pose
Book review: khaki capital: the political economy of the military of Southeast Asia edited by Paul Chambers and Napisa Waitoolkiat
No full textIn Khaki Capital: The Political Economy of the Military of Southeast Asia, editors Paul Chambers and Napisa Waitoolkiat bring together and offer analyses of a comprehensive selection of case studies of military political economies across Southeast Asia. Showing how self-financing militaries are insulated from civilian control and accountability and therefore able to maintain a monopoly on violence, this is a a welcome addition to the literature on Southeast Asian governance and military-civil relations, finds Josselin Canévet
I andan av Paul Chambers 1957-59 – bebop-frasering och musikaliska verktyg för kontrabasister.
No full textSyftet i mitt arbete var att bygga upp en databas av musikaliska verktyg utifrån kontrabasisten Paul Chambers musikaliska språk och under åren 1957 till 1959.I arbetsprocess har jag själv transkriberat och även studerat andras transkriptioner på ett antal välkända Paul Chambers-låtar, detta för att få ett musikaliskt facit av data som jag kunde gå tillbaka till och konsultera för information när jag sedan skuggspelade och analyserade.Jag har använt mig av dessa ovan nämnda metoder för att bygga en databas att aktivt arbeta med. Arbetet mynnade ut i en konsert där jag tillsammans med en grupp musiker framförde låtar utvalda av mig i andan av Paul Chambers. Konserten spelades in för att ytterligare kunna analyseras tillsammans med mina medmusiker. Detta för att diskutera, reflektera och få respons på mitt spelande och huruvida jag uppnått målet med arbetet.Genom intensiv lyssning, transkribering, skuggspelning och diskussion har jag kommit fram till att Paul Chambers frasering går att efterlikna till viss del, men som varje musikers röst är den unik. Härmandet av Paul Chambers frasering har blivit ett verktyg för att utveckla min egen musikaliska identitet istället för att bli en kopia av Paul Chambers
Análisis de resoluciones cadenciales del walking bass de Ray Brown, Paul Chambers y Ron Carter
Full text linkThis research contains a biographical summary of Ray Brown, Paul Chambers, and Ron Carter, important bass players of the jazz scene. Furthermore, this paper presents the performance characteristics of each one of them and analyses the cadential resolutions of their walking bass lines as performed in different compositions. Although each of the aforementioned bass players has a different performance language, they all share common patterns...La presente investigación contiene una breve reseña de Ray Brown, Paul Chambers y Ron Carter, contrabajistas referentes de la escena del jazz. Posteriormente, se expone las características de ejecución de cada uno de ellos y se realiza un análisis de resoluciones cadenciales del walking bass de diferentes composiciones. Pese a que cada uno de los contrabajistas mencionados posee un lenguaje de ejecución diferente, todos comparten patrones en común..
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The sound of Sonny / Sonny Rollins, saxo t, p ; Sonny Clark, p ; Percy Heath, Paul Chambers, cb... [et al.]
No full textEnregistrement : (États-Unis) New York, 11-06-1957 - 19-06-1957Comprend : The last time I saw Paris / Sonny Rollins, p ; Sonny Clark, p ; Paul Chambers, cb ; Roy Haynes, batt. - Just in time / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt. - Toot, toot, Tootsie / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt. - What is here to say / Sonny Rollins, saxo t ; Sonny Clark, p ; Paul Chambers, cb ; Roy Haynes, batt. - Dearly beloved / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt. - Every time we say goobye / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt. - Cutie / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt. - It could happen to you / Sonny Rollins, saxo t - Mangoes / Sonny Rollins, saxo t ; Sonny Clark, p ; Percy Heath, cb ; Roy Haynes, batt.BnF-Partenariats, Collection sonore - BelieveContient une table des matière
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Musik med spår av Paul Chambers : Att skapa musik av återkommande solofraser
No full textThis thesis is about exploring methods of composing music and improvising based on melodic phrases that recur in bass solos by the legendary bass player Paul Chambers. Reoccurring phrases were identified and then used in four composition and improvisation methods. Which are the reoccurring phrases? Why do these phrases reoccur? Does it have anything to do with the technical characteristics of the double bass? If so, what are those characteristics? In search of answers to these questions five bass solos by Paul Chambers were transcribed and analyzed. The reoccurring phrases that were found were then used as the basis for the music that was composed and for the analysis that yielded answers to the questions. The artistic result of this work is three original compositions and arrangements of these composition for jazz sextet. The analysis of the reoccurring phrases made it clear that the technical characteristics of the double bass’ lower positions on the fingerboard (where most of reoccurring phrases were played) made them easy to play and therefore might have contributed to them reoccurring.Examenskonsert. Medverkande: Albin Halvordsson - kontrabas, Malte Boqvist - piano, Felix Kling - trummor, Axel lidgren - trumpet, Tyko Ruin - saxofon, Olle Arvidsson Eklind - trombon.</p
- …
