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Presentazione
No full textPresentazione "Patrimonio culturale e cittadinanza/Patrimonio cultural y ciudadanía: Italia/Argentina
Patrimonio culturale e cittadinanza Patrimonio cultural y ciudadanía Italia/Argentina
No full textIl secondo supplemento della rivista «Il capitale culturale» pubblica i primi risultati emersi dal partenariato italo-argentino costituito nell’ambito del progetto "Patrimonio culturale e cittadinanza", finanziato nel 2014 dal CUIA (Consorzio interUniversitario Italiano per l’Argentina). Inaugurato da
un workshop sul tema tenutosi a Buenos Aires l’11 aprile 2014, il progetto sviluppa i temi della percezione e della comunicazione del patrimonio culturale in rapporto alla formazione della cittadinanza, in linea con gli obiettivi del progetto "CROSS-SHIP. CROSScultural Doors. The perception and communication of cultural heritage for audience development and rights of citizenSHIP in Europe", finanziato dall’Università di Macerata e in corso di
svolgimento. La pubblicazione del supplemento, che rientra tra le iniziative realizzate per l’anno dell’Italia in America Latina, costituisce un primo passo
della discussione sull’argomento e si inserisce all’interno dell’intenso dibattito svoltosi in Argentina negli ultimi anni sulla musealizzazione del patrimonio
intangibile, con particolare riferimento al fenomeno immigratorio, alla lingua nazionale e alla memoria del trauma della repressione illegale durante la
dittatura
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Marinetti, Puccini y Ungaretti : tres embajadores de las letras italianas en la Argentina
No full textDepto. de Estudios Románicos, Franceses, Italianos y TraducciónFac. de FilologíaTRUEpu
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Las traducciones argentinas de la Divina Commedia
Get PDFResumen temporalmente no disponible. La presente obra no cuenta con resumen provisto por el autor.Fil. Fernández Speier, Claudia. Universidad de Buenos Aires. Facultad de Filosofía y Letras
Las traducciones argentinas de la Divina Commedia
Get PDFResumen temporalmente no disponible. La presente obra no cuenta con resumen provisto por el autor.Fil. Fernández Speier, Claudia. Universidad de Buenos Aires. Facultad de Filosofía y Letras
“The power of an archaeologist architect”: the Last Rovani
No full textLa giovinezza di Giulio Cesare is Giuseppe Rovani’s last novel. Strongly appreciated by contemporary critics, it did not arouse great interest in twentieth-century critics. The text, however, which fits coherently into the long historical narrative of the Milanese author, presents some important characteristics, which suggest a true conclusion of the author’s creative laboratory. The interest in the narrative of youth and the archaeological-artistic ambition―already present in his previous novels―reappear here in the light of the character considered the most complete expression of human genius and in a foundational space and time in the past.La Giovinezza di Giulio Cesare è l’ultimo romanzo di Giuseppe Rovani. Fortemente valorizzato dalla critica coeva, non ha suscitato un grande interesse nella critica novecentesca. Il testo, però, che s’inserisce coerentemente nella lunga narrativa storica dell’autore milanese, presenta alcune caratteristiche salienti, che fanno pensare a una vera e propria conclusione del laboratorio creativo dell’autore. L’interesse per la narrazione della gioventù e l’ambizione archeologico-artistica – già presente nei suoi romanzi precedenti – ricompaiono qui alla luce del personaggio considerato l’espressione più compiuta del genio umano e in una dimensione spaziale e temporale considerata fondazionale
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