1,721,328 research outputs found
Pemikiran Parni Hadi tentang Jurnalisme
Full text linkParni Hadi\u27s Thought Study of Prophetic Journalism about the dissemination of information based on faith, and good and bad renewal in society. Parni Hadi as a press figure supports his prophetic journalism as a way of preaching and the legacy of the prophet\u27s duty to be applied in journalistic practice. This study analyzes Parni Hadi about Prophetic Journalism, Islamic Journalism, and implementing Prophetic Journalism. The library research methodology (literature study) uses content analysis methods. This study found that Prophetic Journalism can be practiced by journalists or mass media religious backgrounds, as long as presenting the right journalistic products, educating and to help all people, while still using the prophet\u27s duty on honesty, help, be reliable, educate and send a message full of wisdom .Penelitian Pemikiran Parni Hadi tentang Jurnalisme Profetik ini mengkaji penyebaran informasi yang dilandasi iman, dan mempertimbangkan dampak baik dan buruk di masyarakat. Parni Hadi sebagai tokoh pers memiliki gagasan jurnalisme profetiknya sebagai jalan dakwah dan warisan tugas nabi untuk diterapkan dalam praktik jurnalistik. Penelitian ini menganalisa pemikiran Parni Hadi tentang Jurnalisme Profetik, Jurnalisme Islami, dan mengimplementasikan Jurnalisme Profetik. Metodologi penelitian kepustakaan (library research) ini menggunakan pendekatan analisis konten. Penelitian ini menemukan Jurnalisme Profetik yang bisa dipraktikan oleh jurnalis atau media massa berbagai latar belakang agama, selama menyajikan produk jurnalistik yang benar, mendidik dan untuk kebaikan seluruh umat, dengan tetap menerapkan tugas nabi tentang kejujuran, mengajak kebaikan, dapat dipercaya, mendidik dan menyampaikan pesan penuh kearifan.Â
Prvi parni gliboder u Dalmaciji
Full text linkPotreba čišćenja, kopanja i širenja mnogih dalmatinskih luka, kada su ovamo počeli prispijevati veći jedrenjaci i parobrodi, prisilila je ovdašnje vlasti da zamoli bečku vladu za dozvolu odnosno privolu investicije za kupovinu suvremenijeg parnog glibodera, budući da onaj postojeći nije bio u stanju zadovoljiti sve potrebe pokrajine u tom smislu. Poslije prilično dugih konzultacija Beč je pristao na financiranje takvog poduhvata-investicije, pa je ugovor o izradi kompletnog parnog glibodera-viljuškara sačinjen s dvojicom tršćanskih poduzetnika - Gasparom Tonellom i Georgom Strudthoffom, koji su za oko dvije godine izvršili ugovor i dalmatinskoj vladi izručili jedan suvremeni, parni gliboder (početkom 1847). To je za dalmatinsko pomorstvo uopće značilo mnogo.
Kolika je važnost istog pokazuje i činjenica da je to bio, koliko je zasad poznato, prvi parni stroj u Dalmaciji, što je bez sumnje vrlo značajno za povijest industrijalizacije pokrajine. Otada je uređivanje dalmatinskih luka bilo znatno intenzivnije i svakako solidnije, jer je taj gliboder
mogao i čistiti i kopati sve materijale, uključujući kamenu podlogu
Parni stroj in turizem na Primorskem
No full textParni stroj in turizem na Primorskem. Prometne povezave kot dejavnik turističnega razvoja na primeru Postojne in Portoroža do prve svetovne vojn
VISOKOTLAČNI PARNI ZAGRIJAČ NAPOJNE VODE
No full textTema ovog završnog rada su izmjenjivači topline, odnosno visokotlačni parni zagrijač napojne vode koji svoju ulogu nalazi u različitim termoenergetskim postrojenjima. U radu je prvo obrađen Clausius-Rankine-ov parni proces, gdje je opisano o kakvom se to procesu radi i navedeni su načini povećanja njegove učinkovitosti. Nadalje opisani su općenito izmjenjivači topline s posebnim naglaskom na cijevne izmjenjivače (en. shell and tube). Proveden je termodinamički proračun radi pronalaska potrebnog toplinskog toka za zagrijavanje vode putem pare, zatim određena je ukupna efektivna površina za izmjenu topline, duljina cijevi i njihov broj, te su onda odabrane dimenzije cijevi. Na kraju je proveden proračun čvrstoće plašta, cijevi te su određeni priključci na strani pare i vode.The theme of this final work are heat exchangers, respectively high pressure steam feedwater heat exchanger, who fulfill desired role in different power plants. The first part of this work gives brief description Clauisius- Rankien steam process, in which was described how the process works and the solutions how to increase its efficiency. Types of heat exchangers and typical shell and tube exchanger. The thermodynamic calculation has been conducted in this paper in order to find the required heat flow to heat water by steam, then the total effective surface area for heat exchanger, pipe length and number of pipe, and selected dimensions of the pipe. The calculation of strength casing, tubing and connections on steam and water side of heat exchanger this work has conducted
Perkembangan pemikiran jurnalisme profetik: Studi analisis pemikiran wartawan senior Parni Hadi tentang jurnalisme profetik
Full text linkPenelitian ini dilatar belakangi tentang maraknya penyebaran informasi yang mempengaruhi tatanan kehidupan sosial secara negatif dan positif. Penyebaran informasi yang tidak dilandasi iman, dan tidak mempertimbangkan dampaknya akan menimbulkan kegaduhan di masyarakat. Penelitian memfokuskan pada tokoh pers Indonesia Parni Hadi tentang gagasannya Jurnalisme Profetik sebagai jalan dakwah dan warisan tugas nabi untuk diterapkan dalam praktik jurnalistik sehingga menghasilkan produk jurnalistik yang mendamaikan dan memberikan manfaat bagi kehidupan masyarakat banyak. Sehingga dapat dijadikan sebagai panduan jurnalis profesional maupun para pegiat penyebar informasi (jurnalisme warga) agar penyebaran informasinya memiliki manfaat, bukan informasi provokatif.
Penelitian ini mengikuti rumusan masalah yakni bagaimana pemikiran Parni Hadi tentang Jurnalisme Profetik, bagaimana Jurnalisme Profetik sebagai Jurnalisme Islami, dan bagaimana Parni Hadi mengimplementasikan Jurnalisme Profetik? Tujuannya untuk mengetahui dasar pemikiran Parni Hadi tentang Jurnalisme Profetik sebagai tokoh pers yang telah menunjukan keseriusannya terhadap perkembangan dunia jurnalistik. Menganalisis pemikirannya sebagai Jurnalisme Islami yang dapat ditawarkan kepada pegiat jurnalistik dan untuk mengetahui keberhasilan Parni Hadi dalam mengimplementasikan Jurnalisme Profetik sebagai kegiatan jurnalistik yang memberikan manfaat bagi masyarakat banyak. Penelitian menggunakan metodologi library research atau penelitian kepustakaan ini melakukan pendekatan penelitian analisis data, menggunakan semiotik yakni analisis konten (content analysis). Dengan sumber data penelitian terdiri dari dua macam yaitu sekunder dan primer, Teknik analisis data analisis konten dan interpretasi.
Penelitian ini menemukan Jurnalisme Profetik yang dapat dipraktikan oleh semua jurnalis atau media massa dengan berbagai latar belakang agama, selama menyajikan produk jurnalistik yang benar, mendidik dan untuk kebaikan seluruh umat maka dapat disebut telah mengimplementasikan Jurnalisme Profetik. Parni Hadi berpandangan Jurnalisme Profetik bertujuan untuk beribadah, tidak semata-mata duniawi atau popularitas, melainkan keimanan kepada Allah atau Tuhan Yang Maha Kuasa. Jurnalisme Profetik bagian dari tugas dakwah bil qalam dan dakwah bil hal. Jurnalisme Profetik menerapkan tugas nabi tentang kejujuran, mengajak kebaikan, dapat dipercaya, mendidik dan menyampaikan pesan penuh dengan kearifan. Media massa di Indonesia maupun dunia jika menerapkan Jurnalisme Profetik maka akan menjaga tatanan kehidupan manusia yang lebih baik, dan terhindar dari informasi yang bersifat provokatif atau membuat kegaduhan di muka bumi
Phytochemical screening, in vitro anti quorum sensing activity and antioxidant activity of extracts of Plumeria alba, Pisonia alba and Cynodon dactylon
Full text linkBiofilm formation is a major strategy of drug resistant bacteria to thrive and cause infection. This ever increasing drug resistance demands for new drugs and treatment. Our study investigated the potential of phytochemicals in inhibiting biofilm formation through screening of anti quorum sensing activity. Ethyl acetate extracts of leaves of Plumeria alba and Cynodon dactylon and methanol extract of leaves Pisonia alba were assayed to determine their ability to inhibit the in vitro biofilm formation. C. dactylon extract showed an inhibition of 94.64±0.44% at 20 μg/mL concentrations against the bio film producing clinical isolate Pseudomonas aeruginosa, whereas Plumeria alba and Pisonia alba extracts showed 90.30±0.27% and 88.25±0.82% inhibition activity respectively. C. dactylon extract also exhibited considerable antioxidant activity of 65.42±0.787 through DPPH assay. Thus it indicates that these plants could be prospective agents in treating clinical pathologies through inhibition of cell communication
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Case Study - Digitalization and Promotion of the Music Band Parni valjak from 1990
No full textPrilagođavanje procesima digitalizacije ključni je izazov moderne hrvatske glazbene industrije koja se danas temelji na uspješnosti promocije glazbenih izdanja. Digitalizacija je snažno utjecala na sva umjetnička područja, a tako i glazbenu industriju kroz nove tehnologije koje omogućavaju napredak u poslovnim procesima industrije, od kreativnih do promotivnih i distribucijskih. Najvažniji dionici glazbene industrije mijenjali su se od 1990. do danas, a mijenjala se i njihova uloga unutar poslovnih procesa industrije. Procesi promocije su se posljednjih tridesetak godina zahvaljujući digitalizaciji ubrzali, broj posrednika koji sudjeluju je porastao, a ogledni primjer prilagodbe je Parni valjak, legendarni zagrebački bend čija glazbena izdanja redovito osvajaju top ljestvice, najveće nagrade i srca publike. Promociju su olakšali i šira dostupnost radio uređaja, veća pokrivenost radijskih frekvencija i razvoj televizije. Cilj istraživanja bio je ukazati na trenutne trendove i na posljedice digitalizacije u promociji glazbe u Hrvatskoj, kroz studiju slučaja benda Parni valjak. Fokus se zadržao na procesima u promociji njihove glazbe u posljednjih trideset godina. Istraživačkom metodom polustrukturiranog dubinskog intervjua s najvažnijim dionicima glazbene industrije dobio sam odgovor na sljedeće istraživačko pitanje: Na koji način je digitalizacija promijenila procese promocije glazbenih izdanja benda Parni valjak u zadnjih tridesetak godina? Rezultati pokazuju da je digitalizacija u posljednjih tridesetak godina ubrzala sve procese u glazbenoj industriji, promijenila poslovne modele odnosa unutar industrije, drastično povećala broj posrednika i dionika industrije te omogućila kombiniranje načina promocije istovremeno tradicionalnim i digitalnim kanalima s ciljem povećanja uspješnosti promocije. Ova studija je doprinijela u širenju konteksta razumijevanja hrvatske glazbene industrije u cijelosti, a specifičan doprinos dala je razumijevanju uloge promocije u objavi novih glazbenih izdanja.Adapting to the processes of digitalization is a key challenge of the modern Croatian music industry, which is currently based on the success of music release promotion. Digitalization has strongly impacted all artistic fields, including the music industry, through new technologies that enable progress in industry's business processes, from creative to promotional and distribution processes. The most important stakeholders in the music industry have changed from 1990 to the present day, and their roles within the industry's business processes have also changed. Thanks to digitalization, promotional processes have accelerated over the past thirty years, the number of intermediaries involved has increased, and a notable example of adaptation is Parni valjak, a legendary music band whose music releases regularly top charts, win major awards, and capture the hearts of the audience. Promotion has been facilitated by the wider availability of radio devices, greater coverage of radio frequencies, and the development of television. The research goal was to highlight current trends and the consequences of digitalization in music promotion in Croatia, through a case study of the band Parni valjak. The focus remained on processes in promoting their music over the past thirty years. By employing a semi-structured in-depth interview method with key stakeholders in the music industry, I obtained an answer to the following research question: In what way has digitalization changed the music release promotion processes of the band Parni valjak in the last thirty years? The conclusion is that over the past thirty years, digitalization has accelerated all processes in the music industry, changed business relationship models within the industry, dramatically increased the number of intermediaries and stakeholders, and enabled combining promotion methods through both traditional and digital channels simultaneously in order to enhance the effectiveness of promotion. This research represents just a small case study and a fragment of the puzzle that indicates what is happening in the broader context of the Croatian music industry, whose issues and opportunities are yet to be explored. The understanding of specific processes in the music industry and promotion provided by this research is only a minor contribution to the realm of science dealing with similar questions
Case Study - Digitalization and Promotion of the Music Band Parni valjak from 1990
No full textPrilagođavanje procesima digitalizacije ključni je izazov moderne hrvatske glazbene industrije koja se danas temelji na uspješnosti promocije glazbenih izdanja. Digitalizacija je snažno utjecala na sva umjetnička područja, a tako i glazbenu industriju kroz nove tehnologije koje omogućavaju napredak u poslovnim procesima industrije, od kreativnih do promotivnih i distribucijskih. Najvažniji dionici glazbene industrije mijenjali su se od 1990. do danas, a mijenjala se i njihova uloga unutar poslovnih procesa industrije. Procesi promocije su se posljednjih tridesetak godina zahvaljujući digitalizaciji ubrzali, broj posrednika koji sudjeluju je porastao, a ogledni primjer prilagodbe je Parni valjak, legendarni zagrebački bend čija glazbena izdanja redovito osvajaju top ljestvice, najveće nagrade i srca publike. Promociju su olakšali i šira dostupnost radio uređaja, veća pokrivenost radijskih frekvencija i razvoj televizije. Cilj istraživanja bio je ukazati na trenutne trendove i na posljedice digitalizacije u promociji glazbe u Hrvatskoj, kroz studiju slučaja benda Parni valjak. Fokus se zadržao na procesima u promociji njihove glazbe u posljednjih trideset godina. Istraživačkom metodom polustrukturiranog dubinskog intervjua s najvažnijim dionicima glazbene industrije dobio sam odgovor na sljedeće istraživačko pitanje: Na koji način je digitalizacija promijenila procese promocije glazbenih izdanja benda Parni valjak u zadnjih tridesetak godina? Rezultati pokazuju da je digitalizacija u posljednjih tridesetak godina ubrzala sve procese u glazbenoj industriji, promijenila poslovne modele odnosa unutar industrije, drastično povećala broj posrednika i dionika industrije te omogućila kombiniranje načina promocije istovremeno tradicionalnim i digitalnim kanalima s ciljem povećanja uspješnosti promocije. Ova studija je doprinijela u širenju konteksta razumijevanja hrvatske glazbene industrije u cijelosti, a specifičan doprinos dala je razumijevanju uloge promocije u objavi novih glazbenih izdanja.Adapting to the processes of digitalization is a key challenge of the modern Croatian music industry, which is currently based on the success of music release promotion. Digitalization has strongly impacted all artistic fields, including the music industry, through new technologies that enable progress in industry's business processes, from creative to promotional and distribution processes. The most important stakeholders in the music industry have changed from 1990 to the present day, and their roles within the industry's business processes have also changed. Thanks to digitalization, promotional processes have accelerated over the past thirty years, the number of intermediaries involved has increased, and a notable example of adaptation is Parni valjak, a legendary music band whose music releases regularly top charts, win major awards, and capture the hearts of the audience. Promotion has been facilitated by the wider availability of radio devices, greater coverage of radio frequencies, and the development of television. The research goal was to highlight current trends and the consequences of digitalization in music promotion in Croatia, through a case study of the band Parni valjak. The focus remained on processes in promoting their music over the past thirty years. By employing a semi-structured in-depth interview method with key stakeholders in the music industry, I obtained an answer to the following research question: In what way has digitalization changed the music release promotion processes of the band Parni valjak in the last thirty years? The conclusion is that over the past thirty years, digitalization has accelerated all processes in the music industry, changed business relationship models within the industry, dramatically increased the number of intermediaries and stakeholders, and enabled combining promotion methods through both traditional and digital channels simultaneously in order to enhance the effectiveness of promotion. This research represents just a small case study and a fragment of the puzzle that indicates what is happening in the broader context of the Croatian music industry, whose issues and opportunities are yet to be explored. The understanding of specific processes in the music industry and promotion provided by this research is only a minor contribution to the realm of science dealing with similar questions
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