1,723,098 research outputs found
Historia de la Biblioteca Nacional. Estado de una polémica. Buenos Aires: Ediciones Biblioteca Nacional, 2010
Horacio González reseñado por Juan Pablo G. LaporteFil: Laporte, Juan Pablo G. Universidad de Buenos Aires; Argentina
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Pablo. G. del Amo - editing fragments
The thesis is an imaginary film which adopts the structure of Carlos Saura?s movie Elisa, vida mía (Elisa, my life, Spain 1976). Main ?characters? are the editor Pablo G. del Amo, the directors Carlos Saura and Víctor Erice and the producer Elías Querejeta, all of whom have left a profound trace on the history of Spanish cinema in the second half of the 20th century. However, my film is confined to the period between 1965 and 1976, marking the beginning of their collaboration. They aimed to shoot authorial movies, to reach certain continuity of the work and to comment as much as possible on the political situation ? this was the period when General Franco?s regime was almost over. Another aim of Querejeta?s production was to draw out discerning viewers, i.e. to prove that such an audience already existed.
Elisa, my life, Saura?s most personal film, closes one period of work of all the ?characters?, and marks a certain turning point. Elisa leads my film through its work with space-time and motives to tell about the chosen period and films from certain points of view. Structuring my thesis on a film enables me to work with different kinds of materials: historical facts, contemporary press, film analyses and autobiographical information. This creates different mutually intertwining lines. The story of Pablo G. del Amo?s life is so essential for his decision to dedicate his entire life to cinema, that several sequences have been devoted to him. My film should provide the same reminiscent approach characteristic of the researched material. The theme of memory gives impulses to the characters to move in space and time, to their childhood, imagination and dreams. Memory ? personal as well as of the whole society ? is understood not only by means of remembering, but also of intentional forgetting
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Más que poner el culo. En torno de la posibilidad de un sujeto de enunciación queer
Fil: Luzza Rodriguez, Pablo G. Grupo de estudios sobre estructuralismo y postestructuralismo IIGG – FSOC – UBA; Argentin
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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