1,720,977 research outputs found
La sicurezza urbana tra editti e ronde
No full textStudio sugli strumenti per gli enti locali in materia di sicurezza urban
Responsabilità medica e pandemia da Covid-19
No full textRipercussioni della pandemia sulla responsabilità dei sanitari che si sono trovati ad affrontare lo scoppio del Covid-19
Le basi del sostegno politico del presidente del Consiglio dei Ministri
No full textThis chapter analyzes the foundations of the Italian prime ministers’ political support (party-parliamentary; electoral; presidential). In particular, it investigates the relationship between these foundations, the background, and the governing capacity of the heads of government. It answers four main questions: what type of political support Italian prime ministers enjoy? How do prime ministers’ background vary depending on the support’s foundations? When does political support endow prime ministers with governing capacity? How much support do prime ministers have? The analysis covers a period of more than 70 years (1948-2021) and 65 cabinets, whose heads are classified as prime ministers with little, medium, and large support, based on an original additive index of political support
Mario Scelba
No full textIl saggio descrive le caratteristiche essenziali della presidenza del Consiglio di Mario Scelba tra 1954 e 1955, secondo lo schema dell'opera complessiva in cui è inserito (breve inquadramento biografico, circostanze della nascita dell'esecutivo, intenzioni e modalità di guida del presidente, questioni politiche e parlamentari affrontate, progetti di legge e scelte compiute, crisi di governo)
S.Selva, "Mario Monti", in "I presidenti e la presidenza del Consiglio dei ministri nell'Italia repubblicana. Storia, politica, istituzioni"
No full textAfter an introductory section devoted to outlining the biography of Mario Monti in the Italian academic and economic public life, this book chapter provides a sweeping reconstruction of Mario Monti's government from the view point of the economic legislation, domestic and foreign policy initiatives under his tenure as Prime Minister of Italy against the backdrop of the economic doldrums which the Italian economy suffered from since the outbreak of the 2008-12 world economic crisi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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