1,721,267 research outputs found
I nostri bambini, in Occhi e Nasi
No full textScheda relativa all’opera letteraria “I nostri bambini, in Occhi e Nasi” di Carlo Lorenzini (Collodi), pubblicata da Mondadori, Milano, nel 199
"La terra promessa della fiaccona". Stereotipi e rappresentazioni dell'italianità in "Occhi e nasi" di Carlo Collodi.
Full text linkL’onorevole Cenè Tanti è il capitolo conclusivo della terza edizione di Occhi e nasi (Ricordi dal vero), pubblicata per i tipi di Paggi nel 1884. La descrizione del deputato “che non va alla Camera” ricorre nell’opera giornalistica di Collodi e riflette alcuni stereotipi propri dell’italianità, quali l’ozio e l’attitudine a mancare alla parola data. Collodi ricorre a una scrittura fortemente umoristica, contrae debiti con la moda francese delle physiologies e crea un gioco di rimandi intertestuali alla trattatistica del Risorgimento, alla cronaca a lui coeva e, infine, alle sue opere per ragazzi, soprattutto Giannettino (1877) e Le avventure di Pinocchio (1883). Attraverso questo complesso insieme di rimandi, lo scrittore mette a fuoco un’immagine critica e disincantata dell’Italia postunitaria che mostra ancora oggi tratti di attualità.L’onorevole Cenè Tanti is the final chapter of the third edition of Occhi e nasi (Ricordi dal vero), published by Paggi in 1884. The description of the deputy “who does not go to the Chamber” often occurs in Collodi’s journalistic production and reflects some typical stereotypes of Italianness such as idleness and the attitude to fail to keep one’s promise. Collodi resorts to a highly humoristic writing, follows the French fashion of physiologies and creates a play of intertextual references to Italian Risorgimento treatises, to contemporary chronicle and to his own works for children, in particular to Giannettino (1877) and Le avventure di Pinocchio (1883). Through this complex set of references, the author highlights a critical and disillusioned image, which still shows aspects of contemporaneity of post-unification Italy
Petrography and geochemistry of the orthoamphibolites belonging to the Merano-Mules-Anterselva basement (Eastern Alps)
No full textPre-Variscan alkaline magmatism in the Eastern Apls: The Croda Nera metabasites and amphibolites
No full textThe Croda Nera (CN) amphibolites belong to the Austroalpine polymetamorphic Merano-Mules-Anterselva basement (MMA). The protoliths were affected by Variscan regional metamorphism, undergoing maximum P-T conditions typical of garnet amphibolite facies. During Oligocene, the MMA basement was intruded by several plutons. The CN body is located close to the Vedrette di Ries intrusion, which caused medium grade contact metamorphism, not exceeding 550° C, overprinting the older regional event.
In CN we identified ortho- and para-amphibolites, based on both petrographic and chemical grounds, employing different discriminant diagrams.
According to SCMR, the CN metabasites can be classified as amphibolites s.s., with minor garnet amphibolites, biotite+garnet amphibolites and monomineralic amphibolites. The most abundant phase is a subidiomorphic green amphibole. These crystals define the scistosity of the rock, when present. Sometimes they display a decussate microstructure. Garnet occurs as large porphyroblasts which include Amph + Bt + Ttn. Biotite, when present, is abundant (>10% vol.) and displays decussate microstructure. Plagioclase is usually very scarce, so that the rocks are melanocratic (M ≈ 90). Ti-bearing phases are Ttn and Ilm, the latter being often retrogressed into the former; Rt is absent. Calcite is widespread in variable amounts, from less than 1% vol. (ortho-amphibolites) to 15-20% vol. (calc-silicate para-amphibolites). Sporadic mylonitic fabric caused local retrogression to Act + Ep ± Chl greenschist assemblages. Clinopyroxene relics of likely igneous origin are sporadically observed, always bearing an hornblende corona. Amphibole is dominantly Mg-hornblende, with minor tschermakite and Fe-tschermakite. Garnet has a low Mg content (prp1-10) and a highly variable Ca (grs25-44), Fe (alm25-60 and Mn (sps1-15) contents. Plagioclase composition ranges from an12 to an33; in places, some pure albite crystals occur, especially within retrogressed deformed layers. Pyroxene relics have a composition close to the Di-Hd join (Ca > 0.94 a.p.f.u.); this fact, together with Na and Ti contents and the microstructural occurrence, points to an igneous origin of this phase, by crystallisation from alkaline magmas. Conventional ion exchange geothermobarometers, where applicable, yield pressures and temperatures lower than expected, indicating post-peak reequilibrations.
The bulk-rock chemistry of CN ortho-amphibolites highlights a mafic to ultramafic nature of the protoliths, which are classified as alkali basalts, basanites and picro-basalts. In a few samples, pyroxene cumulus phenomena have been detected. Major and trace element geochemistry indicates that many protoliths were primary liquids; possibly, only slight fractionation of olivine occurred sporadically. The REE are highly fractionated (LaN/YbN between 21 and 36), with no significant difference between LREE and HREE and no detectable Eu anomaly.
Discriminant diagrams employing immobile trace elements (e.g., Zr-Ti/100-3*Y, Th-Hf/3-Ta) confirm the alkaline nature of the protoliths and point to a within-plate tectonic setting for their emplacement.
Preliminary Nd isotope data on metaderivates from supposedly primary magmas yield ages of about 1100 Ma, calculated employing a linear evolutionary trend of the depleted mantle. They agree within error with other model ages in the MMA (Meli, unpublished); however such ages do not fit any previous model for this sector of pre-Variscan crust, being at the present state of knowledge somewhat controversial
Pre-Variscan alkaline magmatism in the Eastern Alps: the Croda Nera metabasites and amphibolites.
No full text
Aidos negli occhi e sul volto: riflessioni su due temi ricorrenti nella poesia greca
No full textIndagine sulle attestazioni e sui tratti distintivi di due temi ricorrenti nella poesia greca: 'aidos' che risiede negli occhi e che talvolta induce a distoglierli o ad abbassarli; 'aidos' che fa arrossire le guance e il volto
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Carlo Collodi, 'Occhi e nasi (Ricordi dal vero)'
No full textIl V volume (tomo I) dell' 'Edizione Nazionale delle Opere di Carlo Lorenzini presenta il testo di 'Occhi e nasi (Ricordi dal vero)', corredato da: un'Introduzione relativa ai rapporti di Collodi giornalista con la cultura toscana, con le "physiologies" francesi e con il giornalismo coevo, mirata a mettere in luce come lo scrittore rappresenti in forma umoristica i tratti salienti dell'italianità (pp. 21-58); seguono un capitolo sulla 'Storia editoriale' e sulla 'Fortuna critica' del volume collodiano (pp. 237-249); un'ampia sezione filologica relativa ai 'Criteri di edizione', contenente anche le varianti testuali relative alle varie edizioni dell'opera (1881, 1884, 1891; pp. 251-274); un apparato di note al testo (pp. 275-378)
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