32 research outputs found
Measurement of ICRF power deposition and thermal transport with an ECE grating polychromator on the alcator C-mod tokamak
No full textThesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Physics, 1997.Includes bibliographical references (p. 271-277).by Peter Joseph Larkin O'Shea.Ph.D
Zechariah 9-14 as the substructure of 1 Peter’s eschatological program
No full textThe principal aim of this study is to discern what has shaped the author of 1 Peter to regard Christian suffering as a necessary (1.6) and to-be-expected (4.12) component of faithful allegiance to Jesus Christ. Most research regarding suffering in 1 Peter has limited the scope of inquiry to two particular aspects—its cause and nature, and the strategies that the author of 1 Peter employs in order to enable his addressees to respond in faithfulness. There remains, however, the need for a comprehensive explanation for the source that has generated 1 Peter’s theology of Christian suffering. If Jesus truly is the Christ, God’s chosen redemptive agent who has come to restore God’s people, then how can it be that Christian suffering is a necessary part of discipleship after his coming, death and resurrection? What led the author of 1 Peter to such a startling conclusion, which seems to runs against the grain of the eschatological hopes and expectations of Jewish restoration ideology?
This thesis analyzes the appropriation of shepherd and fiery trials imagery,
and argues that the author of 1 Peter is dependent upon Zechariah 9-14 for his
theology of Christian suffering. Said in another way, the eschatological program of
Zechariah 9-14, read through the lens of the Gospel, functions as the substructure
for 1 Peter’s eschatology and thus its theology of Christian suffering.
In support of this hypothesis, this study highlights the fact that Zechariah 9-
14 was available and appropriated in early Christianity, in particular in the Passion
Narrative tradition; that the shepherd imagery of 1 Pet 2.25 is best understood
within the milieu of the Passion Narrative tradition, and that it alludes to the
eschatological program of Zechariah 9-14; that the fiery trials imagery found in 1
Peter 1.6-7 and 1 Pet 4.12 is distinct from that which we find in Greco-Roman and OT
wisdom sources, and that it shares exclusive parallels with some unique features of
the eschatological program of Zechariah 9-14; that Zechariah 9-14 offers a more
satisfying explanation for the modification of Isa 11.2 in 1 Pet 4.14, the transition
from 4.12-19 to 5.1-4, why Peter has oriented his letter with the term διασπορά,
and why he has described his addresses as οἶκος τοῦ θεοῦ; and finally that 1 Peter
contains an implicit foundational narrative that shares distinct parallels with the
eschatological program of Zechariah 9-14.
We can conclude that 1 Peter offers a unique vista into the way in which at
least one early Christian witness came to understand and to communicate the fact
that Christian suffering was a necessary feature of faithful allegiance to Jesus Christ
'To live and die [for] Dixie': Irish civilians and the Confederate States of America
No full textAround 20,000 Irishmen served in the Confederate army in the Civil War. As a result, they left behind, in various Southern towns and cities, large numbers of friends, family, and community leaders. As with native-born Confederates, Irish civilian support was crucial to Irish participation in the Confederate military effort. Also, Irish civilians served in various supporting roles: in factories and hospitals, on railroads and diplomatic missions, and as boosters for the cause. They also, however, suffered in bombardments, sieges, and the blockade. Usually poorer than their native neighbours, they could not afford to become 'refugees' and move away from the centres of conflict. This essay, based on research from manuscript collections, contemporary newspapers, British Consular records, and Federal military records, will examine the role of Irish civilians in the Confederacy, and assess the role this activity had on their integration into Southern communities. It will also look at Irish civilians in the defeat of the Confederacy, particularly when they came under Union occupation. Initial research shows that Irish civilians were not as upset as other whites in the South about Union victory. They welcomed a return to normalcy, and often 'collaborated' with Union authorities. Also, Irish desertion rates in the Confederate army were particularly high, and I will attempt to gauge whether Irish civilians played a role in this. All of the research in this paper will thus be put in the context of the Drew Gilpin Faust/Gary Gallagher debate on the influence of the Confederate homefront on military performance. By studying the Irish civilian experience one can assess how strong the Confederate national experiment was. Was it a nation without a nationalism
The manuscript miscellany in early Stuart England : a study of British Library Manuscript Additional 22601 and related texts
No full textPhDThis thesis is an intensive study of a manuscript miscellany dating from the early years
of the reign of James VI and 1: British Library Manuscript Additional 22601. Compiled
by someone who had close links to the court, but who was also likely to have been
associated with the Inns of Court and possibly with the south-west of England, the
miscellany contains verse (including that of King James) and prose in a wide range of
genres, with a particular interest in the political culture of the period. My thesis
provides a description of the manuscript's contents as a whole and then goes on to focus
on texts from three specific genres: the letter, political prose, and poetry. Studying
these individually and in their immediate context, it goes on to trace their appearance in
a number of other contemporary miscellanies held in British and North American
archives.
The two primary contentions of the thesis are (1) that manuscript miscellanies need to
be treated as coherent wholes, whose arrangement to some extent determines the
meaning of the texts they contain and (2) that in the process of transmission from one
manuscript to another texts and their meanings are significantly modified. The act of
transcription is thus also an act of interpretation. Building on work by Peter Beal, Mary
Hobbs, Harold Love, Henry Woudhuysen and others, the thesis aims to expand our
understanding both of the culture of scribal publication and of the ways in which that
culture engaged with the political, religious and literary life of the nation
Man in his native noblesse? : chivalry and the politics of the nobility in the tragedies of George Chapman
No full textIn this thesis I argue that the three plays under consideration - Bussy
D'Anbois, The Conspiracy and Tragedy of Charles Duke of Byron, and The
Revenge of Bussy D'Ambois - illustrate Chapman's concern with the role of
chivalry in England following the debacle of the Essex Rebel lion in 1601.
My contention is that, for Chapman, the Essex Rebellion exposed the
fragility and the inconsistencies of Elizabethan chivalry and the political
threat represented by its preoccupation with martial values.
I suggest that in his plays, Chapman sets out to deconstruct the myth
of chivalry by exposing it as a romantic concept which is used by the
martial nobility as a means of Emphasizing their political rights. The
values of chivalry - prowess, honour, loyalty, generosity, courtesy and
independence - are shown, by the plays, to be incompatible with the
political ambitions of the nobility. By associating themselves with this
mythical concept of chivalry, political figures cane to identify their
factions with the values of chivalry. Chapman, I argue, shows haw the myth
is established and then exposes it for what it is, by portraying his
characters as unable to live up to their expected mythical ideals.
Chivalry is stripped of its mythical trappings and exposed as militaristic,
aggressive and politically motivated.
The thesis is divided into five chapters. In the first, I consider
Chapman alongside the Tacitean historians who were connected with the Essex
circle in the 1590s and show how, in The Conspiracy and Tragedy of Charles
Duke of Byron, the dramatist transformed the providentialist narrative of
his source into a play with Tacitean connotations, emphasizing the
relationship between chivalry and constitutional political theory. In the
second chapter I consider Chapman's interest in chivalry and discuss
generally the romantic concept of Elizabethan chivalry and its relationship
with the political concerns of the nobility. In Chapters Three to Five I
discuss Chapman's portrayal of chivalry and its political impliications
The sacred choral music of Francis Poulenc: a contextual and analytical study
No full textPoulenc is perhaps best known for his instrumental works, for his adherence to the aesthetics of Neo-classicism, and his place among the Parisian intellectual circles in tJie 1920s and 1930s in which his friend, Jean Cocteau, played a central role. This essentially secular side of Poulenc's creativity was, after the composer's return to Roman Catholicism in 1936, challenged by a need to express a newly-found religious conviction in sacred music. Consequently Poulenc, who had been accustomed to the secular aesthetics of Neo-classicism of Parisian artistic life and the French capital's concert halls, found it necessary to 'rediscover' and assimilate the language of French church music and its history (notably through the filter of the Cecilian Movement, Niedermeyer and the pkinchant of Solesmes) in order to create for himself an appropriate 'sacred style’ that could also incorporate those essential elements of his characteristically playful and sensual, 'secular' language. This study aims to explore this confrontation of styles and how Poulenc successfully forged a cohesive and congruent language for his sacred works. The opening chapters have several distinct perspectives: chapter one outlines the tortuous history of the Church's relationship with the State in France dating back to the pivotal effects of the 1789 Revolution, in an attempt to provide a necessary context for the importance that Poulenc and his predecessors and contemporaries (most significantly Debussy) attached to the past; chapter two, by contrast, discusses some of the principal issues at the heart of Parisian artistic society in the early decades of the twentieth century and focuses on the lively artistic community which existed in Paris with the influx of large numbers of foreign musicians (particularly Americans and Russians) and artists, the emergence of 'Les Six' (of which Poulenc was a member) and the artistic leadership and inspiration given by figures such as Jean Cocteau, Serge Diaghilev and Igor Stravinsky. Cocteau and Stravinsky, indeed, had a huge impact on the young Poulenc. The second part of the thesis is an analytical study of Poulenc's sacred works (putting aside the Gloria, Stabat Mater and Sept Repais de Tetibres which are unmistakably concert works) and connects these analyses with the issues presented in the earlier chapters, beginning with the emotionally powerful Litanies a la vierge noire for women’s voices, composed soon after his Catholic faith returned in 1936, and ending with the decidedly hard-edged, Stravinskian Neo-classicism, yet relative placidity, of the Laudes de Saint Antoine de Padoue for men's voices, completed in Cannes in 1959. Central to the analytical discussion are the well known eclectic Mass in G (1937), the dramatic Quatre motets pour un temps de penitence (1939) and the stylistically distilled Quatre petite prieres de Saint Francois d'Assise which display the greatest variety of style and form and which combine to present significant examples of Poulenc's skilful unification of sacred and secular, ancient and modem sound worlds
Modelagem de data warehouse como suporte na tomada de decisão da alta gerencia na administração pública: estudo de caso : chancelaria paraguaia /
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro Tecnológico
Um Estudo comparado das relações ambientais de mulheres da floresta do Vale do Guaporé (Brasil) e do Mayombe (Angola) - 1980 - 2010
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em HistóriaEste estudo objetiva discutir como as mulheres negras da floresta do vale do Guaporé/Rondônia, na Amazônia brasileira, e do Mayombe, na Província de Cabinda, Angola, se relacionam com o meio ambiente constituindo modos de vidas específicos e formas de poder a partir de seus conhecimentos ancestrais. Tanto os modos de vida como tudo mais que decorre entende-se serem constituídos historicamente nas suas culturas. O período de estudo abrange de 1980 a 2010. A análise foi centrada nos dois lados do oceano Atlântico considerando perspectivas da história comparada, estabelecendo conexões entre contextos em ambientes de florestas tropicais, procurando perceber as similitudes, as diferenças, as permanências e as mudanças nas práticas socioculturais destes povos, considerando que as populações negras que habitam o vale do Guaporé sejam provenientes de Angola ou de outros lugares da África Central. Procura-se discutir as relações de gênero presentes nas práticas culturais de mulheres e homens que habitam as florestas tropicais na utilização dos recursos naturais. O trabalho de campo foi realizado nas comunidades quilombolas do vale do Guaporé e nas aldeias do Mayombe, ocasião em que se participou de suas práticas cotidianas e fizeram-se várias entrevistas com mulheres e homens, pois este estudo privilegia as fontes orais, construindo um texto dialógico com as falas e interpretações das pessoas entrevistadas, a interpretação da autora e de vários estudiosos que trabalham esta temática. O principal traço comum entre a população do Guaporé e do Mayombe é o extrativismo, aliado à agricultura de subsistência. No Guaporé as mulheres são consideradas como "ajudantes" dos homens e no Mayombe elas são as principais responsáveis pelo desenvolvimento desta atividade agrícola e pela alimentação da família.This study intends to discuss how black women from Vale do Guapore Forest, Rondônia, in Brazilian Amazon, and women from Mayombe, in Cabinda Province, Angola, relate to the environment, establishing specific ways of life and forms of power through their ancestral knowledge. The ways of lives as well as everything else which follows it are understood to be constituted historically in their cultures. The period of study extends from 1980 to 2010. The analysis was centred on both sides of the Atlantic Ocean considering comparative history perspectives, establishing connections amongst rainforest environment contexts, aiming to perceive similarities, differences, permanencies and changes in these people´s sociocultural practices, considering that black population who inhabit Vale do Guapore are from Angola or from other sites in Central Africa. This paper aims to discuss gender relations present in women´s and men´s cultural practices who inhabit rainforests for the use of natural resources. Field research took place in quilombola communities in vale do Guapore and in Mayombe villages, occasion in which there was participation in their daily practices and several interviews were made with women and men, because this study privileges oral sources, constructing a text based on dialogues containing reports and interpretations from the interviewed people, the interpretation from the author and from researches who study this subject. The main common feature between Guapore population and that of Mayombe is extractive activities associated with subsistence farming. In Guapore women are considered as men´s "help" and in Mayombe they are the main responsible for the development of farming activity and for providing the family
Voices of inheritance : aspects of British film and television in the 1980s and 1990s
No full textDuring the 1990s the notion of the heritage film has become a taken for granted
category of British cinema. Rather than dispute the merits of particular films that lie
within this genre I question the construction of the relation between the idea of
heritage and contemporary British film and television. Using the critical literature
established by the contending cultural histories that address the rise of heritage in
British culture, I highlight other, frequently personal and national engagements with
inherited pasts. The concentration upon inheritance lends a greater emphasis to
what is passed on from the past and endures in the present.
The modes of articulating these inherited pasts are formally distinctive and
constructed out of the vocabulary of documentary and fiction. The corpus of texts
begins with the apparently radical avant garde film-making of Derek Jannan and
moves through the work of the Black Audio Film Collective to the apparently
conservative television documentaries of Alan Bennett. These key voices are then
situated in relation to the hegemonic definition of heritage and current debates
concerning British film and television. The persisting opposition which defined
British cinema during the 1980s posits an unofficial cinema characterized by dissent
and urban decay against an official cinema represented by the heritage film. My
corpus of texts challenges this opposition. The different engagements with inherited
pasts take place from different speaking positions and represent a diminishing
publicly funded tradition of film and television production. The range of positions
from margins to centre reveal that there was a contestation of the cultural sources
which are aggregated into the construction of heritage during the 1980s and 1990s
