1,772,696 research outputs found

    Cutting'aesthetic teeth' : Flannery O'Connor's habit of art

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoEste trabalho foi sugerido pela afirmação de Flannery O'Connor que sua "dedicação estética" nasceu através do contato com Art and Scholasticism de Jacques Maritain. O propósito foi chegar a uma interpretação do sentido da frase. Uma investigação detalhada foi feita do conteúdo de Art and Scholasticism, posteriormente contrastada com os resultados de uma pesquisa feita em seus ensaios e suas cartas, o que revelou numerosos ecos de diversos trechos constando no texto de Maritain. Três pontos principais foram escolhidos como critérios na análise do hábito artístico de O'Connor: 1) a prática de arte implica uma luta; 2) a arte somente pode ser percebida pelos sentidos; e 3) a prática de arte exige do artista a dedicação indivisa à obra nascente. O estudo conclui que, para O'Connor, o brotar da dentição estética, através da leitura de Art and Scholasticism, significou que, ao perceber na análise da natureza da arte algo com que podia concordar, ela reconheceu tanto sua própria capacidade de tornar-se uma artista literária, quanto sua vontade de assumir a tarefa de desenvolver em sua pessoa o hábito de arte

    A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil

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    In this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because ultimately fiction escapes orthodoxy

    Letter: Patrick J. O'Connor to Ida M. Tarbell, November 11, 1931

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    Handwritten letter, 2 page

    The O'Connor Family Papers

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    Ledger containing business transactions, kept by Joseph O'Connor

    The O'Connor Family Papers

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    Ledger containing business transaction numbers, kept by Thomas O'Connor. New entries contain categorical titles

    Fathers 4 Justice [Hardcover] Matt O'Connor (Author)

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    5 Photographs published within the first book from Matt O'Connor, a freelance marketing consultant and family law campaigner. This is Matt O'Connor's personal account of the most controversial protest movement of recent times, FATHERS 4 JUSTICE. Fearlessly honest and utterly irreverent Matt's own story will appeal to anyone whose family relationships have been torn to pieces by divorce and the family courts system

    The O'Connor Family Papers

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    Ledger containing business transaction numbers, kept by Thomas O'Connor. Descriptive labels and business entities at the top of new entries
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