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    Bees, Nikos A. an Agnes Oestreich

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    BEES, NIKOS A. AN AGNES OESTREICH Bees, Nikos A. an Agnes Oestreich ( -

    In Memory of Nikos Chatzisarantis

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    I first met Nikos Chatzisarantis in the Martin Hall bar at Loughborough University in the spring of 1998. A rather appropriate venue for our first meeting, as many who know him well will attest. My PhD advisor, Stuart Biddle, had said that I really had to meet Nikos, his new postdoc, but gave only scant details. So, a meeting was set up. In the bar, I was greeted by this uber-ebullient, heavily accented, slightly disheveled, hirsute Greek with a glint in his eye and larger-than-life demeanor. To say the meeting ‘went well’ would be an understatement, within minutes we were in deep conversation about theories, philosophy, research, and data analysis. It was the beginning of a long, deep friendship and collaboration. A partnership that was tragically, abruptly, and prematurely brought to a halt in May 2020, with Nikos’ untimely passing.No Full Tex

    The Cycle-Concert of Nikos Skalkottas, September 25, 2006

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    This is the concert program of the The Cycle-Concert of Nikos Skalkottas performance on Monday, September 25, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet No. 1 for Oboe, Trumpet, Bassoon and Piano, Concertino for Oboe and Piano, Sonata Concertante for Bassoon and Piano, Concertino for Trumpet and Piano, and Quartet No. 2 for Oboe, Trumpet, Bassoon and Piano by Nikos Skalkottas. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Prometeo de Nikos Kazantzakis

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    In this essay about the dramatic trilogy Prometheus by Nikos Kazantzakis, it is analysed the recreation of myth as an esthetic resource allowing the author to show an existencialist conception of life. For that purpose a dialogue is established with the Aeschylos's tragedy who is the first poet to resort to this myth in a dramatic play.Then we analysed the reappropiation of myth carried out by Kazantzakis on the basis of an individual proposal, that describes an existencialist vision of man and life

    Studies in Byzantine sigillography, 3, Nikos oikonomides (éd.), Dumbarton Oaks ; Studies in Byzantine sigillography, 4, Nikos oikonomides (éd.) ; Studies in Byzantine sigillography, 5, Nikos oikonomides (éd.).

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    Dunn A. Studies in Byzantine sigillography, 3, Nikos oikonomides (éd.), Dumbarton Oaks ; Studies in Byzantine sigillography, 4, Nikos oikonomides (éd.) ; Studies in Byzantine sigillography, 5, Nikos oikonomides (éd.).. In: Revue numismatique, 6e série - Tome 155, année 2000 pp. 357-362

    Nikos Nikolaou : une passion éditoriale

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    Nikos Nikolaou et Jean-Pierre Vernant à Sérifos en 2005. Cliché : Claude Frontisi. Le premier numéro de METIS est paru en 1986. Quatre ans plus tôt, à Joannina, Nikos Nikolaou proposait à Jean-Pierre Vernant de fonder une revue franco-hellénique. L’idée avait germé entre Stella Georgoudi, Manolis Papathomopoulos et Nikos. Françoise Frontisi participait à cet entretien. L’accord fut immédiat. Le comité de rédaction était quasi constitué. Restait à le compléter côté rue Monsieur le Prince. Le ..

    Giokaris, Nikos

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    Nikos Giokaris, associate professor in the Goulianos laboratory, 1993 See also New and Notes, 1993, vol.3, no.34https://digitalcommons.rockefeller.edu/scientific-staff/1050/thumbnail.jp

    Paramythia Tou Aisopou, Pemptos Tomos

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    This is the fifth of six volumes in a series that I found in Greek Video's catalogue. The first two volumes are under 1978/97, while the third and fourth are under 1986/96. Three stories: The Monkey and the Fox, BW, and The Lobster and the Fox. Nikos Neiros illustrates the first two stories and Michales Benetoulias the last. The animals' feats in competing for kingship in the first fable offer perhaps the best illustrations in this series. Many wolves attack the flock in the second fable. This volume returns to the format of the first two, with a small picture and a promythium on the title-page of each story. The monkey king, the fox, and other animals are pictured by Benetoulias on the cover. The back cover of all six volumes is the same.This is a hardbound book (hard cover)Language note: Modern GreekThird editionNestoras Chouno

    Amorgòs di Nikos Gatsos

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    First whole Italian translation of Nikos Gatsos' poem "Amorgòs

    Marina Fokidis speaks with Nikos Papastergiadis: towards a metalanguage of geography

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    Permission for this item cannot be attained from the publisher and therefore the item must remain unavailable.Having trained on the crossroads of social sciences and humanities, Nikos Papastergiadis is a theorist on art’s ability to penetrate in the field of everyday life. He has written texts on the open-ended issues of home, identity, migration and globalization approaching his research through the canon of art practice and cultural theory. His latest book from River Oram Press, “Spatial Aesthetics (Art, Place and the Everyday), “ Focuses on the ways artists relate to urban spaces and engage other people, both within local and global networks
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