92 research outputs found
Higher education development in independent Ukraine (1991-2002)
Get PDFTkachenko Uliana. Higher education development in independent Ukraine (1991-2002). Journal of Education, Health and Sport. 2019;9(6):562-571. eISSN 2391-8306. DOI http://dx.doi.org/10.5281/zenodo.3661433
http://ojs.ukw.edu.pl/index.php/johs/article/view/7684
The journal has had 7 points in Ministry of Science and Higher Education parametric evaluation. Part B item 1223 (26/01/2017).
1223 Journal of Education, Health and Sport eISSN 2391-8306 7
© The Authors 2019;
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The authors declare that there is no conflict of interests regarding the publication of this paper.
Received: 10.06.2019. Revised: 24.06.2019. Accepted: 28.06.2019.
УДК: 378.091-043.86(477)"1991/2002"(09)
HIGHER EDUCATION DEVELOPMENT IN INDEPENDENT UKRAINE (1991-2002)
Uliana Tkachenko
Khmelnytskyi Humanitarian-Pedagogical Academy
[email protected]
Abstract
The article deals with the problem of higher education development in independent Ukraine in the period 1991-2002. The main ways of reforming the education system are outlined. The priorities of the state policy in the development of education are revealed. Areas of international cooperation in the field of education and science are of great importance.
Key words: education; development of higher education; reform; directions
Image of beauty in Uliana Kravchenko and Mariyka Pidhirianka’s poetic world view (in the poetry for children)
Get PDFУ статті досліджено мовні засоби відтворення краси довкілля і
людини в поетичних творах Уляни Кравченко та Марійки Підгірянки
для дітей. Визначено словесно-образні домінанти, що експлікують
авторське естетичне сприйняття світу. Виявлено спільні та
відмінні риси мовотворчості письменниць у використанні засобів
художньої тропіки.In the article the language means of environment and human beauty
creation in the poetry of Uliana Kravchenko and Mariyka Pidhiryanka
for children are investigated. The verbal-figurative dominants explicating
author aesthetic world perception are determined. The common and
distinctive features of the writers’ verbal creativity in using the tropes are
revealed
Image of beauty in Uliana Kravchenko and Mariyka Pidhirianka’s poetic world view (in the poetry for children)
No full textУ статті досліджено мовні засоби відтворення краси довкілля і
людини в поетичних творах Уляни Кравченко та Марійки Підгірянки
для дітей. Визначено словесно-образні домінанти, що експлікують
авторське естетичне сприйняття світу. Виявлено спільні та
відмінні риси мовотворчості письменниць у використанні засобів
художньої тропіки.In the article the language means of environment and human beauty
creation in the poetry of Uliana Kravchenko and Mariyka Pidhiryanka
for children are investigated. The verbal-figurative dominants explicating
author aesthetic world perception are determined. The common and
distinctive features of the writers’ verbal creativity in using the tropes are
revealed
Diversity in management accounting practice through the ABC paradox : testing an institutional perspective
No full textIncludes bibliographical references (leaves 105-110).This study investigates the ability of Burns and Scapens' (2000) Institutional Framework, drawn from Old Institutional Economics, to explain diversity in management accounting practice. The framework contends that management accounting practices can shape, and be shaped by, the taken for granted ways of thinking (institutions) that exist within an organisation, and is offered in response to the perceived inability of neo-classical economics to explain diversity in management accounting practices (Burns & Scapens, 2000; Soin, Seal & Cullen, 2002; Scapens, 2006). This inability contributes to uncertainty regarding the value or relevance of the management accounting technique studied. One area in which this is particularly apparent is that of Activity Based Costing (ABC) where a paradox has emerged: while ABC is reported as being a superiour costing technique, the lack of widespread use thereof implies otherwise (Gosselin, 1997). This study tests the ability of the Institutional Framework to explain the change in management accounting practices that occurred in a medium sized South African university during the seven year period from 2000 to 2006. The case presents a situation where ABC might seem indicated, but instead a uniquely tailored response was devised. This case demonstrates the constraining influence of institutions on management accounting change and shows how institutions standing in opposition to change were altered through management processes, which is of practical relevance to management wishing to effect change successfully. Further, the study shows that that the relationship between economic considerations and institutional influences are not as suggested by the theory, and that the link between economic rationality and the institutional framework can be readily articulated
Conceptualization of economic security in the context of energy markets’ integration
Get PDFThe research includes an analysis of the evolution of fundamental scientific theories regarding security. Based on the systematization of modern definitions the author suggests applying the institutional-transformational approach in order to comprehension the term “economic security of energy market”. The author emphasizes the influence of the theory of risk, the theory of conflict and theory of socio-economic catastrophes on the economic security of energy market. The author studies global trends in the development of the energy sector and determines the positions of Ukraine based on the indicators of the rating “Energy Trilemma Index” In the paper, the conceptual principles of economic security of energy markets, which these take into account peculiarities of integration processes, “acquis communautaire”, and stakeholders' interests, are presented. It gives the possibility to consider both economic and social-political factors of the market environment when establishing market priorities of every hierarchical level in a purpose of sustainable development achievement
ОСОБЛИВОСТІ ВЖИВАННЯ ТРОПІВ НА ПОЗНАЧЕННЯ РОСЛИН У МОВІ ТВОРУ УЛЯНИ КРАВЧЕНКО «ХРИЗАНТЕМИ»
Get PDFThe problem of studying language unions from the point of ethnic culture view is actual in the modern linguistic. It was touched in the works of O.Potebnya, the ideas of the scientist were supported and developed in the researches of many home and foreign linguists such as: M. Bahtin, I. Bilodid, L. Bulahivsky, V. Vynogradov, G. Vynokur, S. Yermolenko, V .Kalashnik, L .Lysychenko, B. Larin, D. Lyhachov, Y. Lotman, V. Rusanivsky and others. However, according to the testimonies of the researches we don’t have enough works devoting to the analysis of tropes in the modern poetical language. In view of the above, the development of problems of linguistic poetry is relevant. The complex analyses of the author image creating in the artistic language of Uliana Kravchenko was made, the main forms of making idea style of the writer were described – epithet constructions, comparative constructions, metaphoric contexts. The tropes as for defining plants were characterized and analyzed the specific of their realizing in the language of Uliana Kravchenko’s text ≪Chrysanthemums≫. The role of tropes in poetical text was found out. The individual author metaphors, epithets, comparatives were considered. It was proved, that these tropes are a characteristic feature of linguistic creativity of the writer, they play an important compositional and context function, which defines the unique style of Uliana Kravchenko
The features of psychological and aesthetic outlook of Uliana Kravchenko in genealogic discourse of transition period
No full textУ контексті літературного процесу кінця ХІХ — початку ХХ століття актуальним
стає своєрідний синтетичний жанр — «поезія в прозі», особливістю поетики
якого стає не лише поєднання ліричних та епічних родових ознак, але й вільне
ставлення до канонічних норм наративного та композиційного структурування
тексту.
У даній статті детально розглянуто поетику циклу поезій у прозі Уляни Кравченко
«Розгублені листочки». На основі аналізу творів письменниці означено своєрідність її художнього мислення та світосприйняття, авторський психологізм.
Поезії в прозі з циклу «Розгублені листочки» ілюструють органічну єдність поетичного
та прозового способів художнього відтворення дійсності, що насамперед
позначилося на характері образотворення, психологічної домінанти вираження,
ритмічному структуруванні тексту, афористичності мовлення тощо. Визначено
антитетичний принцип текстової організації поезій у прозі, що зумовлює увиразнення
ідейно-тематичного та емоційного наповнення творів.В контексте литературного процесса конца ХІХ — начала ХХ века актуальным
становится своеобразный синтетический жанр — стихотворение в прозе,
особенностью которого является не только синтез лирических и эпических родовых
элементов, а и свободное обращение с каноническими нормами нарративной и
композиционной структуры текста.
В данной статье представлено детальное исследование поэтики цикла стихотворений
в прозе Ульяны Кравченко «Растерянные листочки». Отмечена оригинальность
художественного мышления и мировоззрения писательницы, авторского
психологизма при анализе ее произведений. Стихотворения в прозе «Растерянные
листочки» иллюстрируют органическое сочетание поэтических и прозаических
способов представления действительности, что определяет характер художественной
образности, выражения психологической доминанты, ритмического
структурирования текста, афористических высказываний. В композиции большинства
стихотворений в прозе писательницы реализуется принцип антитезы,
что позволяет акцентировать определенную идею и тематику произведений.The literature processes in the end of XIX — at the beginning of XX centuries formed
a new historic-cultural epoch in Ukrainian literature, new types of artistic consciousness,
fixed modern literary trends. At this period we can remark dynamics in genre paradigms, appearance of the new genre varieties, as the result of the process of lyricism of the small
prose.
In this context of the literary process of the transition period the unique synthetic genre
attracts attention — poetry in prose, whose special feature isn’t only a combination of lyric
and epic genre characteristic, but also free attitude to the canonical norms of narrative and
composite structuring of the text. Despite of numerous studies of this genre in Ukrainian
literary criticism the question of the genealogic identification (definition) poems in prose is
still relevant, which will help to distinguish poetry in prose in literature in late XIX — early
XX century.
This article considers more on Uliana Kravchenko’s cycle of poems in prose titled
«Lost leaves».
The analysis of the writer’s works defines her creative thoughts, worldview and psychology.
Poems in prose from the «Lost leaves» illustrate the organic unity of the poetic and
prosaic methods of artistic reproduction of reality, which primarily affected on the way of
making characters, psychological dominant expression, rhythmic structuring of the text,
aphoristic speech and so on. The basis of the most of the works — a dynamic experience
and perception of the exalted state of artist’s creation, which turns into existential-philosophical
reflections about human existence in the world, loneliness and alienation, the
desire to comprehend the meaning of life, getting happiness and so on. There is an opposite
perception of creation’s state, on the one hand it brings loneliness, anguish poetic soul,
and on the other hand — enjoyment, passion, sense of self-fulfillment. There is the special
attention to the playing psychological vicissitudes of the artist’s soul, his hopeless confrontation
to the indifferent environment that crates a tragic feeling of internal disharmony,
insularity, misunderstanding.
Detailed analysis of the poetics in prose of Uliana Kravchenko shows changes in ways
of expressing artistic thought that influenced on the plot-compositional organization of the
text. It is possible to determine the antithetic principle of the poems’ text that emphasizes
emotional, ideological and thematical fullness of the works. We can remark the dialogic
of the speech and expression by forms of indefinite appeals, rhetorical question, exclamations.
Important role in creating an emotional effect in the works plays poetic syntax. The
writer saturated the story with different artistic and stylistic figures of inversion, poetic gradation,
syntactic parallelism, anaphora, antithesis that demonstrate a rhythm of text and
swell suggestibility of the stories. Definitely stylistic feature of Kravchenko’s poetry in prose
is a clever stylization of folk-song motives and images, which become the way of expressing
emotional experiences of lyrical heroine for the author.
Stability in realistic traditions on the one side and gravity to modernist trends and
style on the other side contribute to the formation of the ambivalent concept of the author’
s worldview and methods of artistic expression.
This study of poetry doesn’t exhaust the whole variety of philosophical, genre and
stylistic dominants of the writer’s creative
ОСОБЛИВОСТІ ВЖИВАННЯ ТРОПІВ НА ПОЗНАЧЕННЯ РОСЛИН У МОВІ ТВОРУ УЛЯНИ КРАВЧЕНКО «ХРИЗАНТЕМИ»
Get PDFThe problem of studying language unions from the point of ethnic culture view is actual in the modern linguistic. It was touched in the works of O.Potebnya, the ideas of the scientist were supported and developed in the researches of many home and foreign linguists such as: M. Bahtin, I. Bilodid, L. Bulahivsky, V. Vynogradov, G. Vynokur, S. Yermolenko, V .Kalashnik, L .Lysychenko, B. Larin, D. Lyhachov, Y. Lotman, V. Rusanivsky and others. However, according to the testimonies of the researches we don’t have enough works devoting to the analysis of tropes in the modern poetical language. In view of the above, the development of problems of linguistic poetry is relevant. The complex analyses of the author image creating in the artistic language of Uliana Kravchenko was made, the main forms of making idea style of the writer were described – epithet constructions, comparative constructions, metaphoric contexts. The tropes as for defining plants were characterized and analyzed the specific of their realizing in the language of Uliana Kravchenko’s text ≪Chrysanthemums≫. The role of tropes in poetical text was found out. The individual author metaphors, epithets, comparatives were considered. It was proved, that these tropes are a characteristic feature of linguistic creativity of the writer, they play an important compositional and context function, which defines the unique style of Uliana Kravchenko.Key words: trope, metaphor, epithet, comparative, name of plant.У статті охарактеризовано тропи на позначення рослин та проаналізовано специфіку їх реалізації в мові твору Уляни Кравченко ≪Хризантеми≫. З’ясовано роль тропів у поетичному тексті. Розглянуто індивідуально-авторські метафори, епітети, порівняння. Доведено, що ці тропи є характерною ознакою мовотворчості письменниці.Ключові слова: троп, метафора, епітет, порівняння, номен рослини. В статье охарактеризованы тропы для обозначения растений и проанализирована специфика их реализации в языке произведения Ульяны Кравченко ≪Хризантемы≫. Выяснена роль тропов в поэтическом тексте. Рассмотрены индивидуально-авторские метафоры, эпитеты, сравнения. Доказано, что эти тропы являются характерным признаком языкового стиля писательницы.Ключевые слова: троп, метафора, эпитет, сравнение, номен растения. The problem of studying language unions from the point of ethnic culture view is actual in the modern linguistic. It was touched in the works of O.Potebnya, the ideas of the scientist were supported and developed in the researches of many home and foreign linguists such as: M. Bahtin, I. Bilodid, L. Bulahivsky, V. Vynogradov, G. Vynokur, S. Yermolenko, V .Kalashnik, L .Lysychenko, B. Larin, D. Lyhachov, Y. Lotman, V. Rusanivsky and others. However, according to the testimonies of the researches we don’t have enough works devoting to the analysis of tropes in the modern poetical language. In view of the above, the development of problems of linguistic poetry is relevant. The complex analyses of the author image creating in the artistic language of Uliana Kravchenko was made, the main forms of making idea style of the writer were described – epithet constructions, comparative constructions, metaphoric contexts. The tropes as for defining plants were characterized and analyzed the specific of their realizing in the language of Uliana Kravchenko’s text ≪Chrysanthemums≫. The role of tropes in poetical text was found out. The individual author metaphors, epithets, comparatives were considered. It was proved, that these tropes are a characteristic feature of linguistic creativity of the writer, they play an important compositional and context function, which defines the unique style of Uliana Kravchenko.Key words: trope, metaphor, epithet, comparative, name of plant
The concept of equivalence in the age of translation technology
No full textThe activity of terminology management and the concept of equivalence offer different insights
into the nature of meaning and how words in different languages correspond to each other. This
study analyses the challenges posed by high-end technology, particular the management of
terminological data, in relation to the notion of equivalence. The author argues that recent
translation technology is in dialectic with current developments in translation theory, approaches
which displace the notion of meaning in translation away from the idea of equivalence. In addition,
the paper suggests that if the concept of equivalence is to have any relevance in translation theory
and practice today, a more encompassing approach needs to be embraced, one which considers a
diversity of factors, both internal and external to language
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