3,206 research outputs found
Natalia LL - artystka neoawangardowa
Full text linkThe paper shows Natalia Lach-Lachowicz (Natalia LL) as a neo avant-garde artist whose works in a specific maximalistic way are very close to the main currents of avant-garde trends: new mediality (photography), minimalism, conceptualism, performance, bodyart, pop-art, and feminist art. The author of the article concentrates mainly on the mutual influences of conceptualism, consumptionism, and feminism in Natalia LL’s works and pays attention to the emancipatory potential of her works of the seventies and the eighties
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Full text linkDetecting pathogens and mounting immune responses upon infection is crucial for animal health. However, these responses come at a high metabolic price (McKean and Lazzaro, 2011, Kominsky et al., 2010), and avoiding pathogens before infection may be advantageous. The bacterial endotoxins lipopolysaccharides (LPS) are important immune system infection cues (Abbas et al., 2014), but it remains unknown whether animals possess sensory mechanisms to detect them prior to infection. Here we show that Drosophila melanogaster display strong aversive responses to LPS and that gustatory neurons expressing Gr66a bitter receptors mediate avoidance of LPS in feeding and egg laying assays. We found the expression of the chemosensory cation channel dTRPA1 in these cells to be necessary and sufficient for LPS avoidance. Furthermore, LPS stimulates Drosophila neurons in a TRPA1-dependent manner and activates exogenous dTRPA1 channels in human cells. Our findings demonstrate that flies detect bacterial endotoxins via a gustatory pathway through TRPA1 activation as conserved molecular mechanism.sponsorship: Vlaams Instituut voor Biotechnologie Alessia Soldano Luis Franco Guangda Liu Natalia Mora Emre Yaksi Bassem A Hassanr Fonds Wetenschappelijk Onderzoek G.0702.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0077.15 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0680.10 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0681.10 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0503.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0654.15 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0761.10N Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0596.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0565.07 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar KU Leuven GOA/14/011 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar European Commission IUAP P7/13 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekensr KU Leuven OT/12/091 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar KU Leuven PF-TRPLe Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talavera (Vlaams Instituut voor Biotechnologie, Fonds Wetenschappelijk Onderzoek|G.0702.12, Fonds Wetenschappelijk Onderzoek|G.0077.15, Fonds Wetenschappelijk Onderzoek|G.0680.10, Fonds Wetenschappelijk Onderzoek|G.0681.10, Fonds Wetenschappelijk Onderzoek|G.0503.12, Fonds Wetenschappelijk Onderzoek|G.0654.15, Fonds Wetenschappelijk Onderzoek|G.0761.10N, Fonds Wetenschappelijk Onderzoek|G.0596.12, KU Leuven|GOA/14/011, KU Leuven|OT/12/091, European Commission|IUAP P7/13, KU Leuven PF-TRPLe)status: Publishe
Рукописные тексты Н. Д. Пыдера на нижнелужском диалекте ижорского языка (р. Россонь) с комментариями
No full textThese are the texts written by a prominent activist and a speaker of the Vanakülä variety of the Lower Luga Ingrian dialect N. D. Põder (his memoirs were published in Russian as Põder 2019). He created an alphabet and was writing down texts, phrases and words in his native variety throughout years . These manuscripts with his original orthography, phonological transcription, morphological glossing, and Russian translation were prepared for publication and enriched with comments on particular aspects of phonetics and phonology, morphology, lexicon and syntax. The readings of the manuscripts by their author have been also recorded and used for this publication
Dynamics of non-pore-lining Orai1 transmembrane domains
No full textAuthor Natalia Kriško, BScMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr
Dynamics of non-pore-lining Orai1 transmembrane domains
No full textAuthor Natalia Kriško, BScMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr
Strategische Analyse in einem globalen, dynamischen Umfeld
No full textAuthor: Natalia BaczykAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Universität Linz 201
A Conversation with Natalia Bloch, Author of Encounters Across Difference
No full textIn this installment of Lexington Books\u27 Anthropology of Tourism: Heritage Mobility and Society\u27s Author Conversation Series, editor Michael A. Di Giovine talks with Natalia Bloch, co-chair of the International Union of Anthropological and Ethnological Science\u27s Commission on International Tourism, and Associate Professor of Anthropology at Adam Mickiewicz University in Poznan, Poland, about her book, Encounters Across Difference: Tourism and Overcoming Subalternity in India . They discuss the problematic binary in tourism studies--with hospitality and business disciplines often looking at the benefits of tourism and anthropology and critical tourism studies focusing on the negative--and discuss a midway point between the two, one marked with an ethic of potential and aspiration, rather than only constraints. Using a number of vivid case studies from her book, they discuss issues of tourist-host economic collaboration, empowerment, valorization, companionship, and political mobilization that occur in her fieldsites of Hampi and Dharamshala, India. The conversation ends with a short discussion of the tourism industry\u27s complex engagement with diverse refugees at the Polish border, and how they (and the Polish people) react to different cultural groups of refugees in this pandemic-affected, Russia-Ukraine / US-Afghan geopolitical system
The Attractive Banality of Natalia LL’s "Consumer Art” (1972–1975)
Full text linkThe article is an analysis of the reception of "Consumer Art" by Natalia LL. The work is a series of photographs and films made in the years 1972-1975 featuring women consuming bananas, sausages, custard and starch jelly.
The work was created in the neo-avant-garde circles and was in those circles perceived as "an exploration of morphological potential of the sign and the capacity of the medium" (Andrzej Lachowicz). Simultaneously it functioned in the sphere of feminist art, into which it was included in the 1970's by feminist researchers from the Western Europe. In the present article the author conducts an analysis of the ambivalence resulting from the inclusion, which is caused by, among other factors, the incompatibility of Western discourse to Polish situation. It is also pointed out that it is only in the second half of the 1990's that the feminist discourse re-appears in the declarations of the artist herself and of some critics, which is related to the shift, observable in their texts, of "Consumer Art" from the area of conceptual art to the area of body art. The author enters a polemic with some elements of those interpretations, e. g. those referring to the critique of consumerism, and proposes to concentrate on the work by Natalia LL as one referring to erotic desire and female pleasure as issues which had no proper place in the mainstream culture (in the case of Natalia LL, the culture of the Polish Republic of Poland). In this context the author recalls the contemporary pastiche of Natalia LL's work, "Try this!" (2006) by Karol Radziszewski
Construcción de la memoria audiovisual del libro 'Ecos Visuales': exploración y representación de la obra artística de la autora Natalia Campo
No full textEl presente documento expone el trabajo de grado titulado "Memoria audiovisual Ecos Visuales", realizado bajo la modalidad de pasantía de creación en la Universidad Autónoma de Occidente. Los responsables de esta investigación son los estudiantes Juan Pablo Hernández Triviño, Juan David Luna Peña y Juan Esteban Rivera Valderrama, pertenecientes al programa de Cine y Comunicación Digital. La esencia de este proyecto se centra en la creación de una memoria audiovisual a partir de la obra de la autora Natalia Campo Castro, titulada "Ecos Visuales". El propósito de esta iniciativa es rendir homenaje al proceso tanto creativo como personal, experimentado por la autora. Alejándose de las narrativas tradicionales y explorando nuevas formas de expresión, este trabajo finalmente abarca de manera integral el desarrollo y la justificación de la propuesta, detallando cada fase del proyecto, desde la preproducción hasta la producción y postproducción. Esta memoria audiovisual tiene como objetivo dar forma en formato de cortometraje a todo el proceso vivido, destacando el libro y evidenciándose para que perdure en la memoria de quienes tengan el privilegio de contemplarloThis document presents the graduate work entitled "Memoria audiovisual Ecos Visuales", carried out under the modality of creative internship at the Universidad Autónoma de Occidente. The students responsible for this research are Juan Pablo Hernández Triviño, Juan David Luna Peña and Juan Esteban Rivera Valderrama, from the “Cine y comunicación Digital” program. The essence of this project focuses on the creation of an audiovisual memory based on the work of the author Natalia Campo Castro, entitled "Ecos Visuales". The purpose of this initiative is to pay tribute to the creative and personal process experienced by the author. Moving away from traditional narratives, exploring
new forms of expression. This work finally comprehensively covers the development and justification of the proposal, detailing each phase of the project, from pre-production to production and post-production. This audiovisual memory aims to give shape in short film format to the whole process, highlighting the book and making it evident so that it will last in the memory of those who have the privilege of contemplating itProyecto de grado (Profesional en Cine y Comunicación Digital)-- Universidad Autónoma de Occidente, 2024PregradoProfesional en Cine y Comunicación Digita
Construcción de la memoria audiovisual del libro 'Ecos Visuales': exploración y representación de la obra artística de la autora Natalia Campo
No full textEl presente documento expone el trabajo de grado titulado "Memoria audiovisual Ecos Visuales", realizado bajo la modalidad de pasantía de creación en la Universidad Autónoma de Occidente. Los responsables de esta investigación son los estudiantes Juan Pablo Hernández Triviño, Juan David Luna Peña y Juan Esteban Rivera Valderrama, pertenecientes al programa de Cine y Comunicación Digital. La esencia de este proyecto se centra en la creación de una memoria audiovisual a partir de la obra de la autora Natalia Campo Castro, titulada "Ecos Visuales". El propósito de esta iniciativa es rendir homenaje al proceso tanto creativo como personal, experimentado por la autora. Alejándose de las narrativas tradicionales y explorando nuevas formas de expresión, este trabajo finalmente abarca de manera integral el desarrollo y la justificación de la propuesta, detallando cada fase del proyecto, desde la preproducción hasta la producción y postproducción. Esta memoria audiovisual tiene como objetivo dar forma en formato de cortometraje a todo el proceso vivido, destacando el libro y evidenciándose para que perdure en la memoria de quienes tengan el privilegio de contemplarloThis document presents the graduate work entitled "Memoria audiovisual Ecos Visuales", carried out under the modality of creative internship at the Universidad Autónoma de Occidente. The students responsible for this research are Juan Pablo Hernández Triviño, Juan David Luna Peña and Juan Esteban Rivera Valderrama, from the “Cine y comunicación Digital” program. The essence of this project focuses on the creation of an audiovisual memory based on the work of the author Natalia Campo Castro, entitled "Ecos Visuales". The purpose of this initiative is to pay tribute to the creative and personal process experienced by the author. Moving away from traditional narratives, exploring
new forms of expression. This work finally comprehensively covers the development and justification of the proposal, detailing each phase of the project, from pre-production to production and post-production. This audiovisual memory aims to give shape in short film format to the whole process, highlighting the book and making it evident so that it will last in the memory of those who have the privilege of contemplating itProyecto de grado (Profesional en Cine y Comunicación Digital)-- Universidad Autónoma de Occidente, 2024PregradoProfesional en Cine y Comunicación Digita
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