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    Las viejas cuestiones: empresariado nacional, reforma del estado y liberalismo en el Brasil en la década del setenta.

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    Fil: Nervo Codato, Adriano. Universidad de Buenos Aires; ArgentinaEl objetivo de este artículo es analizar los presupuestos ideológicos, las motivaciones políticas y las bases organizacionales de la oposición del gran empresariado brasileño a la intervención del Estado y su defensa del liberalismo económico. Tomando como ejemplo paradigmático de ese comportamiento la 'campaña contra la estatización', conducida por sectores importantes de la burguesía brasileña de mediados de los años setenta, busco esclarecer su acción conservadora y su 'liberalismo instrumental', encubiertos por un discurso contestatario de la forma ('autoritaria') y de la función ('intervencionista') del estado dictatorial

    Las viejas cuestiones: empresariado nacional, reforma del estado y liberalismo en el Brasil en la década del setenta.

    No full text
    Fil: Nervo Codato, Adriano. Universidad de Buenos Aires; ArgentinaEl objetivo de este artículo es analizar los presupuestos ideológicos, las motivaciones políticas y las bases organizacionales de la oposición del gran empresariado brasileño a la intervención del Estado y su defensa del liberalismo económico. Tomando como ejemplo paradigmático de ese comportamiento la 'campaña contra la estatización', conducida por sectores importantes de la burguesía brasileña de mediados de los años setenta, busco esclarecer su acción conservadora y su 'liberalismo instrumental', encubiertos por un discurso contestatario de la forma ('autoritaria') y de la función ('intervencionista') del estado dictatorial

    Leyendo a Marx a la luz de Marx

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    Las viejas cuestiones: empresariado nacional, reforma del Estado y liberalismo en el Brasil en la década del setenta

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    The purpose of this paper is to analyze the ideological assumptions, the political motivations and the organizational bases of the opposition of the large Brazilian entrepreneurs to State interventionism and their defense of economic liberalism. Taking as an illustrative case the "campaign against nationalization", led by important sectors of the Brazilian bourgeoisie in the Seventies, I intend to clarify both its conservative action and its "instrumental liberalism", hidden under a critical discourse of the form ("authoritarian") and of the function ("interventionist") of the dictatorial State.El objetivo de este artículo es analizar los presupuestos ideológicos, las motivaciones políticas y las bases organizacionales de la oposición del gran empresariado brasileño a la intervención del Estado y su defensa del liberalismo económico Tomando como ejemplo paradigmático de ese comportamiento la "campaña contra la estatización", conducida por sectores importantes de la burguesía brasileña de mediados de los años setenta, busco esclarecer su acción conservadora y su "liberalismo instrumental", encubiertos por un discurso contestatario de la forma ("autoritaria") y de la función ("intervensionista") del Estado dictatorial

    The effectiveness of the parliamentary front on sport in the Brazilian National Congress between the World Cup and the Olympic Games

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    Parliamentary Fronts (PF) are supra party institutions in the Brazilian National Congress (BNC) that aim to exert political clout in policies regarding a specific subject. Although seldom studied, these institutions have proliferated, and their number peaked in the 54th legislature (2011- 2015) with a tally of 210. In this article, we analyse the effectiveness of the Mixed Parliamentary Front for Sports (FPE), which comprises 198 federal deputies (from 513) and 8 senators (from 81). As method we combined: prosopography of its members; network analysis formed by the decision- making arenas occupied by them at BNC; analysis of their political clout in the legislation for sport. Our results indicate a network mainly comprised of right-wing parties and professional politicians, which suggests a strong potential of political clout. Four theoretical constructs from their profile characteristics were correlated to the centrality within the network, which showed that political expertise and political specialization were crucial factors. We found 8 central members, reinforcing arguments from literature which proposed the existence of an operative nucleus within PF. In relation to the clout in the formulation of sport policy, the representatives belonging to the front were responsible for 94 (61%) proposals of the total of 246 bills presented in the field of sports. Moreover, they are not effective in approving these propositions, although more effective than others PF. Nevertheless, this research gave us a better understanding of policy formulation in complex political arenas, inaugurating a method and a theory to study effectiveness and centrality of this kind of institution

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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