18,976 research outputs found
From Albania to Brazil: Ismail Kadaré's Broken april and its filmic adaptation, Walter Salles' Abril despedaçado
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2007The aim of the present study is to analyse how issues of Albanian national identity are portrayed in Ismail Kadaré's novel Broken April (Prilli i Thyer), and how such features have been appropriated and translated onto the screen into a Northeastern Brazilian context. I depart from the premise that, even though Brazilian elements are indeed shown in the film, the non existence of the Kanun in Brazil, and the use of narrative techniques different from the ones employed in the novel render the story of the blood feuds in the film more universal than the genuinely Albanian reality depicted in the novel. In sum, the appropriation transcends the Albanian reality into a universal context, showing, at the same time, elements which are typical of the Brazilian culture.O objetivo do presente estudo é analisar como questões sobre a identidade nacional Albanesa são retratadas no romance Abril Despedaçado (Prilli i Thyer), de Ismail Kadaré, e como tais questões foram apropriadas e traduzidas para a tela num contexto Nordestino-Brasileiro. O estudo parte do princípio que, embora elementos tipicamente Brasileiros sejam mostrados no filme, a não existência do Kanun no Brasil, e o uso de técnicas narrativas diferentes das empregadas no romance ajudam a deixar a história das brigas de família no filme com um aspecto mais universal do que a realidade genuinamente Albanesa representada na romance. Em suma, a apropriação transcende a realidade Albanesa para um contexto mais universal, sem deixar de mostrar também elementos típicos da cultura Brasileira
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Correction to: A framework of genetic algorithm-based CNN on multi-access edge computing for automated detection of COVID-19 (The Journal of Supercomputing, (2022), 78, 7, (10250-10274), 10.1007/s11227-021-04222-4)
No full textIn this article the author name Walaa N. Ismail was incorrectly written as Walaa N Ismail. The affiliation details for Author Walaa N. Ismail were incorrectly given as ‘Faculty of Computers and Information, Minia University, Minia, Egypt’ but should have been ‘Faculty of Computers and Information, Minia University, Minia, 61519, Egypt’. Walaa N. Ismail at affiliation ‘Faculty of Computers and Information, Minia University, Minia, 61519, Egypt’ was missing from the author list on the last page. The original article has been corrected
Sajak-sajak Goenawan Mohamad dan sajak-sajak Taufik Ismail
No full textBuku Sajak-sajak Goenawan Mohamad dan Sajak-sajak Taufiq Ismail ini merupakan naskah laporan penelitian yang berjudul "Sajak-sajak Goenawan Mohamad dan Sajak-sajak Taufiq Ismail", yang disusun oleh tim peneliti Dami N. Toda dan Pamusuk Nasution dalam rangka kerja sama dengan Proyek Penelitian Bahasa dan Sastra Indonesia dan Daerah, Jakarta tahun 1975/1976
İsmail Aydıner ile sözlü tarih görüşmesi
No full textBu görüşme, Genç Hayat Vakfı tarafından, Sokağımdan Tarih Yazıyorum başlığı altında gerçekleştirilmiştir. Görüşmeler, İstanbul'un, Beyoğlu, Fatih, Eyüp, Kağıthane, Şişli, Maltepe, Üsküdar, Tuzla, Beykoz ve Sarıyer ilçelerinde yaşayan ve bu ilçelerdeki ortaöğretim kurumlarında eğitim gören lise öğrencileri tarafından yapılmıştır. Bu proje kapsamında, Tuzla ilçesinde yapılan görüşmelerin sayısı 7'dir.1947 yılında İstanbul ilinin Tuzla ilçesinde doğan İsmail Aydıner’in ailesi Selanik mübadillerindendir. Selanik’ten gemi ile o dönemlerde bir Rum köyü olan Tuzla’ya gelirler. Eskiden Kartal’a bağlı olan Tuzla’nın git gide büyüyerek bir ilçe olmasına şahitlik eden Aydıner, ilçenin değişiminden detaylı olarak bahseder. Muhitte oturan insanların genelde tarımla uğraştığını ve bir kısmının da yeni yeni açılan fabrikalarda çalıştığını anlatır. İlçedeki fabrikaların ve tersanelerin Tuzla’ya zarar vermekten başka bir işe yaramadığını ifade eden Aydıner, nüfus yoğunluğunun da artmasıyla birlikte durumun daha da kötü bir hale geldiğini söylemektedir.Genç Hayat VakfıKütükoğlu, C., Kılıç, M., Çakmak, G., Alasan, N., Tekin, K., Dermanel, E.. "Akvaryum gibi bir denizi vardır Tuzla'nın". Sokağımdan Tarih Yazıyorum. 07 Tuzla
Memorandum sent to Lord Edward Grey
No full textTitle: Memorandum presented to Lord Edward Grey, British Minister of Foreign Affairs and President-in-Chief of the Conference of Ambassadors of the Great Powers in London Originally published: Originally written in 1913 as a private memorandum Language: FrenchThe text used is from Ismail Qemali, Përmbledhje dokumentesh, ed. by T. Hoxha, (Tirana: Sh.B “8 Nentori,” 1982), pp. 232–235. About the author Ismail Qemali bej Vlora (also known as Ismail Kemal Pasha) [1844, Vlora, (It Valona, present-d..
A bibliography of IFLA conference papers [1979]
No full textThis booklet is a continuation of the first bibliography of "IFLA Conference papers 1968 - 1978". The papers included in the bibliography are all from 45th Congress and Council Meeting 27 August - 1 September 1979 in Copenhagen. The publication is arranged alphabetically by author or title and includes alphabetical cumulative subject and author indexes 1968 - 1979.
Compiled by: Ismail Abdullahi
Produced by: IFLA Clearinghouse - The Royal School of Librarianship, Copenhage
Certain Logarithmically N-Alternating Monotonic Functions Involving Gamma and q-Gamma Functions
No full textIn the paper, three basic properties of the logarithmically N-alternating
monotonic functions are established and the monotonicity results
of some functions involving the gamma and q-gamma functions, which are obtained
in [W. E. Clark and M. E. H. Ismail, Inequalities involving gamma and
psi functions, Anal. Appl. (Singap.) 1 (2003), no. 1, 129–140.], are generalized
to the logarithmically N-alternating monotonicity
Kiprah dan pemikiran Usmar Ismail dalam perfilman nasional Indonesia tahun 1949-1971
No full textPenelitian ini membahas mengenai kiprah dan pemikiran Usmar Ismail dalam sejarah film Indonesia. Usmar Ismail adalah tokoh yang dikenal sebagai Bapak Perfilman Nasional Indonesia yang memiliki banyak kontribusi selama kiprahnya dalam berkarir di dunia perfilman Indonesia dengan segala kemampuan yang dimilikinya. Sebagai seorang tokoh yang memiliki sikap nasionalis dan religius Usmar Ismail juga memiliki pemikiran tentang bagaimana film Indonesia seharusnya diciptakan dan mempunyai pemikiran bahwa film bisa dijadikan sebagai media dakwah. Tujuan penelitian ini adalah pertama untuk mengetahui kondisi perfilman Indonesia pada tahun 1949-1971, kedua untuk mengetahui kiprah Usmar Ismail dalam sejarah film Indonesia tahun 1949-1971, dan ketiga untuk mengetahui pemikiran Usmar Ismail tentang film Indonesia. Adapun metode yang digunakan dalam penelitian ini adalah metode penelitian sejarah, yaitu penelitian yang mempelajari peristiwa atau kejadian-kejadian masa lalu berdasarkan jejak-jejak yang dihasilkannya, melalui empat tahap yaitu: pertama heuristik (pengumpulan sumber), kedua kritik (kritik intern dan kritik ekstern), ketiga interpretasi dan keempat historiografi (penulisan sejarah). Berdasarkan hasil penelitian yang dilakukan, maka didapatkan kesimpulan yaitu kondisi perfilman Indonesia tahun 1949-1971 terbagi pada tiga periode yaitu masa pemulihan kondisi perfilman Indonesia tahun 1949-1960, masa masuknya pengaruh PKI dalam dunia perfilman Indonesia tahun 1960-1965, dan masa-masa sulit bagi film nasional Indonesia tahun 1965-1971. Kiprah Usmar Ismail dalam sejarah film Indonesia diawali tahun 1949 bersamaan dengan dimulainya masa pemulihan kondisi perfilman. Dalam kiprahnya Usmar Ismail berhasil mendirikan perusahaan film yaitu PERFINI tahun 1950, kemudian berhasil mencetak kader-kader baru dalam dunia perfilman, serta mempelopori pola baru dalam penciptaan film. Dalam kiprahnya Usmar Ismail juga mendapat hambatan saat berpengaruhnya orang-orang PKI dalam dunia perfilman Indonesia. Usmar Ismail mengakhiri karirnya dalam dunia perfilman bersamaan dengan masa sulit bagi perfilman nasional dan Usmar Ismail akhirnya meninggal pada tanggal 2 Januari 1971. Kemudian pemikiran Usmar Ismail tentang film Indonesia mencerminkan sikap nasionalisme dan religiusnya dalam kiprahnya di dunia perfilman Indonesia. Pemikiran Usmar Ismail ini terlihat dalam setiap karya yang telah dihasilkannya
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