1,720,962 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
THE INTERTEXTUALITY OF ASSERTIVE ACTS PERFORMED BY OPHELIA IN HAMLET DRAMA AND OPHELIA MOVIE
Full text linkThis study aimed at describing the intertextuality of assertive speech acts performed by Ophelia, the main character of the drama entitled The Tragedy of Hamlet: Prince of Denmark and the movie entitled Ophelia. There were three theories underlying this research, namely assertive speech act theory from Searle (1979), intertextuality theory from Genette (1997), and the collaborative oriented theory from Maltz & Bolker (1982). This research employed descriptive-qualitative method since the data are in the forms of texts and the objective was describing phenomena. The main instrument of this research was the researcher themselves with referential sources, data sheets, and word processor as some of the supporting instruments. The data were taken from the script of the drama and the movie and collected by documentation and validated through investigator triangulation by involving an expert in linguistics. The collected data were then analyzed by the process of reduction, data display, and conclusion drawing as well as verification. The results showed that informing act, implicit intertextuality, and criticizing other people are the most frequent categories appearing in the dialogues
The utilization of cultural lexicon in creative industry products: A maintenance strategy of Yogyakartan Javanese language
Full text linkCreative industries can contribute to the economic growth of local communities while promoting and preserving local languages and culture. Based on these basic assumptions, this research was conducted to describe the forms and functions of Javanese language and culture used in creative industry products and the factors behind the use of regional language and culture in creative industries. This research used a qualitative descriptive method with a sociolinguistic and creative industry perspective. The research was conducted in three local government areas in Yogyakarta. Data collection was carried out through documentation, document analyses, and interviews. The data covers various aspects of the Javanese language and culture, such as words, phrases, clauses, sentences, proverbs, Javanese script, naming and greeting systems, and proverbs. The results show that various creative industry products incorporate the Yogyakartan Javanese cultural and linguistic lexicon in their product branding, packaging, and design content. The cultural lexicon consists of Javanese writing, art, traditional clothing, drinks, greetings, phatic forms, and proverbs. Utilizing the Javanese language and cultural lexicon in creative industries can be an effective marketing strategy and an innovative step in preserving and developing local cultural heritage. This can significantly contribute to local economic growth, increase awareness of cultural diversity, and strengthen the community's cultural identity
Text VS Discourse: Reformulating the Definition, Integrating Different Perceptions
Full text linkThere have long been different perceptions on what text and discourse are. Some experts in linguistics view these two objects as the same thing whereas others see them as two different forms. Occasionally, text and discourse are parallel to each other but often the former is seen as the subordinate of the latter and vice versa. This paper aimed at formulating new definitions of text and discourse in order to clarify the nature of each as well as the relations that may exist between them. The method applied in this study was by collecting as many as definitions of text and discourse as stated by linguistic experts and quoted in references. These data were then compared and contrasted to find out the similarities and the differences between the objects for drawing a conclusion in the form of definitions and descriptions that precisely represent the characteristics of each. The result shows that, text and discourse share both similarities and differences. At certain level, they can be seen as the same entity but in other conditions one may take position as part of the other. 
Challenging Gender Boundaries in Youth Cinema: A Feminist Analysis of Enola Holmes
Full text linkThis research examines the portrayal of gender boundaries in youth films, specifically focusing on Enola Holmes, directed by Harry Bradbeer. Using a qualitative-descriptive method, this study emphasizes the process and meaning embedded in the film’s narrative and character development. Through this approach, the research identifies key themes related to gender limitations, feminism, and gender stereotypes, all of which contribute to the film’s broader social commentary. One of the central discussions in this study is the depiction of gender boundaries and how they are challenged within the film. Enola Holmes presents a strong female protagonist who defies traditional gender expectations, positioning herself as an independent and capable individual in a society that often marginalizes women. The film highlights the struggles women face in their fight for equality, showcasing how female characters challenge the patriarchal norms that seek to limit their roles and opportunities. Additionally, Enola Holmes incorporates feminist themes that align with contemporary discussions on gender equality. The protagonist’s journey is not only one of self-discovery but also of resistance against societal norms that attempt to confine her based on gender. This is particularly evident in how Enola navigates the expectations placed upon her as a young woman in Victorian England, refusing to conform to the passive and domestic roles traditionally assigned to women. Another significant aspect of this analysis is the exploration of gender stereotypes. The film subverts traditional portrayals of female characters by presenting Enola as intelligent, resourceful, and determined—qualities often attributed to male protagonists in adventure and detective genres. Her character challenges the notion that women are inherently weaker or less capable than men, emphasizing the importance of breaking free from societal constraints. Overall, Enola Holmes serves as an engaging case study for examining gender representation in youth films. By challenging traditional gender roles and advocating for female empowerment, the film contributes to a broader discourse on gender equality. This research underscores the significance of media in shaping and reflecting societal attitudes toward gender, making Enola Holmes a compelling subject for academic analysis
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