751 research outputs found
Activated carbon production from agricultural biomass using response surface method (RSM) for Cd (II) removal
No full textIntertextuality in Mu’een Bseiso poetry
No full textيعدّ التّناص أحد الأنساق البنائية المهمة في القصيدة العربية الحديثة، لأثره البالغ في التشكيل الجمالي للخطاب الشعري. يشتمل البحث على تبيان أمثلة من أنواع التّناص التي وظّفها معين بسيسو في أعماله الشعرية، وهي: الديني والأسطوري والأدبي والتاريخي والشعبي، ويهدف البحث إلى تحليلها بوصفها نسيجاً لغوياً يجلو التجربة الشعرية في أبعادها الذاتية والقومية والإنسانية، وينتج الدلالات الكامنة تحت سطح اللغة والأسلوب والصورة...إلخ.
تنبع أهمية البحث إذن من اعتماده على المنهج التحليلي، بهدف دراسة النصوص الشعرية دراسة رأسية لا تكتفي بتحديد النصوص المستدعاة التي تحيل إليها القصائد الشعرية بشكل جليّ أو ضمني، بل تجاوز الباحث ذلك إلى استكشاف مصدر النص الشعري ووجوده وتفرُّده، وكيف تبدَّت من خلاله عناصره الداخلية وتفاعلاته الإبداعية، وأنساقه اللغوية بعامة، وصولاً إلى إنتاج الدلالات.
بناء على ما سبق، توصل الباحث إلى نتائج عدّة منها: أنّ الشاعر كان أحد الشعراء الفلسطينيين القابضين على جمر الثورة والخلاص الإنساني، الساعين إلى التعبير عن الواقع الذي تعيشه الأمة ومشاركتها في همومها وقضاياها القومية، وكذلك التعبير عن مأساة الشعب الفلسطيني وقضيته الإنسانية العادلة وتحرره من الاحتلال، فضلاً عن انتقاد معايب عصر التزييف والسقوط وتزوير الحقائق بشعر أُطلق عليه "شعر الحقيقة"، وقد توسّل الشاعر في سبيل ذلك بأساليب لغوية وجمالية عدّة. Intertextuality is considered an important pattern in the structure of the modern Arabic poem due to its great effect on the aesthetic formation of the poetic speech. This research shows examples of intertextuality employed by Mu’een Bseiso in his poetic works, which include religious, mythical, literary, historical, and folkloric intertextuality. The research also aims at analyzing these examples of intertextuality linguistically to illustrate the poetic experience of the author at the personal, national and humanitarian dimensions, as well as to display the implicit clues found in his Language, style and imagery.
Not only does this study analyze the texts under discussion explicitly or implicitly, but the researcher unveils the source of the poetic text, its existence and uniqueness, and how these elements present themselves interactively.
The researcher reached the following conclusions. The poet was one of the Palestinian poets patiently holding to the ember of the Palestinian revolution and the humanistic salvation towards expressing the real situation that the nation lives these days, and expressing the crisis of the Palestinian people and their just humanitarian cause as well as liberation from the occupation, in addition to criticizing the frauds of forging facts in a form of poetry that is called the “poetry of truth” through employing several linguistic and rhetorical devices
Man up: stories of Parvez and Muna
No full textA collection of linked comic short stories about a young Muslim couple, tracing their relationship from their traditional courtship to the early parenthood.M.F.A.by Musa Syee
Modes of Articulations of the General Ideology, and the Ideologies of the Author and the Text: “Diary of a Hin” by Ishaq Musa Al Husseini as a Model: Mousa M. Khoury
No full textتظل رواية "مذكرات دجاجة" لإسحق موسى الحسيني (1942)، ومن بين كل الروايات الفلسطينية التي صدرت قبل عام 1948، الرواية الأبرز حضوراً ومراجعةً في كتب النقد، وفي الكتب التي أرّخت للأدب الفلسطيني، لكنها تظل، هي وبقية الروايات التي صدرت قبل العام المذكور، مجالاً واسعاً لقراءات أخرى جديدة لم تستنفدها، أو قصرت فيها، الدراسات السابقة.
بعد تمهيد يقارب بدايات الرواية الفلسطينية ويضع رواية الحسيني في السياق ويضوئ على دراسات سابقة مهمة، ويبين اتجاهاتها في قراءة الرواية، تستحضر الدراسة في مطلبها الأول إطاراً نظرياً يرتكز على دراسة الناقد الإنجليزي تيري إيجلتون حول الأدب والإيديولوجيا، خصوصاً في الجزئية المتعلقة بالإيديولوجيا العامة زمن إنتاج النص، وإيديولوجيا المؤلف، ثم إيديولوجيا النص. بعد تأسيس المقترب النقدي في المطلب الأول، تراجع الدراسة في مطلبها الثاني الفروق الدقيقة بين الأمثولة (الأليغوريا) التي وظفتها الرواية وبين الرمز، وتعيّن التناص الإنجيلي فيها، ثم يعرض مطلبُها الثالث، في ضوء ما سبق، لتمفصلات الإيديولوجيا العامة وإيديولوجيا المؤلف، وصولاً إلى إيديولوجيا نص الرواية. تخلص الدراسة إلى أن رواية "مذكرات دجاجة" روايةٌ تندرجُ منفصلةً، رغم تباين الدراسات السابقة في قراءتها، عن الإيديولوجيا الفلسطينية العامة زمن الانتداب البريطاني في فلسطين.Among all the Palestinian novels published before 1948, Ishaq Musa Al Husseini’s novel “Diary of a Hin” (1942) remains the most prominent and reviewed novel in the books of literary criticism and the books that chronicled the Palestinian literature; moreover, it remains, along with the rest of the novels published before the aforementioned year, a wide sphere to other new readings that the previous readings did not exhaust or failed to cover.
After an introduction to the beginnings of the Palestinian novel, putting Al Husseini’s novel in context, shedding a light on previous important studies, and showing its trends in reading the novel, this study, in its first demand, evokes a theoretical framework based on the study of literature and ideology by the English critic Terry Eglton, particularly in the section regarding the general ideology at the time of text’s production, author’s ideology, and the text’s ideology as well. After establishing the critical approach in the first demand, the study reviews, in its second demand, the nuances between the Allegorical parable employed by the novel and the symbol, it also specifies the biblical Intertextuality within. Hence, the third demand presents the modes of articulations of the general ideology, author’s ideology, down to the ideology of the novel’s text. The study concludes that the novel “Diary of a Hen” is a disjunct, despite the divergence of the previous studies’ readings, from the Palestinian general ideology during the era of the British Mandate in Palestine
Bernard Pannagl's musa panagaea
No full textBernard Pannag1 (1666-1734, from 1684 member of Societas Jesu) was a gymnaSIUm teacher, predicator and 1ibrarian in the C1ementinum college in Prague. On1y five books of him are known, all of them in latin. One of these is Musa panagaea (edited probab1y in J anuary 1729), a collection of his schoo1 dramatic works. We bring an edition of the first part of the Musa panagaea, name1y the p1ays Joannes Nepomucenus, Divus Joannes Baptista and Romulus, with an introduction to the latin schoo1 drama in the 17. and 18. century and with informations about the author. There are no standard rules for the editions of the latin texts from 17. and 18. century, just some recommendations. The interpunction of that age in Bohemia hasn't been described and explained in detail s yet, and iťs different from the interpunction, which is used in the czech language (and in the enghsh as well) today; in our edition we use the czech modem interpunction so as the text can be easily read by modem readers. In the transcription of the words we respect the specific aspects of the modem latin (as we know especially from the works of Bohuslav Balbín) and we don't rewrite them in the c1assical latin way. Using of accents in the Musa panagaea is regular and we describe some rules, which we respect in the transcription of the text, but these..
Musa Dah i bliżej. Zaczynając od powieści Franza Werfla.
No full textThe subject of the first part of the article is an interpretation of Franz Werfel’s novel Forty days of Musa Dah, published in 1933 and containing in its the name of the place where five thousand Armenians made a stand against the Turks in September and October 1915. The book made the author a national hero of the Armenians. However, this Jewish writer simultaneously sensed the approaching Shoah. Hence, in the second part of the paper, I show how the novel grew in importance during World War II: Musa Dah was compared to the resistance in the Jewish ghettos (e.g. the situation of the population in Bialystok). Janusz Korczak was to discuss the novel in the summer of 1941, also the chronicler of the Warsaw Ghetto, Emmanuel Ringelblum, in June 25, 1942 compared the Warsaw Ghetto to Musa Dah.The subject of the first part of the article is an interpretation of Franz Werfel’s novel Forty days of Musa Dah, published in 1933 and containing in its the name of the place where five thousand Armenians made a stand against the Turks in September and October 1915. The book made the author a national hero of the Armenians. However, this Jewish writer simultaneously sensed the approaching Shoah. Hence, in the second part of the paper, I show how the novel grew in importance during World War II: Musa Dah was compared to the resistance in the Jewish ghettos (e.g. the situation of the population in Bialystok). Janusz Korczak was to discuss the novel in the summer of 1941, also the chronicler of the Warsaw Ghetto, Emmanuel Ringelblum, in June 25, 1942 compared the Warsaw Ghetto to Musa Dah
The story of Musa and Khidir in QS. al-Kahfi (18): 60-82 according to Al-Alusi’s perspective
No full textAl-Qur’an contains much of deep messages, like in Q.S al-Kahfi 18:60-82. It told about the story Musa and Khidir’s journey, by using descriptive-analitic method. In this thesis the author have two problem formulations are: 1) How is the story Musa and Khidir in Q.S al-Kahfi: 60-82 according to Tafsir Al-Alusi perspective? 2) What is the relevance of story Musa and Khidir in Q.S al-Kahfi: 60-82 towards learning ethics?
Based on the problem formulation above, the author used two ways to analyze the data First, the author will inventory the verses related to the story of Musa and Khidir , namely Surat al-Kahf: 60-82, then interpret the verses using the perspective of the Tafsīr al-Alusi book in a descriptive-analytic manner so that it can be found out how the construction of the interpretations of these verses is actually comprehensive. Second, from al-alusi interpretation, we will know what is the message from the story. Then from the messages of the story, the author try to seek what is the relevance from the story between the ethic of a student with his teacher.
Based on the method of research above, the author concluds that the story of Musa and Khidir contains three hikmah are Having A Big Enthuasiasm In Learning, Be Polite And Tawadhu' To The Teacher And Having A Patience And Commitment To Learning
Bernard Pannagl's musa panagaea
No full textBernard Pannag1 (1666-1734, from 1684 member of Societas Jesu) was a gymnaSIUm teacher, predicator and 1ibrarian in the C1ementinum college in Prague. On1y five books of him are known, all of them in latin. One of these is Musa panagaea (edited probab1y in J anuary 1729), a collection of his schoo1 dramatic works. We bring an edition of the first part of the Musa panagaea, name1y the p1ays Joannes Nepomucenus, Divus Joannes Baptista and Romulus, with an introduction to the latin schoo1 drama in the 17. and 18. century and with informations about the author. There are no standard rules for the editions of the latin texts from 17. and 18. century, just some recommendations. The interpunction of that age in Bohemia hasn't been described and explained in detail s yet, and iťs different from the interpunction, which is used in the czech language (and in the enghsh as well) today; in our edition we use the czech modem interpunction so as the text can be easily read by modem readers. In the transcription of the words we respect the specific aspects of the modem latin (as we know especially from the works of Bohuslav Balbín) and we don't rewrite them in the c1assical latin way. Using of accents in the Musa panagaea is regular and we describe some rules, which we respect in the transcription of the text, but these..
Using hydraulic oscillator of Banu Musa for teaching relaxation oscillation
No full textOne of the introductory examples of scientific books and articles on relaxation oscillations is description of a tank containing a liquid and a siphon, which is known as Tantalus Cup. In this article, the author has shown that the origin of the cup can not be found in historical documents, and probably from the late eighteenth and early nineteenth centuries this device has appeared in laboratory and educational centers in Europe as teaching instrument. However, the thirty-second design of Alheyalbook of Banu Musa actually defines the means with the same performance but more completely than Tantalus Cup. In this article, this device is called "hydraulic relaxation oscillator of Banu Musa". First the history of the book and the life of author, Ahmad ibn Musa ibn Shaker Khorasani, is briefly stated. Thereafter, the historical and scientific record of Tantalus Cup is studied and the performance of the Cup is also described. Finally, Banu Musa's hydraulic oscillator based on relaxation is described in detail. The article claims that Banu Musa was the first engineer who used the relaxation oscillator in a mechanical device
“Musa callejera”: historia de un corpus inestable
No full textAbstract: Literary critics have paid little attention to the textual history of Guillermo Prieto’s “Musa callejera”. When spoken of, his work is thought of as monolithic, whose only antecedent was Filomeno Mata’s 1883 edition, legitimized by the 1971 reprint that Francisco Monterde made for Porrúa publishing house. However, the structure of its textual history reveals three main facts which may modify the vision of Guillermo Prieto’s works: on one hand, that his very first book of poems, Versos inéditos, which completely propounds its own poetics, has been hidden in the author’s work; on the other hand, that Filomeno Mata’s “Musa callejera” is actually an anthology of Prieto’s poems, and finally, that “Musa callejera” is a literary project that the author continued until a few years before his death.Resumen: La historia textual del corpus “Musa callejera” de Guillermo Prieto ha sido poco estudiada por la crítica. Cuando se habla de él se piensa en una obra monolítica cuyo único antecedente es la edición publicada en 1883 por Filomeno Mata y legitimada por Francisco Monterde con su reedición de 1971 para la editorial Porrúa. Sin embargo, la construcción de su historia textual revela tres hechos fundamentales que implican un replanteamiento respecto de la obra del autor: por un lado, que el primer poemario de Guillermo Prieto, Versos inéditos, con toda una propuesta poética, ha quedado oculto en la producción del autor; por otro lado, que la “Musa callejera” de Filomeno Mata constituye en realidad una antología de la obra de Prieto, y finalmente que “Musa callejera” es un proyecto literario que el autor continuó hasta pocos años antes de su muerte
- …
