408 research outputs found
Armin Kaufmann (1902 - 1980)
No full textDiese Arbeit wurde mit dem Ziel begonnen, ein „Thematisches Werkverzeichnis“ der
Werke Armin Kaufmanns zu erstellen, den Versuch zu unternehmen, ein Bild über
sein Leben zu geben und sein Schaffen aus der Sicht seiner Zeitgenossen zu
beleuchten.
Das Notenmaterial aus dem Nachlass von Armin Kaufmann, das zum Teil in der
Musiksammlung der Österreichischen Nationalbibliothek vorliegt, diente als
Grundlage für die Erstellung eines „Thematischen Werkverzeichnisses“. Ein weiterer
Teil befindet sich in dem im Sommer 2009 eröffneten Armin Kaufmann
Dokumentationszentrum im Stift Ossiach in Kärnten; auch diese Quellen fanden
Berücksichtigung. Sämtliche „Incipits“ wurden nicht mechanisch wiedergegeben,
sondern sind vom Verfasser dieser Arbeit persönlich erstellt worden. Dadurch war es
möglich, auf offensichtliche Fehler in den wenigen Takten der Incipits selbst in
gedruckt vorliegenden Werken zu stoßen, auf diese hinzuweisen und in der
Wiedergabe zu berichtigen.
Ein von Frau Leonore Endreß anlässlich des Gedenkens zu Armin Kaufmanns
90. Geburtstag im Jahre 1992 erstelltes Werkverzeichnis nach Opus-Nummern -
erschienen in der Österreichischen Nationalbibliothek als „Musikalische
Dokumentation“ – diente als wertvolle Grundlage und ermöglichte es, darauf weitere
„Systematische Werkverzeichnisse“ aufbauen zu können. Falsche Daten, die im Zuge
der Recherchen des Autors dieser Doktorarbeit aufgetaucht sind, wurden gleichzeitig
berichtigt.
Für die Lebensdaten konnte eine bis ins Jahr 1684 zurückreichende Familien-Chronik,
die Frau Elisabeth Kaufmann-Troppina, eine Tochter Armin Kaufmanns, für die
1694
Dokumentation freundlicherweise zur Verfügung gestellt hat, Auskunft geben, weiters
Urkunden, Dokumente und Tagebücher. Auch Gespräche mit Familienangehörigen
dienten zur Aufhellung der Lebensgeschichte Armin Kaufmanns.
Für die Dokumentation der Wiedergabe seiner Werke existiert eine Unmenge von
Programmzetteln, die – soweit zugänglich – in chronologischer Folge Aufnahme
gefunden haben, wobei zumeist nur die bei diesen Veranstaltungen aufgeführten
Werke Armin Kaufmanns angeführt sind. Aus diesen Programmzetteln wurde auch ein
Verzeichnis der Ausführenden erstellt.
Wie die Zeitgenossen – vor allem die „Experten“ - auf die Werke Armin Kaufmanns
reagiert haben, ist aus der Unzahl der wiedergegebenen Rezensionen ersichtlich, die
zumeist auf das Armin Kaufmann Betreffende reduziert sind. Eine Beurteilung dieser
Kritiken bleibt der jeweiligen Leserin bzw. dem jeweiligen Leser überlassen.
Nicht zuletzt haben Auszüge aus den Nachrufen in dieser Arbeit Eingang gefunden.This thesis was started with the aim of compiling a thematic catalogue of Armin Kaufmann’s
work, of collecting a biographical survey of his life and of illustrating his creative work as it
appeared to his contemporaries.
The music material found in the inheritance of Armin Kaufmann is partly available in the
“Musiksammlung der Österreichischen Nationalbibliothek” (collection of music belonging to
the Austrian National Library) and served as the basis of the thematic catalogue. Another part
is available in the “Armin Kaufmann Dokumentationszentrum” (Armin Kaufmann
documentation centre) in Stift Ossiach (monastery of Ossiach, Carinthia), which was
inaugurated in summer 2009; these sources have also been considered. All “incipits” were not
just reproduced mechanically but have been produced personally by the author of this thesis.
Thus it was possible to locate obvious mistakes in some beats of the “incipits” – even in
printed works – and to correct them in the reproduction.
A catalogue of his works arranged according to opus numbers, produced in 1992 by
Mrs. Leonore Endreß in commemoration of Armin Kaufmann’s 90th birthday and edited by
the Austrian National Library “Musikalische Dokumentation”, was an important basis for
preparing further systematic catalogues. Incorrect details discovered by the author of this
thesis in the course of his research have also been corrected.
The biographical information was gained from a family chronicle dating back to 1684 that
was kindly placed at my disposal by Mrs. Elisabeth Kaufmann-Troppina, daughter of Armin
Kaufmann, as well as from documents and diaries. Conversations with members of the family
also helped to clear up details of his curriculum vitae.
A great number of concert programmes document the performances of his works. As far as
they were available they have been listed chronologically. From these programmes it was also
possible to compile a catalogue of performers.
1696
How contemporaries, especially experts, reacted to the works of Armin Kaufmann becomes
visible in the great number of critical reviews which, however, have mostly been reduced to
passages concerning Armin Kaufmann. Forming an opinion on these articles is left to the
reader.
Last but not least: abstracts of memorial addresses have been included in my thesi
Energy efficiency in private households : the role of information and consultancy
No full textAuthor: Armin LeopoldZsfassung in dt. SpracheGraz, Univ., Dipl.-Arb., 200
Novel mathematical models for triggering slab avalanches using fracture propagation and the effects of friction
No full textAuthor Armin BoninsegnaMasterarbeit Johannes Kepler Universität Linz 202
Development and Implementation of an Industrial Validation Procedure for Deep Learning Applications in Series Production
No full textAuthor Armin LeitlMasterarbeit Universität Linz 2022Arbeit nach Ablauf der Sperre auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
Development and Implementation of an Industrial Validation Procedure for Deep Learning Applications in Series Production
No full textAuthor Armin LeitlMasterarbeit Universität Linz 2022Arbeit nach Ablauf der Sperre auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
Die Feuerkugel.
No full textShort account of encounters with Jews and Armenians, circa 1930-1970; identification of non-Jewish author with Armenians and Jews.The essay was published in the newspaper Allgemeine, Nr. xxi/29, Oct. 14, 1966, page 9. A clipping is available in the Armin Wegner clippings collection, AR 3173 C
Scientific contributions of Armin Pallaor (1955–2020) in ichthyology and ornithology
No full textU Zagrebu je 27. siječnja 2020. u dobi
od 65 godina prerano preminuo dr. sc. Armin
Pallaoro, znanstveni savjetnik Instituta
za oceanografiju i ribarstvo u Splitu, i u tom
trenutku je hrvatsko prirodoslovlje ostalo bez
vrsnoga znanstvenika iz područja biologije
mora, ihtiologije, ornitologije, ribarstvene
biologije i morskoga ribarstva. Napisao je 104
znanstvena rada iz navedenih područja. Bio je
strastveni prirodoslovac u pravom smislu riječi.
Čitav svoj životni vijek posvetio je moru i
njegovim tajnama, o kojima je mnogo znao.
Svoje je spoznaje o moru i životu u njemu nesebično
dijelio svojim mlađim kolegama. Bio
je suautor u tri poglavlja u knjigama te suautor u knjizi Crvena knjiga morskih riba Hrvatske. Novoopisana vrsta glavoča Zebrus pallaoroi
(M. Kovačić, R. Šanda, K. Čekovská, T. Soukupová
and J. Vukić, godine 2021.) nazvana je
u čast dr. sc. Armina Pallaora.In Zagreb, on January 27, 2020, at the age of 65,
Dr. Armin Pallaoro passed away, scientific advisor of
the Institute of Oceanography and Fisheries in Split,
and at that moment Croatian natural history was left
without an excellent scientist in fields of marine biology,
ichthyology, ornithology, fisheries biology and
marine fisheries. He wrote 104 scientific papers on
the above-mentioned issue. He was a passionate naturalist
in the true sense of the word. He devoted his
entire life to the sea and its secrets, about which he
knew a lot, and selflessly shared his knowledge about
the sea and life in it with great ease with younger colleagues.
He was a co-author in 3 chapters of books
and a co-author in the book „Crvena knjiga morskih
riba Hrvatske“. The newly described species Zebrus pallaoroi Kovačić, Šanda, Čekovská, Soukupová &
Vukić, 2021 is named in honor of Ph.D. Armin Pallaoro
An Automaton Group with PSPACE-Complete Word Problem
No full textWe construct an automaton group with a PSPACE-complete word problem, proving a conjecture due to Steinberg. Additionally, the constructed group has a provably more difficult, namely EXPSPACE-complete, compressed word problem. Our construction directly simulates the computation of a Turing machine in an automaton group and, therefore, seems to be quite versatile. It combines two ideas: the first one is a construction used by D'Angeli, Rodaro and the first author to obtain an inverse automaton semigroup with a PSPACE-complete word problem and the second one is to utilize a construction used by Barrington to simulate circuits of bounded degree and logarithmic depth in the group of even permutations over five elements
Lachen und Gedächtnis: Humoristische Darstellungsstrategien in den Jüdischen Kulturbildern von Armin Schnitzer
No full textDieser Aufsatz widmet sich den humoristischen Darstellungsstrategien der ethnographisch gefärbten Memoiren Jüdische Kulturbilder (1904) des ungarischen Rabbiners Armin Schnitzer (1836-1914). Nach der Einführung zu seiner Biografie, dem sozialhistorischen Kontext und einigen Grundbegriffen der Humorforschung folgt die Analyse der Realisierungsformen und Funktionen der Komik im Text. Besondere Aufmerksamkeit wird gewidmet den satirischen Ausdrucksformen der Sozialkritik, der Rolle von Humor als Bewältigungsstrategie von Alltagskonflikten, sowie der Selbststilisierung des Autors als moderner und traditionstreuer Rabbiner in der Zeit von Emanzipation und Assimilation.
This paper deals with the humoristic strategies in the Jüdische Kulturbilder (1904), a memoir with ethnographic traces of the Hungarian Rabbi Armin Schnitzer (1838-1914). A brief introduction to his biography, the sociocultural context and some basic terms of humor research, is followed by the analysis of the forms and functions of comic effects in the text, with a special emphasis on the satirical expressions of social criticism, the role of humor in coping with conflicts of everyday life, and the self-image of the author as a traditional and modern rabbi in the age of emancipation and assimilation
'The Italian Taylor and His Boy' or What Robert Armin Did to Straparola
No full textRobert Armin is well known as the last of Shakespeare's great stage clowns, the actor who inspired the creation of characters like Touchstone, Feste and Lavatch in Shakespeare's plays. He is less known as a pamphleteer, poet and playwright, despite the fact that he seems to have been quite productive in his time. This paper analyses in particular one of his most neglected works, entitled The Italian Taylor and His Boy (1609) in relation to its source, a novella of the collection 'Le Piacevoli Notti' [The Pleasant Nights'] (two volumes, 1550-1553) by the Italian author Giovan Francesco Straparola. First, I give reasons for Armin's choice, arguing that the story of Maestro Lattanzio and Dionigi might have attracted the actor's attention for its points in common with his own life. Then, I show how Armin does not produce a mere 'translation' of Straparola, as has sometimes been implied, but he improves the source in many ways: changing the finale and adding to the text a captivating dramat..
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