1,724,727 research outputs found
Humberto Moreno y Alberto Ospina
No full textConversación con Humberto Moreno y Alberto Ospina sobre música de folclor colombiano.#EmisoraHJUT#Utade
Agustín Moreno y Márquez
No full textLa Rábida. Revista Colombina Iberoamericana, año V, nº 46, 30 de abril de 1915, pág. 3. Fotografía blanco/negro.Pie de foto: Agustín Moreno y Márquez, Maestro Nacional jubilado, distinguido escritor.http://dspace.unia.es/handle/10334/138
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Manual de paleografía diplomática española de los siglos XII al XVII : método teórico-práctico para aprender á leer los documentos españoles de los siglos XII al XVII /
No full textMode of access: Internet
Nueva historia, general y completa de la iglesia : desde la fundación hasta la ocupación de Roma y cautividad de Pio IX en el Vaticano en 1870
No full textDesde T. III el impresor es: Establecimiento Tipográfico de L. Obradors y P. SuléEl impresor de los tomos I y II es, Establecimiento tipografico de Jaime JepusT. I, 1873 (398, [2] p.) -- T. II, 1874 (400 p.) -- T. III, 1874 (398, [2] p.) -- T. IV, 1874 (400 p.) -- T. V, 1874 (400 p.) -- T. VI, 1874 (398, [1] p.) -- T. VII, 1874 (400 p.) -- T. VIII, 1874 (400 p.) -- T. IX, 1875 (398, [1] p.) -- T. X, 1875 (400 p.) -- T. XI, 1875 (399, [1] p.) -- T. XII, 1875 (395, [3] p.) -- T. XIII, 1875 (379 [i.e. 389], [1] p.
Las herejías, los cismas y los errores de todos los siglos : historia general de los extravios de la razón humana con respecto al cristianismo
No full textVol. I (724 p.) -- Vol. II (723 p.) -- Vol. III (744 p.) -- vol. IV (685 p.
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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