207,718 research outputs found
MORENO, Guadalupe D. Vda. de
Letter from Gen. Alvaro Obregón to Eduardo Neri, B.A., Attorney General of the Republic, recommending Mrs. Guadalupe D. Moreno for a matter related to the Department of Justice. File M-62 / Carta del Gral. Alvaro Obregón al Lic. Eduardo Neri, Procurador General de la República, recomendando a la Sra. Guadalupe D. Vda. de Moreno para un asunto relacionado con el Departamento de Justicia. Exp. M-6
Yo, retrato. Autofiguración, (i)legibilidades y poesía lírica. Los casos de Borges, C. Fernández Moreno y Gelman
This dissertation focuses on the self-figuration processes of Argentine writers Jorge Luis Borges, César Fernández Moreno and Juan Gelman. Its principal aim is to analyze the paradox of a “lyric I” who portrays himself as constantly fragmentary, yet underlines his status as an author by using autobiographical references and remarks about his poetic practice. I argue that the figure of the author is constructed by using two modalities, or (il)legibilities. The first one includes a series of fictitious biographical references (biographemes) that are neither the coherent image of the “self” nor a subject in constant dissemination, but that still operate within the notion of plot as a discordant concordance (Ricoeur). However, the figure of the author can also be analyzed by using theories of the image (Nancy, Didi-Huberman), ideas of language as immediate mediation (Agamben), and the ambiguity of the lyric (Culler, Combe). These all posit that poems and images can exceed narrative representation and even representation itself.
The first chapter constitutes a theoretical discussion that analyzes the main concepts associated with these two (il)legibilities, while the remaining three chapters focus on the poets.
In Borges’s chapter, the tension between the two (il)legibilities is shown through the construction of an ambiguous relationship of the lyric subject with Buenos Aires; through his self-figuration as a poet that desires to live different lives but limits himself to his own practice; and through a projection of his own image onto that of others.
In Fernández Moreno, the self-figuration process deals with the figure of his father (also a poet), and with the limits and possibilities that constant displacement in space, the inevitability of time, and irony impose on language.
In Gelman, the process oscillates between the need of the subject to criticize social injustice and his use of “fake” translations and a very personal poetic language to give account of dictatorship violence and of the disappearance of his son.
By enhancing and reshaping the notion of the author, this analysis deepens our understanding of the three poets and of the challenges that the image and lyric discourse pose to self-representation
Carta de Alejo García Moreno a Pedro Dorado Montero
Carta de D. Alejo García Moreno, profesor de la Universidad Central de Madrid, a D. Pedro Dorado Montero, enviándole un libro
Carta de José Molina Moreno a Pedro Dorado Montero
Carta de D. José Molina Moreno, director del periódico "El Progreso" a D. Pedro Dorado Montero, solicitando una colaboración para el primer número de dicho periódico
Carta de Ydamir Moreno a Pedro Dorado Montero
Carta del impresor D. Ydamir Moreno, referente al extravío de una cuartilla del original de su obra "El Reformatorio de Elmira"
Moreno Zoppi
Catalogo della mostra monografica di Moreno Zoppi (1918-1994), presso la Galleria d\u27arte "Antenore" di Padova 1 -14 febbraio 1969.
Il catalogo contiene una breve nota biografica; un elenco di premi; una selezione di opere esposte; una fotografia del pittore nel suo studio
Tarjeta Postal de Alejo García Moreno a Pedro Dorado Montero
Tarjeta Postal de D. Alejo García Moreno, secretario del Instituto Iberoamericano de Derecho Comparado, a D. Pedro Dorado Montero, enviándole el cobro de la cuota del Instituto para poder mandarle el título y la tarjeta de socio
Targeta d' Ernesto Vila Moreno a Ferran Sunyer
Targeta d'Ernesto Vila Moreno, metge - cirurgià de Figueres, on expressa el seu agraïment als bons amics Sunyer Balaguer i diu que els recorda sempre amb simpatia i amb afecte
Antonio Martín Moreno entrevista a Luis de Pablo Costales
En el ciclo “El intelectual y su memoria” D. Antonio Martín Moreno entrevista al compositor español Luis de Pablo Costales
Conférence D. Agut, J.C. Moreno Garcia - Documents fonciers égyptiens
Dans le cadre du séminaire d’histoire économique de l’Antiquité (J. Zurbach), Damien Agut et Juan Carlos Moreno Garcia feront une intervention commune le jeudi 19 mai sur des documents fonciers de l’Égypte ancienne. Documents fonciers égyptiens. I : documents ramessides (J.C. Moreno Garcia) Documents fonciers égyptiens. II: cadastres et registres fiscaux du XIe au IXe siècle (D. Agut) Le séminaire a lieu à l’ENS, 45 rue d’Ulm, Paris, en salle d’Histoire (esc. D, 2e étage), de 16 à 18h
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