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Charles B. Moore Family papers, 1832-1917
No full textA receipt for a one year subscription to The M'Kinney Democrat. C. B. Moore paid $1.00 for the subscription, which lasts from February 22, 1895 through February 22, 1896
Letter, 1935 Sept. 20, to Cornelia S. Moore, Logansport, Ind.
No full textLetter from F. C. Hockema to Cornelia Moore acknowledging receipt of her letter of September 18 and stating that they are expecting Amelia Earhart to be at Purdue University in late November, September 20,193
Charles B. Moore Family papers, 1832-1917
No full textA receipt for a one year subscription to The M'Kinney Democrat. C. B. Moore paid $1.00 for the subscription, which lasts from February 22, 1896 through February 22, 1897
Charles B. Moore Family papers, 1832-1917
No full textA receipt for a one year subscription to The M'Kinney Democrat. C. B. Moore paid $1.00 for the subscription, which lasts from February 22, 1895 through February 22, 1896
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Charles B. Moore Family papers, 1832-1917
No full textA receipt for property taxes paid to Collin County, Texas on November 23, 1895. C. B. Moore paid 4,500
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Erratum to: Effect of moderate red wine intake on cardiac prognosis after recent acute myocardial infarction of subjects with Type 2 diabetes mellitus (Diabetic Medicine, (2006), 23, 9, (974-981), 10.1111/j.1464-5491.2006.01886.x)
No full textIn an article by Marfella et al, the author name C. Saron is incorrect and should be listed as C. Sardu. Therefore the correct author list is: R. Marfella, F. Cacciapuoti, M. Siniscalchi, F. C. Sasso, F. Marchese, F. Cinone, E. Musacchio, M. A. Marfella, L. Ruggiero, G. Chiorazzo, D. Liberti, G. Chiorazzo, G. F. Nicoletti, C. Sardu, F. D'Andrea, C. Ammendola, M. Verza and L. Coppola.In an article by Marfella et al, the author name C. Saron is incorrect and should be listed as C. Sardu. Therefore the correct author list is: R. Marfella, F. Cacciapuoti, M. Siniscalchi, F. C. Sasso, F. Marchese, F. Cinone, E. Musacchio, M. A. Marfella, L. Ruggiero, G. Chiorazzo, D. Liberti, G. Chiorazzo, G. F. Nicoletti, C. Sardu, F. D'Andrea, C. Ammendola, M. Verza and L. Coppola
The Complete Playground Book by Arlene Brett, Robin C. Moore, and Eugene F. Provenzo, Jr.
No full textReviewed Work: The Complete Playground Book by Arlene Brett, Robin C. Moore, and Eugene F. Provenzo, Jr
Moore, Jessie F. (Death, 1898-01-31)
No full textAddress: 412 W. Court St.Age at death: 41 yrs.33/Pg 12/1898/F W M/Ky./Dr. C. P. Brent/Estep & Meyer/Spring GroveOriginal record filed in drawer labeled 'MOORE, J-MORLEY'
Crise, documentário e representação: uma análise do filme “Capitalismo: uma história de amor”, de Michael Moore
No full textTCC (Graduação) - Universidade Federal de Santa Catarina. Centro Socioeconômico. Curso de Administração.Crises econômicas não se limitam aos aspectos financeiros, afetam a vida de muitos cidadãos despertando nestes o questionamento acerca do próprio sistema econômico. Neste sentido Michael Moore procura fazer uma análise do sistema capitalista em seu filme: “Capitalismo: Uma História de Amor” (2009), tendo como âncora a crise americana de 2008. Filmes documentários possuem certa intenção de verossimilhança com o real, informando e despertando seus espectadores para a reflexão acerca do tema. Desta forma, constituem-se como uma forma de representação da realidade social do sujeito que o produz. Este trabalho, de caráter descritivo, busca identificar uma “visão de mundo” do diretor Michael Moore a partir de seu filme, fazendo aporte a teoria das representações sociais de Moscovici. Desta forma, foram levantadas 4 categorias de análise, a saber: capitalismo, crise de 2008, comportamento das organizações (casos de fraudes, escândalos) e Wall Street. Ao final, há indícios uma “visão de mundo” de Moore, que seria perpassada por elementos que fogem as categorizações da pesquisa, estando presentes em todas elas. Como sua a ideia de igualdade e justiça; a face inescrupulosa das organizações e de certos conglomerados como Wall Street
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