882 research outputs found
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
ENTREVISTA COM O ARTISTA VISUAL EMANUEL MONTEIRO
No full textEntrevista cedida pelo artista visual Emanuel Monteiro, para Tânia Bloomfield, em 06/09/2019, no laboratório de Desenho do DEARTES/UFPR. Vídeo: 65 m
Proteção dos espaços de ativismo por Direitos Humanos - Monitoramento Legislativo
Get PDFO relatório foi produzido Eduarda Ribeiro Monteiro, relativo às atividades desenvolvidas junto ao Observatório da Proteção dos Direitos Humanos do CAAF/Unifesp, com bolsa do Primeiro Edital de Fomento a Observatórios da Proec. Essas atividades levaram à produção de um banco de dados com informações sobre as propostas legislativas na Câmara dos Deputados e Senado Federal relativas às três últimas legislaturas (2007-2011, 2011-2015, 2015-2019), bem como ao primeiro ano da atual (Fev.2019-Jan.2020), que utilizam a expressão "direitos humanos". O relatório apresenta esse banco e os resultados de análises preliminares realizadas a partir dele
Eduarda Mansilla. A Woman who Contains Multitudes
Get PDFIn this paper we will analyse the figure of Eduarda Mansilla in light of her self-figurations as author and mother. In this nineteenth-century author, the public and private dimensions do not seem to exclude each other but rather to complement each other, although sometimes, as we will try to show, the former is more important than the latter.
We also note that the ideal of specialised spheres (the domestic and the public) does not always occur in the expected way. In Mansilla, the boundary between the public and the private becomes labile and, in this instability of the spheres, tensions arise that do not always find a solution. The tense and the contradictory become evident and turn this woman of the Buenos Aires elite into a complex author who is difficult to classify.
The analysis of the intertwining of the public and the private will focus on the prologue to Cuentos (Mansilla, [1880] 2011), entitled ‘Una palabra al lector’, written by the author herself, and on some journalistic texts.En el presente trabajo analizaremos la figura de Eduarda Mansilla a la luz de sus auto figuraciones como autora y madre. En esta autora del siglo XIX, la dimensión pública y la privada no parecen excluirse sino complementarse, aunque a veces, como intentaremos demostrar, la primera cobra mayor relevancia que la segunda.
Advertimos, también, que el ideal de esferas especializadas (lo doméstico y lo público) no siempre se da de la manera esperable. En Mansilla, el límite entre lo público y lo privado se vuelve lábil y, en esa inestabilidad de las esferas, surgen tensiones que no siempre encuentran solución. Lo tenso y lo contradictorio se hacen evidentes y vuelven a esta mujer de la elite porteña una autora compleja y de difícil clasificación.
El análisis del entrecruzamiento de lo público y lo privado se centrará en el prólogo a Cuentos (Mansilla, [1880] 2011), titulado “Una palabra al lector”, escrito por la propia autora y en algunos textos periodísticos
Eduarda Mansilla y Victor Hugo: un breve intercambio epistolar marcando los inicios de la literatura francófona de Argentina
Get PDFArgentine francophone literature originates with Eduarda Mansilla’s novel Pablo ou la vie dans les Pampas, published in 1869; the author forwards a copy to Victor Hugo, generating a brief correspondence. In this article, we both present and analyze an unpublished letter by Eduarda Mansilla, addressed to Victor Hugo. Furthermore, we compare it to Victor Hugo‘s answer to confirm the existence of a letter exchange between the authors. The relevance of this entwine lies in the fact that Mansilla and Victor Hugo are two central literary figures around which revolve the Argentine francophone literature; a literature yet to be explored
Lucía Miranda (1860) of Eduarda Mansilla and its Italian Genealogies
Get PDFLucía Miranda (1860), primera novela escrita por Eduarda Mansilla de García (1834-1992), guarda algunos secretos genealógicos y genéticos bien escondidos. La presencia de una subtrama situada en Italia (Nápoles en particular), es única en todas las reelaboraciones del episodio de Lucía Miranda realizadas durante varios siglos, a partir de la crónica (circa 1612) de Ruy Díaz de Guzmán. Existen justificaciones estéticas intratextuales: Nápoles, donde se presenta la quintaesencia de la alta cultura italiana, tiene un fuerte valor simbólico en el juego Naturaleza/Cultura, Barbarie/Civilización, América/Europa, Intemperie/Ciudad, así como la genealogía femenina (María de las Rosas-Nina Barberini) que «pone en abismo», la historia de la heroína principal, Lucía Miranda. Pero existen también justificaciones intertextuales para apelar a un escenario italiano:la reconocida y recién descubierta deuda de la autora con Alessandro Manzoni y su capolavoro I promessi sposi, al que atribuye el despertar de su vocación literaria. Por fin, el hecho de que el escenario elegido sea Nápoles, nos remite a la misma biografía de Eduarda Mansilla, a su relación familiar con don Pedro de Angelis: el gran erudito napolitano, primer editor de la crónica de Ruy Díaz de Guzmán. Ciertamente De Angelis puso sus mejores talentos al servicio del Gobernador Juan Manuel de Rosas, tío de la autora. Pero sobre todo los colocó al servicio del futuro patrimonio histórico argentino.Lucía Miranda (1860), the first novel by the Argentinian writer Eduarda Mansilla de García (1834-1992) keeps several genetic and genealogical secrets well hidden. The presence of a secondary plot that takes place in Naples (Italy) is a unique fact along all the remakes of the so called «Lucía Miranda’s episode» during centuries, from the chronicle by Ruy Díaz de Guzmán finished around 1612. There are «intratextual» reasons: Naples, presenting the quintessence of high Italian culture, has a strong symbolic value in the interaction Nature/Culture, Barbarism/ Civilization, America/Europe, Wilderness/City, as well as the feminine genealogy (María de las Rosas-Nina Barberini) that «places into abyss» the story of the main feminine character, Lucía Miranda. But there are also «intertextual» motivations for appealing to an Italian scene: the acknowledged, and recently found out debt of the author, Eduarda Mansilla, towards Alessandro Manzoni and his masterpiece: The Betrothed (I promessi sposi), to which she attributes the upheaval of her literary vocation. Finally, the fact of Naples being the chosen scenario, refers us to Eduarda Mansilla’s familiar relationship with don Pedro de Angelis: the great Neapolitan scholar, first editor and publisher of Ruy Díaz de Guzmán’s chronicle. Indeed, he put his best talents to serve her uncle, the Governor Juan Manuel de Rosas, but first of all, he used them at the service of the future historical Argentinian legacy
Uma análise comparativa de Reinações de Narizinho, de Monteiro Lobato e de Alice no País das Maravilhas, de Lewis Carroll
Get PDFA proposta do artigo é realizar uma análise comparativa entre a obra Alice no País das Maravilhas (1865), de Lewis Carroll, e Reinações de Narizinho (1931), de Monteiro Lobato. Para analisar as obras e suas semelhanças será abordado, em um primeiro momento, o contexto histórico vivido por cada autor e sua influência na produção dos textos literários em estudo. Posteriormente, as obras serão analisadas em face à teoria da literatura comparada, bem como se pretende evidenciar a importância desses textos como fundamentais para a história da literatura infantil.The purpose of the article is to carry out a comparative analysis between the work Alice in Wonderland (1865), by Lewis Carroll, and Reinações de Narizinho (1931), by Monteiro Lobato. To analyze the works and their similarities, firstly, the historical context experienced by each author and their influence on the production of the literary texts under study will be addressed. Subsequently, the works will be analyzed in light of the theory of comparative literature, as well as the aim of highlighting the importance of these texts as fundamental to the history of children's literature
IRISIN AND ITS EFFECTS ON CARDIOMETABOLIC DISEASES IN PHYSICAL CONDITIONING AND TREATMENT OF COVID-19
No full textRaphael Benassi, Debora de Oliveira da Silva, Eduarda Romeu da Silva Nogueira, Emanuelle Pires da Silva, Jessyca Damazio de Oliveira, Thiago da Silva Manhaes, Eva de Fátima Rodrigues Paulino, Anibal Monteiro de Magalhães Neto and Luis Carlos Oliveira G
Variaciones sobre un episodio de Facundo. Autores en proceso: Domingo F. Sarmiento, José M. Paz y Eduarda Mansilla
Get PDFThe following writing starts off the reading of an anecdote starring Facundo Quiroga and told by Sarmiento in the chapter "The citadel" of his book Facundo. The anecdote of the civil wars of the mid-nineteenth century accumulates more than one version about episodes that have similar characteristics, a framework that allowed us to approach the sequence as a corpus of study. José María Paz in his Memoirs and Eduarda Mansilla in Pablo or life in the pampas, take up the anecdote of Sarmiento but alternate the characters that interpret it while enabling conflicting readings. On the other hand, we will also carry out a survey of the author\u27s condition, mainly when we approach the textual and pictorial sources of the sarmientina script.El siguiente escrito parte de la lectura de una anécdota protagonizada por Facundo Quiroga y contada por Sarmiento en el capítulo “La ciudadela” de su libro Facundo. El anecdotario de las guerras civiles de mediados del siglo diecinueve acumula más de una versión acerca de episodios que reúnen similares características, entramado que nos permitió abordar la secuencia como un corpus de estudio. José María Paz en sus Memorias y Eduarda Mansilla en Pablo o la vida en las pampas, retoman la anécdota de Sarmiento pero alternan los personajes que la interpretan a la vez que habilitan lecturas contrapuestas. Por otra parte, realizaremos además un relevamiento de la condición autoral, principalmente cuando abordemos las fuentes textuales y pictóricas de la escritura sarmientina
Toxic impacts of Rutile (TiO2 NPs) in Mytilus galloprovincialis exposed to warming conditions
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