16,971 research outputs found
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Bibliotheca Iluminada. Produção e circulação da Bíblia em Portugal. Itinerários dos manuscritos iluminados românicos. Biblioteca Nacional de Portugal, 28 de Outubro de 2021 a 22 de Janeiro 2022
No full textBibliography
BINNEBEKE, Xavier van – «French Romanesque Bibles in Portugal. The “Codex Capituli Ecclesiae B. Mariae Vernonensis"». Lusitania Sacra 34 (Julho-Dezembro 2016), pp. 61-93.
CAHN, Walter – Romanesque Bible Illumination. Fribourg: Office du Livre, 1982.
DENOËL, Charlotte – “Un légendier enluminé par le maître des Évangiles d'Amiens, Paris, Bibliothèque Sainte-Geneviève, ms 134". In Materiam superabat opus'. Hommage à Alain Erlande-Brandenburg. Paris: Réunion des Musées Nationaux, 2006, pp. 220-229.
GOMES, Saúl – “Manuscritos medievais iluminados e fragmentos”. In AMARAL, António Maia do (coord.) – Tesouros da Biblioteca Geral da Universidade de Coimbra. Coimbra: Imprensa da Universidade de Coimbra, 2009, pp 41-73.
HOURIHANE, Colum – Romanesque art and thought in the twelfth century. Pennsylvania: Princeton University, 2008.
MELO, Maria João; MIRANDA, Maria Adelaide; SOUSA, Luís Correia de – “Bíblias românicas de Santa Cruz de Coimbra”. In BARROCA, Mário Jorge; BOTELHO, M.ª Leonor; ROSAS, Lúcia M. C. (coords.) – Enciclopédia do Românico em Portugal. Palencia: Fundación Santa María la Real (No prelo).
MELO, Maria João; MIRANDA, Maria Adelaide; SOUSA, Luís Correia de – “Bíblias românicas de Santa Maria de Alcobaça”. In BARROCA, Mário Jorge; BOTELHO, M.ª Leonor; ROSAS, Lúcia M. C. (coords.) – Enciclopédia do Românico em Portugal. Palencia: Fundación Santa María la Real (No prelo).
MIRANDA, Maria Adelaide – A Iluminura de Santa Cruz no tempo de Santo António. Lisboa: Edições Inapa. 1996.
MIRANDA, Maria Adelaide; MELO, Maria João – “Sécrets et Découvertes en Couleurs dans les manuscrits enluminés”. In MIRANDA, Maria Adelaide; MIGUÉLEZ CAVERO, Alicia (ed.) – Portugueses Studies on Medieval illuminated Manuscripts. Barcelona Madrid: Textes et Études Du Moyen, 2014, pp. 1-31.Referências bibliográficas
BINNEBEKE, Xavier van – «French Romanesque Bibles in Portugal. The “Codex Capituli Ecclesiae B. Mariae Vernonensis"». Lusitania Sacra 34 (Julho-Dezembro 2016), pp. 61-93.
CAHN, Walter – Romanesque Bible Illumination. Fribourg: Office du Livre, 1982.
DENOËL, Charlotte – “Un légendier enluminé par le maître des Évangiles d'Amiens, Paris, Bibliothèque Sainte-Geneviève, ms 134". In Materiam superabat opus'. Hommage à Alain Erlande-Brandenburg. Paris: Réunion des Musées Nationaux, 2006, pp. 220-229.
GOMES, Saúl – “Manuscritos medievais iluminados e fragmentos”. In AMARAL, António Maia do (coord.) – Tesouros da Biblioteca Geral da Universidade de Coimbra. Coimbra: Imprensa da Universidade de Coimbra, 2009, pp 41-73.
HOURIHANE, Colum – Romanesque art and thought in the twelfth century. Pennsylvania: Princeton University, 2008.
MELO, Maria João; MIRANDA, Maria Adelaide; SOUSA, Luís Correia de – “Bíblias românicas de Santa Cruz de Coimbra”. In BARROCA, Mário Jorge; BOTELHO, M.ª Leonor; ROSAS, Lúcia M. C. (coords.) – Enciclopédia do Românico em Portugal. Palencia: Fundación Santa María la Real (No prelo).
MELO, Maria João; MIRANDA, Maria Adelaide; SOUSA, Luís Correia de – “Bíblias românicas de Santa Maria de Alcobaça”. In BARROCA, Mário Jorge; BOTELHO, M.ª Leonor; ROSAS, Lúcia M. C. (coords.) – Enciclopédia do Românico em Portugal. Palencia: Fundación Santa María la Real (No prelo).
MIRANDA, Maria Adelaide – A Iluminura de Santa Cruz no tempo de Santo António. Lisboa: Edições Inapa. 1996.
MIRANDA, Maria Adelaide; MELO, Maria João – “Sécrets et Découvertes en Couleurs dans les manuscrits enluminés”. In MIRANDA, Maria Adelaide; MIGUÉLEZ CAVERO, Alicia (ed.) – Portugueses Studies on Medieval illuminated Manuscripts. Barcelona Madrid: Textes et Études Du Moyen, 2014, pp. 1-31
An extension of a theorem by C. Miranda in weighted spaces
No full textThis paper extends a well-known theorem of C. Miranda concerning a priori estimates of weak solutions of linear elliptic equations with discontinuous coefficients in a bounded open subset of R^n . We derive such estimates in weighted spaces in an open subset of R^n under conditions more weak compared to those considered in a previous paper
O profeta São João Maria continua encantando no meio do povo: um estudo sobre os discursos contemporâneos a respeito de João Maria em Santa Catarina
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em Antropologia Social.Este é um estudo sobre os discursos contemporâneos a respeito de João Maria em Santa Catarina, sul do Brasil. Partindo da noção de discurso como ação humana significativa (Ricoeur), afirmo que os discursos a respeito de João Maria são construídos pelos joaninos a partir de sua cultura histórica (formada por valores, símbolos, imagens, personagens, eventos contextuais e um catolicismo difuso), possuem temporalidade, expressam algo e são disponibilizados para outras leituras e interpretações. É o próprio discurso dos joaninos que serve como mecanismo de legitimação de João Maria, dos discursos atribuídos a ele, dos próprios discursantes (joaninos) e de sua cultura histórica. João Maria é visto, neste trabalho, como evento fundante, em torno do qual gravitam muitos sentidos, e como entidade multivalente, identificado como Deus, Jesus Cristo, Profeta, Santo ou símbolo da luta pela terra. Legitimados, os discursos a respeito de João Maria apresentam-se como adequados na interpretação do mundo dos joaninos, no controle da indeterminação do mundo, para anunciar e acabar com o mal, reagir contra aquilo que não está de acordo com sua cultura, estimular a luta política ou anunciar o mundo desejado
Charinus bichuetteae Giupponi & Miranda 2016
No full textCharinus bichuetteae Giupponi & Miranda, 2016 Fig. 27; Table 2 Charinus bichuetteae Giupponi & Miranda, 2016: 23–25, figs 2h, 3h, 11a–f. Diagnosis Based on Giupponi & Miranda (2016), this species may be separated from other Charinus in Amazonia and northern South America by means of the following combination of characters: tegument pale yellow in color; median eyes and median ocular tubercle absent; lateral eyes well developed; small, rounded, markedly sclerotized tetra- and pentasternum; cushion-like female gonopod with lateral projections directed posteriorly, covering opening of internal seminal receptacles (atrium); pedipalp femur with two dorsal spines and three ventral spines; pedipalp tarsus with two spines, proximal spine small, ca one quarter length of distal spine; tibia of leg I with 21 articles, tarsus I with 37 articles; leg IV basitibia with two pseudo-articles; trichobothrium bt situated in proximal third of distitibia; leg IV distitibia with 16 trichobothria; trichobothrium bc situated closer to sbf than to bf. Charinus bichuetteae is one of ten species of Charinus in Amazonia and northern South America in which the basitibia of leg IV consists of two pseudo-articles; the others are C. bonaldoi, C. brescoviti, C. bromeliaea, C. carvalhoi sp. nov., C. camachoi, C. pardillalensis, C. platnicki, C. quinteroi and C. ricardoi. Charinus bichuetteae differs from C. bromeliaea and C. carvalhoi sp. nov. in the cushionlike gonopods, which are sucker-like in C. bromeliaea and in C. carvalhoi sp. nov. The absence of median eyes and ocular tubercle differentiates C. bichuetteae from C. brescoviti and C. bromeliaea. Seven of these species lack median eyes and median ocular tubercle, and can be differentiated from C. bichuetteae by the number of teeth on the cheliceral claw and the number of spines on the pedipalp femur. Etymology Patronym honoring Dr Maria Elina Bichuette (Giupponi & Miranda 2016). Type material Holotype BRAZIL • ♂; Pará, Vitória do Xingu Municipality, AL 44, Gruta do China; 9 Jul. 2009; D. Pedroso, Pellegatti-Franco, M.E. Bichuette and T.L.C. Scatolini leg.; MNRJ 9204. Paratypes BRAZIL • 1 ♂; same collection data as for holotype; MNRJ 9173 • 1 ♀, Pará, Vitória do Xingu Municipality, AL 19, Paratizão; 10 Jul. 2009; D. Pedroso, F. Pellegatti-Franco, M.E. Bichuette and T.L.C. Scatolini leg.; MNRJ 9174 • 1 ♀, 1 juv. ♀; Altamira Municipality, AL 05, Gruta do Sismógrafo; 05°52′44″ S, 53°39′29″ W; 7 Jul. 2009; D. Pedroso, F. Pellegatti-Franco, M.E. Bichuette and T.L.C. Scatolini leg.; MNRJ 9172 • 3 ♀♀, 1 ♂; Altamira Municipality, B0103 - Caverna Sugiro-Roncador; 2 Jan. 2011; B0026 - river bank, under stone; 3 Apr. 2011; B0049 - Pedra da Cachoeira Cave; 3 Apr. 2011; M.E. Bichuette, J.E. Gallão, D.M. von Schimonsky and D.R. Pedroso leg.; B0026: riverbank, under stone; B0049: Pedra da Cachoeira Cave; MNRJ 9311. Measurements See Table 2. Distribution Known from the type localites. Natural history Specimens were found on cave walls. Remarks See Giupponi & Miranda (2016) for more details concerning the taxonomy of C. bichuetteae.Published as part of Miranda, Gustavo Silva de, Giupponi, Alessandro P. L., Prendini, Lorenzo & Scharff, Nikolaj, 2021, Systematic revision of the pantropical whip spider family Charinidae Quintero, 1986 (Arachnida, Amblypygi), pp. 1-409 in European Journal of Taxonomy 772 on pages 41-42, DOI: 10.5852/ejt.2021.772.1505, http://zenodo.org/record/553641
Ave Maria and Regina Coeli, by Ronaldo Miranda: interpretative paths
No full textEste trabalho desenha o percurso investigativo de um regente que se propõe a estudar as obras Ave Maria e Regina Coeli do compositor Ronaldo Miranda. Para essa proposta, recorro a distintas fontes de informação de orientação musicológica e de cunho narrativo-artístico como forma de, por meio de uma multiplicidade de olhares, criar tramas que conduzam à compreensão do processo de concepção e construção da perfórmance desse repertório. Tem-se por objetivo: a) revelar, mediante diversos dados e narrativas, as diferentes visões referentes à concepção e construção da interpretação musical e b) evidenciar como diferentes naturezas de conhecimento contribuem para a minha compreensão de um repertório. Considerando ambos os propósitos, realizei: a) um levantamento musicológico sobre o compositor, por meio de trabalhos acadêmicos que versavam sobre ele; b) uma pesquisa sobre sua formação musical; e c) um estudo sobre seus períodos composicionais, de forma a entender o contexto histórico de Miranda de maneira tridimensional. Posteriormente realizei um mergulho analítico nas obras elencadas, buscando características composicionais. Em um segundo momento, trabalhei narrativas do próprio compositor e de regentes que já conduziram essas peças que integram o córpus com o intuito de revelar e compreender seus pontos de vista sobre o processo de construção da perfórmance, desde quando a partitura chegou às suas mãos. Em poder desses dados, pude constatar que Ronaldo possui, em sua escrita para coro, peculiaridades recorrentes do ponto de vista melódico, harmônico, textural e prosódico. Identifiquei, também, uma relação de sua escrita com elementos do canto gregoriano. As narrativas ainda revelaram processos diversificados de preparação das obras para o ensaio focados no perfil de coro a ser dirigido. Pude encontrar consonância na fala dos regentes a respeito de como se enxergam hoje, em relação a momentos anteriores de suas carreiras. Observamos, por fim, aspectos musicais que podem gerar liberdade interpretativa por parte do regente no momento da perfórmance.This work outlines the investigative path of a conductor who proposes to study the works Ave Maria and Regina Coeli, by the composer Ronaldo Miranda. To this end, I resort to different sources of information of musicological orientation and of a narrative-artistic nature as a way of, through a multiplicity of perspectives, creating plots that lead to the understanding of the process of conception and construction of the performance of this repertoire. The research aims to: a) reveal, through different data and narratives, the different views regarding the conception and construction of musical interpretation and b) show how different types of knowledge contribute to my understanding of a repertoire. Thus, I carried out: a) a musicological survey about the composer through academic works that dealt with him; b) a research on his musical formation; and c) a study on his compositional periods, in order to understand the historical context of Miranda in a three-dimensional way. Subsequently, I carried out an analytical dive into the works listed here, seeking compositional characteristics. In a second moment, I worked on narratives of the composer himself and of conductors who have already conducted these pieces, in order to reveal and understand their points of view on the process of construction of the performance when the score reaches their hands. Based on these data, I could see that Ronaldo has recurring peculiarities in his writing for choir from a melodic, harmonic, textural and prosodic point of view. I also identified the relationship of his writing oriented to elements of Gregorian chant. The narratives also revealed diversified processes of preparing the works for the rehearsal, focused on the choir profile to be directed. I could find consonance in the conductors\' speech about how they see themselves today in relation to earlier moments in their careers. We observe musical aspects that can generate interpretive freedom on the part of the conductor at the time of performance
Facial Uplift: Plastic Surgery, Cosmetics, and the Retailing of Whiteness in the Work of Maria Cristina Mena
No full textThis article analyzes how Mexican American author María Cristina Mena’s short magazine fiction boldly illustrates the emerging U.S. beauty industry as effectively producing whiteness for sale in the neocolonial marketplace. Her representations of Mexican women’s use of cosmetics articulate how the beauty industry both lends structure to and is structured by the idea of race; at the same time, she reminds her audience that the impact of beauty products and services is in large part determined by the political and economic context of the goods themselves. Through the techniques of role reversals, character development and dramatic irony, Mena’s stories portray the U.S. beauty industry as a dynamic trade that exports new forms of whiteness across its southern border. Far from depicting Mexican women as passive consumers in the neocolonial marketplace, however, Mena shows how beauty products and services can be appropriated as limited yet potent acts of resistance.This article was published as Schuller, Kyla. "Facial Uplift: Plastic Surgery, Cosmetics, and the Retailing of Whiteness in the Work of Maria Cristina Mena," Journal of Modern Literature, Vol. 32, No. 4 (Summer 2009), pp. 82-104. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For educational re-use, please contact the Copyright Clearance Center (508-744-3350). For all other permissions, please visit Indiana University Press' permissions page.Peer reviewe
Molecular identification of the exotic lineage of Kappaphycus alvarezii (Rhodophyta, Solieriaceae) cultivated in the tropical region of Brazil
No full textAraújo, Patrícia G., Miranda, George E. C., Barros-Barreto, Maria B., Fujii, Mutue T. (2013): Molecular identification of the exotic lineage of Kappaphycus alvarezii (Rhodophyta, Solieriaceae) cultivated in the tropical region of Brazil. Phytotaxa 109 (1): 17-26, DOI: 10.11646/phytotaxa.109.1.2, URL: http://dx.doi.org/10.11646/phytotaxa.109.1.
Delegated Portfolio Management
No full textIn this paper, we examine optimal portfolio decisions within a decentralized framework. There are many portfolio managers choosing optimal portfolio weights in a mean-variance framework and taking decisions in a decentralized way. However, the overall portfolio may not be efficient, as the portfolio managers do not take into account the overall covariance matrix. We show that the initial endowment that portfolio managers can use within the firm in order to manage their portfolios can be used as a control variable by the top administration and redistributed within the firm in order to achieve overall efficiency.
Mr. and Mrs. Miguel Montoya, Salt Lake City, Utah: an interview by Bernice Martínez, July 15, 1972; Mrs. Maria Luz Solorio and Mrs. Bertha Mayer, Salt Lake City, Utah: an interview by Bernice Martínez, July 13 and 14, 1972; Ramón García, Jesuc C. Rivas, and Nicolás Gonzales, Salt Lake City, Utah: an interview by Bernice Martínez and Mae Barela, July 28, 1972; Mrs. Rosa Sandoval, East Carbon, Dragerton, Utah: an interview by Chuck Lobato, Katarina Trujillo, and Margie Archuletta, June 13, 1972; Vincent Mayer Sr., Bountiful, Utah: an interview by Gergory Thompson, Vincent Mayer Jr., and Floyd A. O\u27Neil, November 8, 1970; Mary and Carlos Trujillo, Ogden, Utah: an interview by Bernice Martinez, July 27, 1972; Merlin Barela, West Jordan, Utah: an interview by Mae Barela and JoAnn Gallegos, June 18, 1972; Mrs. Rose Gurule, Ogden, Utah: an interview by Kathy Trujillo, Bernice Martinez, and Mae Barela, July 19, 1972
No full textTranscript of interviews held in 1970 and 1972 at Salt Lake City, Dragerton (East Carbon City, Bountiful, West Jordan, and Ogden, Utah, with several Hispanic residents of Utah: Miguel Montoya (b. 1914); Mrs. Maria Luz Solorio (b. 1911) and Mrs. Bertha Mayer (b. 1912); Ramon Garcia (b. 1926); Jesus C. Rivas (b. 1907); Nicolás Gonzáles (b. 1900); Rosa Sandoval (b. 1937); Vincent Mayer Sr. (b. 1907); Mary and Carlos Trujillo of Ogden, Utah; Merlin Barela; and Rose Gurule (b. 1930). Some interviews in both Spanish and Englis
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