1,720,975 research outputs found
SASTRA CYBER SEBAGAI ESTAFET DARI SASTRA LISAN DAN SASTRA TULIS
Penelitian ini bertujun untuk mendeskripsikan sastra cyber sebagai estafet dari sastra lisan dan sastra tulis. Teori yang digunakan adalah Teori wacana yang dikemukakan oleh Michel Foucaulta. Metode analisisi yang digunakan adalah metode ekskavasi. Hasil penelitian menunjukkan bahwa sastra cyber merupakan estafet dari sastra lsan dan sastra tulis karena dalam sastra cyber fasilitas bunyi-bunyian yang disajikan oleh teknologi berupa komputer yang berkembang menjadi internet tampaknya lebih digemari oleh masyarakat, khususnya di Indonesia. Sastra cyber juga mengusung peran yang dimiliki sastra lisan, yaitu sastra lisan dan sastra cyber hadir sebagai wacana tanding dari kelas subordinat, sastra lisan dan sastra cyber memiliki peran sebagai sejarah “budaya mentalisme yaitu sebagai gambaran bagi sejarah mentalitet, dan sastra lisan dan sastra cyber berfungsi sebagai bagian dari pengetahuan genealogis.
Kata kunci: sastra cyber, sastra lisan, sastra tulis, wacana, Michel Foucaul
HEGEMONI WANITA JAWA DALAM NOVEL PENARI KARYA DANDANG A DAHLAN
This study aimed to describe the hegemony of a Javanese woman in the novel by Dandang A. Dahlan with the title Penari. The underlying theory is hegemony by Anthonio Gramsci. Mechanical analysis starts from literary texts and express authorization of Javanese women in accordance with the concept of hegemony Gramsci is a power or dominion over life values, norms, and culture of a society that eventually turned into the doctrine of the other communities in which the group is dominated not feel oppressed and feel it as it should be. The analysis showed that the novel Penari revealed about the life of Javanese woman named Ganis in living his life which was originally to be a dancer then became a businessman's wife and finally she also jump directly manage the company because her husband was experiencing adversity. The role of women is not the slightest made her feel dominated by the woman even though she is a manager of the company and replace the roles of her husband. Ganis successfully domination without causing feeling forced or dominated at parties in her dominated. Novel Penari creat by Dandang A. Dahlan has been suggested hegemony Javanese women through emotional intelligence, in the form of patience, carefully, and sincerell
PENINGKATAN POTENSI WILAYAH DAN KESEHATAN MENUJU DESA SEJAHTERA DI GIRIPANGGUNG, TEPUS, GUNUNGKIDUL
Kuliah Kerja Nyata (KKN) merupakan program kegiatan yang wajib dilaksanakan oleh setiap mahasiswa, khusunya mahasiswa Universitas Ahmad Dahlan. Hal ini dimaksudkan agar mahasiswa mampu belajar dari masyarakat, berbagi ilmu kepada masyarakat, dan bisa berdampingan dengan baik bersama masyarakat. KKN UAD periode LXI yang berada di Dusun Klopoloro 1, Dusum Klopoloro 2, dan Susun Bolang, Desa Giripanggung, Kecamatan Tepus, Gunungkidul kali ini mengusung tema “Peningkatan Potensi Wilayah dan Kesehatan Menuju Desa Sejahteraâ€. Tema ini menunjukkan bahwa tujuan utama kehadiran KKN di dusun tersebut adalah ingin mengajak masyarakat berpola pikir maju dengan mengedepankan potensi wilayah dan kesehatan sehingga diharapkan nantinya akan tercipta kesejahteraan. Tujuan ini memerlukan gerakan-gerakan nyata pada masyarakat. Oleh karena itu, untuk menunjang terwujudnya tujuan tersebut mahasiswa KKN UAD mengusung program-program yang berkaitan dengan pengembangan potensi wilayah dan kesehatan seperti 1) pelatihan mocaf, 2) penyuluhan kesehatan, dan 3) pendampingan posyandu
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
DEKONSTRUKSI DALAM PUISI “SATU LORONG” KARYA REMY SYLADO
Penelitian ini bertujuan menganalisis dekonstruksi yang terdapat dalam puisi “Satu Lorong” karya Remy Sylado. Teori Dekonstruksi merupakan salah satu dari teori Pascastruktural. Teori ini menyatakan bahwa penanda tidak berkaitan langsung dengan petanda. Dekonstruksi menurut Derrida merupakan sebuah metode membaca teks secara sangat cermat hingga pembedaan konseptual hasil ciptaan penulis yang menjadi landasan teks tersebut tampak tidak konsisten dan paradoks dalam menggunakan konsep-konsepnya dalam teks secara keseluruhan. Dengan kata lain, teks tersebut gagal memenuhi kriterianya sendiri.Hasil analisis menunjukkan oposisi-oposisi dalam diksi dari segi muatan semantik dapat dibedakan menjadi dua jenis yaitu oposisi yang mengimplikasikan nilai, seperti ‘surga dengan neraka’ dan oposisi yang mengimplikasikan entitas, seperti ‘nyanyian romantis dengan lagu sedih’. Selain itu, tipografi puisi ini menciptakan paralelisme antara pasangan-pasangan oposisinya, seperti ‘Kesedihan adalah nyanyian romantis…/ Selaksa kali dalam usia yang pendek…/ Di sengsara kita, kita madahkan lagu sedih…’.</p
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