4,309 research outputs found
“Sérgio e Simone” de Virginia de Medeiros: Subjetividades Trans e Transgressão
No full textNesse ensaio discorre-se sobre as idas-e-vindas da identidade de gênero a partir do vídeo “Sérgio e Simone”, de Virginia de Medeiros, que coloca em evidência as contradições e afecções das expressões subjetivas queer. Apresentado na 31ª Bienal de São Paulo em 2014, a obra da artista baiana mostra uma conversa, afetiva e curiosa, com Simone, a travesti, e Sérgio, sua versão masculina e biológica, pastor de igreja evangélica. No vídeo, a artista salienta as contradições sociais e afetivas das “identidades de gênero em performatização”, tendo o uso da linguagem visual do documentário como reforço formal para a apreensão das contingências cotidianas dos sujeitos, e sua condição limítrofe de adequação ao mundo da vida.Cet essai traite de l’identité de genre dans la vidéo "Sergio et Simone" réalisée par Virginia de Medeiros, où l’auteur met en lumière les contradictions, les antiennes et les sensibilités des expressions subjectives queer. Présentée à la 31e Biennale de São Paulo, en 2014, cette œuvre montre une conversation affectueuse et singulière avec deux identités d’une même personne : Simone, le travesti, et Sergio, sa version masculine, pasteur d’une église évangélique. Dans la vidéo, l’artiste met l’accent sur les contradictions sociales et affectives des identités de genre en constante métamorphose, ce que Judith Butler appelle “performativité du genre”. L ‘artiste utilise un langage documentaire visuel comme outil formel pour la saisie des contingences quotidiennes des sujets
Rozpor ako východisko, láska ako smer u Simone Weilovej (Contradiction as base, Love as direction in writings of Simone Weil)
No full textArticle is explaining contradiction and love, Simone Weil‘s essential terms of hermeneutics of human Being. It introduces close relation of these terms with her understanding of God as well as with her overall concept of religion. Author also mentions Simone Weil‘s inspirations with philosophical and spiritual concepts of the East
“I beg you to tell me what has become of Djamila”: The Political Mobilization of Simone de Beauvoir’s Readers During the Boupacha Affair
No full textBy Sophia Millman This is a condensed version of a Masters thesis dedicated to the political mobilization of Simone de Beauvoir’s readers. The citations from the letters were translated from French by the author. *** On June 2, 1960, the French government ordered all copies of the daily Algiers edition of Le Monde seized and destroyed to suppress the publication of Simone de Beauvoir’s article “Pour Djamila Boupacha.” Beauvoir, a self-professed “woman of letters”, not “of action[1]”, and one ..
À sombra do tamarindo: identidade, tradução cultural e gênero em O último voo do flamingo, de Mia Couto
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014.Pretendemos expor questões presentes no romance do moçambicano Mia Couto O último voo do flamingo, como identidade, tradução cultural e gênero. A intenção é propor discussões acerca desses temas tão pertinentes na contemporaneidade, sobretudo no que se refere aos países africanos que passaram pelo processo de colonização e apenas recentemente conquistaram a independência política. Assim, procuramos elucidar também alguns pontos fundantes da relação entre literatura e o contexto histórico em que esta foi produzida, pois essa relação suscita diversas análises. Para tanto, trazemos à baila alguns(mas) estudiosos(as) da cena literária africana de língua portuguesa e também autores(as) das teorias pós-coloniais e de gênero.Abstract : It is intended to expose issues in the novel the Mozambican Mia Couto O ultimo voo do flamingo, like identity, gender and cultural translation. The intention is to propose discussions on these topics as relevant in contemporary times, especially with regard to African countries that have gone through the process of colonization and just recently won political independence. So, I try also to elucidate some foundational points of the relationship between literature and the historical context in which it was produced, because this relationship raises several analyzes. To do so, bring to the fore some scholars of African literary scene of the Portuguese language and also classical authors of postcolonial and gender theories
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
Microlinices benthovus Simone 2014
No full textbenthovus, Microlinices Simone, 2014 Microlinices benthovus Simone, 2014: 575–578 (figs 6A–J, 7A–H, 11A–C). Gastropoda, Naticidae Paratypes (22 spc): MZSP 105269. Paratypes 1 (15 spc): MZSP 105270. Paratypes 2 (16 spc): MZSP 105271. Paratypes 3 (7 spc): MZSP 105272. Localities: Brazil, Espírito Santo, off Itaúnas, Abrolhos Slope, 18°59' S, 37°50' W, MD55 sta. DC 73, 637 m depth, 27 May 1987; 1) 19°00' S, 37°48' W, MD55 sta. DC72, 950– 1050 m, 27 May 1987; 2) off Regência, 19°40' S, 37°48' W, MD55 sta. CB77, 790– 940 m depth, 27 May 1987; 3) off Itaúnas, Abrolhos Slope, 19°01' S, 37°47' W, MD55 sta. CB79, 1500–1575 m depth, 28 May 1987. Collectors: P. Bouchet, J.H. Leal and B. Métivier. Preservation: Dry. Remarks: Former MNHN, Paris. The catalogue number MZSP 105250 is mentioned twice in Simone’s (2014) paper, among the paratypes of M. ibitingus Simone, 2014 and M. benthovus. This duplicity was a mistake by the author: the latter is an erroneous designation and should be disregarded. The only valid paratype lots for M. benthovus are the ones shown above.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 10, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Was bringt die Föderalismusreform? Wahrscheinliche Effekte der geänderten Zustimmungspflicht
No full textThe recently enacted reform of German federalism is supposed to make legislation faster, more efficient and better. To what extent are these expectations justified? In order to assess the likely effects of the reform, this study uses a research design that was recently applied by the Research and Reference Services of the German Bundestag (parliament): we estimate the future effects of the reform by analyzing the impact it would have had on the legislation in the 14th and 15th term of the Bundestag if it had already been been in force at that time. In particular we ask: To what extent would the number of laws requiring the consent of the states' chamber, the Bundesrat, have been reduced? Which type of laws would have been affected by this reduction - the more controversial ones, or the less controversial ones? Which policy sectors would have seen the greatest reduction? How much would the reduction have increased the government's capacity to act effectively? Would the legislative process have been accelerated? -- Die verabschiedete Föderalismusreform soll die Gesetzgebung in Deutschland schneller, effizienter und besser machen. Inwiefern sind diese Erwartungen berechtigt? Zur Abschätzung der Reformfolgen auf die Bundesgesetzgebung folgen wir in dem vorliegenden Working Paper einer Vorgehensweise, die der Wissenschaftliche Dienst des Bundestages kürzlich in einer Studie angewandt hat: Die Auswirkungen der Föderalismusreform insbesondere auf die Zustimmungspflicht werden anhand der Gesetzgebung der 14. und 15. Legislaturperiode untersucht. Wir fragen insbesondere: Wie stark hätte sich der Anteil der Zustimmungsgesetze verringert, wenn die neuen Zustimmungsregeln schon in diesen beiden Legislaturperioden gegolten hätten? Wären eher zwischen Regierung strittige oder unstrittige Gesetze von der Zustimmungspflicht befreit worden? Welche Politikbereiche wären betroffen? Wie sehr hätte sich die politische Handlungsfreiheit der Bundesregierung erhöht? Wäre die Gesetzgebung durch die veränderten Zustimmungsregeln beschleunigt worden?
Entrevista com Paulo Mendes da Rocha
No full textEntrevista realizada em 2 de julho de 2012 no escritório do arquiteto. Entrevistadores: Francisco Barata Fernandes é arquiteto e professor doutores da Faculdade de Arquitectura da Universidade do Porto; Vitor Manuel Oliveira da Silva é artista plástico e professor doutor da Faculdade de Arquitectura da Universidade do Porto; Givaldo Luiz Medeiros, Joubert José Lancha, Paulo Cesar Castral e Simone Helena Tanoue Vizioli são arquitetos e professores doutores do Instituto de Arquitetura e Urbanismo da Universidade de São Paulo.Entrevista realizada el 2 de julio de 2012 en el despacho del arquitecto. Entrevistadores: Francisco Barata Fernandes es arquitecto y profesor de doctorado en la Facultad de Arquitectura de la Universidad de Oporto; Vitor Manuel Oliveira da Silva es artista plástico y profesor de la Facultad de Arquitectura de la Universidad de Oporto; Givaldo Luiz Medeiros, Joubert José Lancha, Paulo Cesar Castral y Simone Helena Tanoue Vizioli son arquitectos y profesores de doctorado en el Instituto de Arquitectura y Urbanismo de la Universidad de São Paulo.Interview conducted on July 2, 2012 at the architect\u27s office. Interviewers: Francisco Barata Fernandes is an architect and PhD professor at the Faculty of Architecture of the University of Porto; Vitor Manuel Oliveira da Silva is a plastic artist and professor at the Faculty of Architecture of the University of Porto; Givaldo Luiz Medeiros, Joubert José Lancha, Paulo Cesar Castral and Simone Helena Tanoue Vizioli are architects and PhD professors at the Institute of Architecture and Urbanism of the University of São Paulo.Entretien réalisé le 2 juillet 2012 au bureau de l\u27architecte. Intervieweurs : Francisco Barata Fernandes est architecte et professeur de doctorat à la Faculté d\u27architecture de l\u27Université de Porto ; Vitor Manuel Oliveira da Silva est artiste plasticien et professeur à la Faculté d\u27Architecture de l\u27Université de Porto ; Givaldo Luiz Medeiros, Joubert José Lancha, Paulo Cesar Castral et Simone Helena Tanoue Vizioli sont architectes et professeurs de doctorat à l\u27Institut d\u27architecture et d\u27urbanisme de l\u27Université de São Paulo
Idea ofiary u Simone Weil
No full textAutorka omawia ofiarę, jaką z samej siebie złożyła Simone Weil. Głównym celem autorki artykułu jest wykazanie, iż idea ofiary była najważniejszą myślą w życiu francuskiej filozof. W artykule ukazano myśl o ofierze w życiu i pismach intelektualistki, jak również analogie, które rzucają nowe światło na ofiarę Weil. Jako klucz do interpretacji i zrozumienia ofiary Weil, autorka analizuje myśl Emmanuela Levinasa oraz Józefa Tischnera.The author interprets the sacrifice that Simone Weil filed with itself. The main point of the present article is the assumption that the sacrifice Simone Weil was the most important idea of her life. A thought about the victim is portraying the article in the life and letters of the intellectual, as well as is portraying analogies which are shedding new light on the Weil victim. As the key to interpretation and understanding the her victim, the author is analysing the thought of Emmanuel Levinas and Jozef Tischner.Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00
The construction of female sexuality in stories of the black river and sails. By whom ?
No full textIn this article, we will analyze the short stories "Das Dores" and "Giselle", by Vera do Val, and
"Candles. By whom?", by Maria Lúcia Medeiros, present in the books Histórias do Rio Negro and
Velas. For Whom?", respectively, with the aim of verifying how the representation of
representation of identity and female sexuality. We will use as fundamental
the book The Second Sex, of the feminist author Simone de Beauvoir and The dialectic of
of sex, by Shulamith Firestone, which seek to clarify the myths about the feminine, about their rights and
rights and historical struggles and the texts Feminine Criticism and Literature of feminine authorship, by
Lúcia OsanaZolin, which discuss the problems about female authorship and visibility.
Palavras-chave:Gender; Feminism; Amazonian Short Stories; Vera do Val; Maria Lúcia Medeiros.Neste artigo,analisaremos os contos“Das Dores” e “Giselle”, de Vera do Val, e
“Velas. Por quem?”, de Maria Lúcia Medeiros, presentes nos livros Histórias do Rio Negro e
Velas. Por quem?, respectivamente, tendo como objetivo verificar como ocorre a
representação da identidade e da sexualidade feminina. Usaremos como embasamento teórico
fundamental o livro O Segundo Sexo, da autora feminista Simone de Beauvoir e A dialética
do sexo, de Shulamith Firestone, que buscam esclarecer os mitos sobre o feminino, sobre seus
direitos e lutas históricas e os textos Crítica Feminina e Literatura de autoria feminina, de
Lúcia OsanaZolin, que discutem os problemas sobre a autoria e visibilidade feminina.
Palavras-chave:Gênero; Feminismo; Contos Amazônicos; Vera do Val; Maria Lúcia Medeiros
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