125,596 research outputs found
International Workshop "Adaptation to Climate Change - Debates on framings and knowledge"
No full textAll day workshop co-organized by ANR projects ClimaConf (Centre Alexandre Koyré, CNRS-EHESS) & MEDEA (médialab, Sciences Po) AFFICHE-CONF-29mai13 May 29, 2013 - Location : Sciences Po, 56, rue des Saints-Pères,Paris, 75007. Salle Goguel (Bât. B, 5ème étage) - Free admission subject to availability: please register here. Program :MEDEA-29 mai 2013, Paris-ENG 9h – Introduction by the organisers Amy Dahan and Helene Guillemot (Centre Alexandre Koyré, ANR Project ClimaConf) Nicolas Baya-Laffit..
International Workshop "Adaptation to Climate Change - Debates on framings and knowledge"
No full textAll day workshop co-organized by ANR projects ClimaConf (Centre Alexandre Koyré, CNRS-EHESS) & MEDEA (médialab, Sciences Po) AFFICHE-CONF-29mai13 May 29, 2013 - Location : Sciences Po, 56, rue des Saints-Pères,Paris, 75007. Salle Goguel (Bât. B, 5ème étage) - Free admission subject to availability: please register here. Program :MEDEA-29 mai 2013, Paris-ENG 9h – Introduction by the organisers Amy Dahan and Helene Guillemot (Centre Alexandre Koyré, ANR Project ClimaConf) Nicolas Baya-Laffit..
Io, Medea. La leggenda bianca del Rinascimento lombardo
No full textPannello di mostra su Medea Colleoni e i matrimoni di principi e condottier
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Agrupación Artística Medea - 1969
No full textCARTELL AMB REPARTIMENT DE L'OBRA 'L'HEREU I LA FORASTERA' QUE L'AGRUPACIÓ ARTÍSTICA MEDEA VA REPRESENTAR AL CINEMA CENTRO DE SANT JOAN DE LES ABADESSES
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Las caras de Medea: pensar el mito a través de la tematología
No full textMedea is an emblematic figure of mythology, that is mostly remembered as a filicide, because she killed hers and Jason’s children, as well as for being a sorceress. There are different versions of Medea, from Greek tragedies to tragic or even melodramatic films. This text explores his figure and some representations and reworkings that she has had over time. From a thematology perspective, some faces of Medea are analyzed: the works Medea by Euripides, Medea by the Danish filmmaker Lars von Trier and Malintzin. American Medea by the Mexican author Jesús Sotelo Inclán.Medea es una figura emblemática de la mitología griega, a la que se le recuerda principalmente por filicida, al matar a los hijos que tuvo con Jasón, así como por hechicera. Existen distintas versiones de Medea, que van desde tragedias griegas, hasta películas trágicas o incluso melodramáticas. En este texto se explora su figura y algunas representaciones y reelaboraciones que ha tenido a través del tiempo. A partir de la tematología, se analizan algunas fases o caras de Medea, con las obras: Medea de Eurípides, Medea del cineasta danés Lars von Trier y Malintzin. Medea americana del autor mexicano de Jesús Sotelo Inclán
Rereading Medea Across Borders-Cultural Encounters and Postcolonial Rewrites in Liz Lochhead’s Medea, Yüksel Pazarkaya’s Mediha and Cherríe Moraga’s The Hungry Woman: A Mexican Medea
No full textEuripides’ Medea is often studied as a revolutionary play for its representation of a controversial female character. Drawing on Medea and the myth of “Jason and the Argonauts”, Euripides’ story is not simply about a woman so blinded by extreme feelings of passion and revenge that she would victimize her own children. Euripides also invites the readers and audiences to think about Medea’s complex motivation within the context of an outsider, surrounded by powerful feelings of isolation and exclusion. Medea lends itself to adaptations as its plot makes a perpetual call for potential postcolonial and feminist rewriters. This chapter explores three contemporary cross-cultural adaptations of Medea’s story: Liz Lochhead’s Medea, Yüksel Pazarkaya’s Mediha and Cherríe Moraga’s The Hungry Woman: A Mexican Medea. Each of these authors raises questions about geographical and spiritual borders by adapting Euripides’ Medea to their Scottish-English, Chicanx or Turkish-German contexts. © 2024 selection and editorial matter, Ana Filipa Prata and Rodrigo Verano; individual chapters, the contributors
Agrupación Artística Medea - 1963
No full textUna escena de l’obra “El Conde de Luxemburgo”, es va dedicar un homenatge a Josefina Graells, en el que van participar tots els actuants i els directius tant de l’Agrupació Artística Medea com els membres de la Junta del Centre
Cognitive rigidity is mirrored by autonomic inflexibility in daily life perseverative cognition
No full textMind wandering (MW) can be persistent and therefore has been included in the repetitive thinking conceptualization. In line with a dimensional view of psychopathology, we hypothesized the existence of a MW-Perseverative Cognition (PC) continuum, where the latter is characterized by a rigid and defensive pattern with attentional, behavioral, affective, and autonomic perseverative manifestations. Ambulatory heart rate (HR) and variability (HRV) of 42 participants were recorded for 24h. Approximately every 30 min during waking, subjects reported their ongoing thoughts and moods using electronic diaries. MW was characterized by less effort to inhibit the thought and less interference with ongoing activities, absence of mood worsening, and higher HRV compared to PC. Worse sleep quality was predicted by higher levels of trait rumination and daily PC. Results suggest that MW and PC represent the functional and pathological ends of a continuum, respectively
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