1,720,979 research outputs found
Fabulas de la autenticidad y toxicomanía
No full textDemasiado tiempo dejé pasar ponderando los términos de la invitación al foro sobre droga, comunicación y cultura gentilmente extendida por Guillermo Solarte Lindo, subdirector de Fomento ICFES y coordinador del llamado Programa de prevención Integral en la educación superior auspiciado por el Ministerio de Educación Nacional y las Naciones Unidas, del que este Foro es parte constitutiva, pues, en palabras de su coordinador, dicho Programa, "dando ejecución a las actividades contenidas en su Plan general, viene realizando los Foros abiertos sobre drogas, dentro del área de actividades de apoyo general"
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
“Dejémonos de álbumes” o la peor manera de guardar la desconstrucción en una cáscara
No full textThe book Family Album. Our Own Image, by Armando Silva assembles a series of photographs taken from Colombian family albums of Bogota, Medellin, Santa Marta, and the area of Jackson Heights in New York City, and conducts a deconstructive analysis. The author formulates critical observations around Silva 's move from his album of family portraits to the textual practices of Jacques Derrida. The ideological wrappings that are implicit in Silva 's analysis and the utilization of Derrida´ s name in his discourse are examined.El libro Álbum de familia. La imagen de nosotros mismos, de Armando Silva, recopila una serie de fotografías tomadas de álbumes de familias colombianas de Bogotá, Medellín y Santa Marta y del sector de Jackson Heights de Nueva York y realiza un análisis desconstructivo. El autor formula observaciones críticas al paso que Silva realiza, de pasar de su álbum de fotos de familia a las prácticas textuales de Jacques Derrida. Se examinan los envoltorios ideológicos que trae implícitos el análisis de Silva y la utilización que hace del nombre de Derrida para envolver su discurso
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
De vírgula a bragueta , lo que todo operador estético debería tener presente si fuera presentable
No full textThrough the fissure between dream and vigil that some call magic, for lack of the Andean term that alludes to the art of that which shines due to its absence, and is absent while it shines, illa in the flesh, singularly Derrida, let it be on the record how the spoil of the metaphysics of presence has also connections with Satie and De Greiff, both more of a threat to the Agents of the Aesthetical Stock Exchange the more strange they are, while to the censors of artistic vanity this very alliance affects the idealistic chiaroscuro, be it Adorno’s, heir of Hegel’s, be it the one of Lévinas’, heir of Rosenzweig: it is all about discerning the traits of a resisting desistance towards one or the others, and neither thrown to visibility nor tied to dark ascesis that could be able to twist thread by thread the expositive weft which bows before the postal trajectory: “author message receiver.”A través de la fisura difusa entre sueño y vigilia que algunos llaman mágica por no disponer deltérmino andino alusivo al arte de lo que brilla por su ausencia y por su brillo se ausenta, illa enpersona, singularmente Derrida, conste de qué manera el saqueo de la metafísica de la presenciacuenta también con enlaces de Satie y De Greiff, más amenazantes para los agentes de la Bolsade Valores Estéticos cuanto más peregrinos, mientras para los censores de la vanidad artísticaesa misma alianza afecta el claroscuro idealista, sea el de Adorno heredero de Hegel, sea el deLévinas heredero de Rosenzweig: se trata de discernir los rasgos de una desistencia resistente aunos y otros, ni botada a la visibilidad ni ceñida a ocultas ascesis, capaz de retorcer hilo por hilola trama expositiva sumisa al trayecto postal “autor mensaje destinatario”
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