110,622 research outputs found
Dataset related to Matos et al. (2022)
No full textDataset used for Matos et al. (2022). This file contains the folders relating to the calculated variables, ocean mesh and notebooks for plotting
Maktabat Al Muthanna Baghdad Feb-May 1962
No full textOn the same date, Ali Al-Mansouri issued an official financial statement confirming that the Al-Khanji Foundation owed a total of 11.375.أصدر علي المنصوري بيانًا ماليًا رسميًا بتاريخ 25 نيسان 1962 يُفيد بأن مؤسسة الخانجي مدينة بمبلغ إجمالي قدره 11,375
Qilādat al-jawāhir fī dhikr al-Ghawth al-Rifāʻī wa-atbāʻih al-akābir
No full textA book on Sufism on the Rifa'i way, in which the author collects virtues, conditions, dignity, sayings, behavior, method, and the realizations of the truth of Sheikh Ahmed Muhyi al-Din Abu al-Abbas al-Kabeer al-Rifa'i. Furthermore, the user talked about the widespread support he receives from his followers and the key aspects of his method
Luis Palés Matos y Aimé Césaire: entre África y América en un barco libertario
No full textBased on the literary works of Jamaican writer Claude McKay, the poet Aimé Césaire from Martinique, and Porto Rican poet Luis Palés Matos, Jean-Claude Bajeux proposed —from a comparative perspective— that Antillean négritude is ruled by four laws: rhythm and sonority, denomination (the systematic inventory of the Afro-Antillean World), inversion of the values of the official culture and the amplification of the subject (from self to us). López-Baralt analyzes poems by Palés Matos and Césaire that, in addition to meet the four aforementioned laws, share a polyvalent symbol inserted on the semantic field of liberation and historically tie to the African Diaspora in the Antilles: The Ship.A partir de la obra del jamaiquino Claude McKay, del martiniqués Aimé Césaire y del puertorriqueño Luis Palés Matos, Jean-Claude Bajeux propuso —desde una perspectiva comparatista— que la negritud antillana se rige por cuatro leyes: el ritmo y la sonoridad, la denominación (el inventario sistemático del mundo afroantillano), la inversión de los valores de la cultura oficial y la amplificación del sujeto (del yo al nosotros). López-Baralt propone un análisis de algunos textos poéticos de Luis Palés Matos y Aimé Césaire, ya que comparten, además de las cuatro leyes mencionadas, un símbolo plurivalente inserto en el campo semántico de la liberación y ligado históricamente a la diáspora africana en las Antillas: el barco
Ash-Shuo'a" the UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi School
No full textThis research treating a study and investigation of the book titled "Ash-Shuo'a" THE UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi school. It contains an Introduction and two chapters, the introduction displays the reasons for choosing the research title, it's important, the previous studies, its objectives, its methodology and the abstract. The first chapter: the theoretical contains two themes. The first identify the author, the second identify the investigated book. The second chapter: the investigation which includes the methodology followed in the investigation of manuscript, the photos and the investigation of the book. Finally, I have showed the most important results and recommendations. Also, I mentioned the index of resources and references used in study and investigation
Imperial, nova cultivar de abacaxi.
Get PDFA fusariose do abacaxi é uma doença altamente destrutiva e tem seu controle fundamentado na integração de várias medidas incluindo práticas de controle cultural, controle químico e controle genético mediante a utilização de cultivares resistentes (Matos et al., 1981)
Musical Instruments in Al-Jahiz
Get PDFفي كتابات الجاحظ، تناول أديب العرب الجاحظ قضايا الموسيقى والطرب والغناء. كان الجاحظ معروفًا بعلمه وأدبه، وكتب العديد من الأعمال التي تسلط الضوء على جوانب الحياة المترفة في المجتمع. كتب كتابًا بعنوان "أخلاق المغنين" وآخر بعنوان "المغنين والغناء والصنعة". في هذه الكتب، دافع الجاحظ عن الغناء كفن فني، ورأى أنه يمتلك قواعد وأسسًا علمية تشابه مع غيره من الفنون والآداب. كان يروج للغناء باعتباره متعة فنية. وعلى الرغم من انتمائه للمعتزلة، إلا أن الجاحظ كان مشجعًا للغناء ومغنين، وكتب عن أخلاقهم وفنونهم. وفي رسالته "القيان"، تناول الجاحظ تأثير بيوت القيان والقيان نفسهن في المجتمع الإسلامي، حيث أشار إلى الفسق والعشق والفجور الذي قد ينتج عن هذا التأثير. بشكل عام، تركت كتابات الجاحظ أثرًا مهمًا في فهمنا لثقافة الموسيقى والطرب والغناء في العصور القديمة.In his writings, the Arab author Al-Jahiz addressed issues related to music, Tarab (a genre of music), and singing. Al-Jahiz was known for his knowledge and literature, and he wrote numerous works that shed light on the luxurious aspects of society. He authored a book titled "Ethics of Singers" and another titled "Singers, Singing, and the Craft." In these books, Al-Jahiz defended singing as an artistic form and believed that it possessed scientific principles and foundations similar to other arts and literature. He promoted singing as a pleasurable art form. Despite his affiliation with the Mu\u27tazila school of thought, Al-Jahiz was a supporter of singing and singers, and he wrote about their ethics and arts. In his treatise "Al-Qiyan," Al-Jahiz discussed the influence of courtesans and their households on Islamic society, pointing to the immorality, passion, and vice that may result from this influence. Overall, Al-Jahiz\u27s writings have had a significant impact on our understanding of music, Tarab, and singing in ancient times
Theoretical Insights of History, Morality, and Society as the Literary Trio of the Author-Reader Relationship.
No full textThis paper attempts to examine the relationship between the author and the reader by polarizing history, morality, and society as a selected triad of theoretical interpretation. The study mainly focuses on the theoretical insights of these relationships in order to give proper clues for delving deep into the technical and thematic peculiarities of different literary genres. Therefore, it follows a qualitative approach to some fictional works, particularly novels, to demonstrate how the authorial perspective intersects with the reader’s ability to grasp the latent textual messages projected by authors in the course of the plots. The relationship between the author and the reader will be limited to three related topics, namely, history, morality, and society. As for history, the study sheds light on the postcolonial attributes of literature to reveal the function of liberal humanism in bridging the gap between the colonized people and the colonizers. Morality, on the other hand, will be discussed to explore the relative view of morality by authors and how the reader might conceptualize it according to his/her cultural background. Lastly, the discussion of society will be limited to the social customs and norms approached by authors to deliver a comprehensive depiction of the social reality in which the reader lives his/her true life
Luis Palés Matos and Aimé Césaire: between África and América on a Libertarian Ship
Get PDFA partir de la obra del jamaiquino Claude McKay, del martiniqués Aimé Césaire y del puertorriqueño Luis Palés Matos, Jean-Claude Bajeux propuso —desde una perspectiva comparatista— que la negritud antillana se rige por cuatro leyes: el ritmo y la sonoridad, la denominación (el inventario sistemático del mundo afroantillano), la inversión de los valores de la cultura oficial y la amplificación del sujeto (del yo al nosotros). López-Baralt propone un análisis de algunos textos poéticos de Luis Palés Matos y Aimé Césaire, ya que comparten, además de las cuatro leyes mencionadas, un símbolo plurivalente inserto en el campo semántico de la liberación y ligado históricamente a la diáspora africana en las Antillas: el barco.Based on the literary works of Jamaican writer Claude McKay, the poet Aimé Césaire from Martinique, and Porto Rican poet Luis Palés Matos, Jean-Claude Bajeux proposed —from a comparative perspective— that Antillean négritude is ruled by four laws: rhythm and sonority, denomination (the systematic inventory of the Afro-Antillean World), inversion of the values of the official culture and the amplification of the subject (from self to us). López-Baralt analyzes poems by Palés Matos and Césaire that, in addition to meet the four aforementioned laws, share a polyvalent symbol inserted on the semantic field of liberation and historically tie to the African Diaspora in the Antilles: The Ship
A reforma da Matemática Moderna em contextos Ibero-Americanos
Get PDFJosé Manuel Matos e Wagner Rodrigues Valente (Editores) © UIED, Unidade de Investigação, Educação e Desenvolvimento 1ª edição: Outubro de 2010 Tiragem: 200 exemplares ISBN: 978-989-691-033-4 Depósito legal: 317563/10 UIED | Colecção Educação e Desenvolvimento Faculdade de Ciência e Tecnologia da Universidade Nova de Lisboa Campus da Caparica 2829-516 Caparica, Portugal Tel.: +351 212948383 e-mail: [email protected] A UIED é uma Unidade de Investigação financiada pela Fundação para a Ciência e a Tecnologia.A reforma da Matemática Moderna em contextos ibero-americanos é um livro que recolhe estudos da autoria de especialistas da América Latina e da Península Ibérica. Trata-se de um dos resultados do projecto A Matemática Moderna nas escolas do Brasil e de Portugal: Estudos históricos comparativos financiado pela Fundação para a Ciência e a Tecnologia portuguesa e pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) brasileira. José Manuel Matos e Wagner Rodrigues Valente Editores UIE
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