55 research outputs found
La Colección de Fotografías Funcasta en la Biblioteca Nacional de Cuba José Martí.
No full textA preliminary study of the Funcasta Photographic Collection belongingto the Photography Library of the Cuban Collection Department ofthe José Martí National Library of Cuba (BNCJM) is presented. It providespartial results of its inventory, as well as a bibliography of the author andphotographer Generoso Funcasta Boizán, unpublished until now, all ofwhich will provide information for the future processing of the collection.Se presenta un estudio preliminar de la Colección de Fotografías Funcasta, perteneciente a la Fototeca del Departamento Colección Cubana de la BNCJM. Se ofrecen los resultados parciales del inventario de esta, así como la biografía del autor y fotógrafo Generoso Funcasta Boizán, inédita hasta el momento, todo lo cual aportará información para el futuro procesamiento de la colección
La Colección de Fotografías Funcasta en la Biblioteca Nacional de Cuba José Martí
No full textA preliminary study of the Funcasta Photographic Collection belonging to the Photography Library of the Cuban Collection Department of the José Martí National Library of Cuba (BNCJM) is presented. It provides partial results of its inventory, as well as a bibliography of the author and photographer Generoso Funcasta Boizán, unpublished until now, all of which will provide information for the future processing of the collection
The Monte Generoso-Zimmerwald baseline from satellite laser ranging data using various analysis techniques
No full textAerospace Engineerin
O uso da montagem e de estrangeirismos em Memórias Sentimentais de João Miramar
No full textO presente trabalho teve como objetivo refletir sobre o uso da montagem e de estrangeirismos em Memórias Sentimentais de João Miramar. A obra de Oswald de Andrade é uma crítica e, ao mesmo tempo, uma reflexão sobre a influência estrangeira no Brasil. Através de uma visão antropofágica, o autor propõe ainda uma nova ordem ao romance brasileiro, usando-se para isso a técnica da montagem cinematográfica. Trata-se de uma obra vanguardista em que o experimentalismo lingüístico e estético são observados de maneira crítica.The present work had aimed to reflect about the use of the assembly and the foreign terms in Memórias Sentimentais de João Miramar. The Oswald de Andrade’s work is a critic and at the same time, a reflection about the foreign influence in Brazil. Through an anthropophagic point of view, the author proposes a new sequence to the Brazilian Novel, using the technique of
cinematographic assembly. It is an avant-garde work, where the linguistic
experimentalism and aesthetic are observed in a critic way
The Blind translating the invisible
No full textO presente trabalho está baseado na tradução literária de uma peça teatral que foi escrita em 1890, pelo poeta e dramaturgo Maurice Maeterlinck intitulada Les Aveugles (Os Cegos), a primeira do conjunto de oito peças deste autor do chamado teatro do horror. A proposta de análise da leitura dessa tradução é que a montagem deste texto representou, no seu momento, a renovação da linguagem dramatúrgica e vai servir de base para o teatro moderno, pois contesta os efeitos de ilusão teatral e verossimilhança e, nas oito peças desse período, há a presença das características do teatro simbolista. Diante disso, este trabalho tem o propósito de analisar as especificidades de uma poética do teatro moderno finissecular que representou o precedente do teatro das primeiras vanguardas, e que é conhecido pelo nome de teatro estático. Essa tipologia da arte dramática em que não há conflito nem ação, mas uma tragédia irreversível. Nesse contexto, a leitura crítica e a tradução desta peça obedecem à convicção de que a realidade é o que está além dos sentidos, por isso não pode ser percebida por eles, senão pelo contrário, porque os sentidos nos enganam e só servem para nos fazer ter uma ideia equivocada da realidadeThe present work is based on the literary translation of a theatrical play written in 1890 by the poet and playwright Maurice Maeterlinck, titled Les Aveugles ( The Blind ), the first of a set of eight plays by this author of the so-called \"theater of horror\".The purpose of analyzing the reading of this translation is that the staging of this text represented, at the time, the renewal of dramatic language and will serve as a basis for modern theater, as it challenges the effects of theatrical illusion and verisimilitude, and the eight plays from this period show the presence of the characteristics of symbolist theater. In view of this, this work aims to analyze the specificities of a poetics of modern theater at the end of the century that represented the precedent of the theater of the first avant-garde movements, and which is known by the name of static theater. This typology of dramatic art in which there is no conflict or action, but an irreversible tragedy. In this context, the critical reading and translation of this play obeys the conviction that reality is what is beyond the senses, and therefore cannot be perceived by them, but quite the opposite, because the senses deceive us and only serve to make us have a mistaken idea of realit
Innovative techniques for Structural Health Monitoring: a theoretical and experimental study
No full text2009 - 2010The here considered SHM procedure concerns innovative techniques for a
structural monitoring of aeronautical components, all of them based upon the use
of a Scanning Laser Doppler Vibrometer. The vibrometer is used to detect the
dynamic response of the component under test, in wave propagation regime. The
signal so recorded consists of space and time maps of vibration velocity offplane.
The purpose of the study lies in the analysis of such maps, using filtering
techniques that separate reflected waves from the incident ones, so that they can
enable to identify defects. The innovative application of a novel technique (introduced by Ruzzene) for the first time to stringerized composite specimens, allowed the generation of baseline information directly from the measured dataset.
The effectiveness of these methods has been demonstrated through their application to detection of a delamination in a composite stiffened plate and detection of defect/wrinkling in a T-shaped skin to stringer component.
The most significant technological innovations achieved through these theses
are:
• The option key to excite the surface of a complex structure (in this case, the skins of a composite stingerized panel) and to derive the velocity profile on surfaces orthogonal to the excited one (in our case the web of the stringer) has been checked.
This is crucial, as it would allow to install the piezo elements on the stringers, to excite them and to read velocities of points over the entire surface of the skin, without disassembly. Up to now, only cases of standard solicitation have been analyzed in literature, or cases where the velocities were acquired on the same surfaces excited. Today, therefore, there is no published study on the
analysis conducted in such a manner.
• The damage index was also applied to stiffened and greatly complex geometries. Up to now, in literature only analysis applied to simple flat panels can be found.
• The FEM simulation was carried out on stiffened panels. In literature there are only simulations carried out on simple structural elements like flat panels without any stiffener. [edited by Author]IX n.s
Lessons on Refusal in Anthropology: Mauro Almeida and the Task of Permanent Decolonization of An(thropo)logical Thought
No full textAs the author himself announces, unsuspecting individuals might find the heterogeneous gathering presented here strange, but Mauro Almeida is generous in guiding us through a reading program capable of connecting his reflections over the past decades, of a sophisticated intellectual who nonetheless views the world from the battleground of political struggles for socio-environmental rights with rubber tappers, riverine dwellers, and indigenous peoples in the Amazon Rainforest. Among the potential lessons to be gleaned from the reading of the work, there is the refusal of an anthropology that does not position itself adjacent to politics, where ontological wars do not separate "theory from practice."Como o próprio autor anuncia, pessoas desavisadas podem estranhar a reunião heteróclita aqui apresentada, mas Mauro Almeida é generoso em nos guiar em um programa de leitura capaz de conectar suas reflexões nas últimas décadas, de um intelectual sofisticado, mas que pensa o mundo a partir do chão das lutas políticas por direitos socioambientais com os seringueiros, ribeirinhos e povos indígenas na Floresta Amazônica. Entre as lições possíveis de serem apreendidas na leitura da obra, há a recusa a uma antropologia que não se coloque justaposta à política, em que as guerras ontológicas não separam "a teoria da prática"Como anuncia el mismo autor, las personas sin aviso pueden encontrar extrana la reunión heteróclita aqui presentada. Pero Mauro de Almeida es generoso para guiarnos durante un programa de lectura capaz de conectar sus reflexiones en las últimas décadas, de un intelectual sofisticado que piensa el mundo a partir del piso de las luchas políticas por derechos socioambientales junto a los caucheros, ribereños y pueblos indígenas del bosque Amazónico. Entre las lecciones posibles que podemos aprender con la lectura de la obra, está el rechazo a un antropología que no se coloca en juxtaposición a la política, en que las guerras ontológias no separan "la teoría de la práctica"
La invisibilidad en la contraprestación del don
No full textDespite the presentation of a generous or
charitable act as a gift, it will always hide an
interest, such as saving souls conquering them
for a certain cause, belonging to the non-profit
association for social recognition or political
interest, etc. Nobody gives anything for free and
that is why the author pretends to reveal the
reality. The problem of distrust in the mutual aid
will be exposed when aid is over and the world
becomes totally selfish. The rules of tax balance
contribute to itApesar de se apresentar o ato generoso ou
de caridade como um presente sem retribuição,
sempre encobrirá algum interesse, como: salvar
almas conquistando-as para sua causa; pertencer
a alguma associação sem fins lucrativos para obter
reconhecimento do seu ambiente ou ascensão
política, etc. Ninguém dá nada de graça. Por isso,
o autor tenta levantar o véu que mostra outra
realidade fictícia. O problema da desconfiança na
ajuda mútua se tornará realidade quando esta
acabar e o mundo ficará totalmente egoísta. As
regras de equilíbrio fiscal contribuem para isso.A pesar de presentarse el acto generoso o caritativo como una dádiva sin contraprestación, siempre llevará encubierto algún interés, como salvar almas conquistándolas para su causa, pertenecer a la asociación sin ánimo de lucro para lograr el reconocimiento de su entorno o el ascenso político, etc. Nadie da nada gratis y por ello el autor pretende descorrer el velo que aparenta otra realidad ficticia. El problema de la desconfianza en la ayuda mutua finalizará cuando esta termine y el mundo sea totalmente egoísta. Las normas de equilibrio fiscal a ello contribuyen
Alfredo Pareja Diezcanseco en «El jardín de la memoria» (Testimonios)
No full textEl autor brinda una faceta distinta del intelectual Alfredo Pareja, como asiduo visitante de la Librería Cima, de Quito, en los años 70. Reconstruye así la imagen del amigo generoso, del ávido lector, del erudito conocedor de autores universales, y muestra la relación del ya afamado autor de obras importantes con el dueño de la librería, en las que el énfasis radicaba en la amistad, más que en el comercio de textos. Alude también a una entrevista que le realizara. en la que Pareja insiste en la valoración que tuviera de la música como un arte superior a la literatura. Otros episodios aportan a este retrato, siempre en aquel espacio de libros, y que evidencian las cualidades humanas de Pareja Diezcanseco.The author gives us a different view of Alfredo Pareja, as a regular visitor of the Cima Bookshop. in Quito, in the 70's. He reconstructs the generous friend, avid reader, erudite disciple of the greats, and presents the relationship between the already famous author and the owner of the bookshop, which was centered on friendship rather than book sales. He also mentions an interview in which Pareja insists that music be he Id as an art higher than literature. Other anecdotes add to this image and highlight Pareja Diezcanseco's human qualities
El autor en vuelo o la escena icaria-dedálica: la aviación pionera y la modernidad literaria (Kafka, Hesse y D’Annunzio)
No full textThis essay is a translation of an excerpt from the first of three parts of Felix Philipp Ingold's Der Autor am Werk, published in 1992 by Hanser, München. The author was extremely generous in giving the fragment of his text for translation, and especially for this dossier. The italics that appear in this text are the author. The notes correspond to the original text; some of them were abbreviated, as well as the paragraph on takeoff and fall as Icarian scenes. The original text presents a considerable number of images that cannot be reproduced here, however, a few were replaced by sources accessible on the Internet and their captions refer to the original comments of the author.Este ensayo es una traducción de un fragmento de la primera de tres partes de Der Autor am Werk, de Felix Philipp Ingold, publicado en 1992 por la editorial Hanser, München. El autor fue sumamente generoso en ceder el fragmento de su texto para la traducción al castellano, y especialmente para este dosier. Las cursivas que aparecen en el presente texto son del autor. Las notas corresponden al texto original; algunas de ellas fueron abreviadas, así como el párrafo sobre el despegue y la caída como escenas icarias. El texto original presenta una considerable cantidad de imágenes que aquí no pueden ser reproducidas, sin embargo, algunas pocas fueron reemplazadas por fuentes accesibles en internet y sus leyendas remiten a los comentarios originales del autor
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