30 research outputs found
Shania Martinez and Mary Scott Smith in a Guest Artist Recital
This is the program for the guest artist recital featuring soprano Shania Martinez and pianist Mary Scott Smith. This recital took place on September 12, 2022, in the W. Francis McBeth Recital Hall
Department of Dental Hygiene Class of 2023
First row (left to right): Bailey Bevan, Class Representative; Cameren Bartlett, Treasurer; Aaron Fulcher, President; Shania Tran, Secretary; Holly Smith, Class RepresentativeSecond row (left to right): Addison Austin, Melissa Barrera, Emily Bradley, Sierra BradshawThird row (left to right): Alexis Coffman, Flor Cantreras, Shelly Dang, Reagen Ebenkamp, Monica Flores-Sanchez, Zoe GardnerFourth row (left to right): Estefania Granado, Jennifer Lee, Bryana Loisranoi, Nancy Martinez, Yareli Mendoza, Tina Nguyen, Aracely Nieto, Jessica Orchard, ShaQuencia Raymond, Monica RegaladoFifth row (left to right): Abby Reiswig, Stephanie Sanchez, Alesia Smith, Brooke Stover, Taryn Tanguay, Brea Townsend, Haley Ward, Brianna WhisenhuntDigitized by University Libraries' Technical Services Institutional Repository & Digitization group.Personal and non-profit use only
Recommended from our members
Understanding how liberal arts sophomores self-author through career services engagement
The sophomore slump is a phenomenon researched across higher education and is a documented challenge at Reed College, where the majority of student attrition occurs during the sophomore year. Informed by Baxter Magolda and King’s (2004) Self-Authorship Model, this study investigates sophomores’ psychosocial identity development after engaging with a phenomenologically unique career services program at Reed College. This phenomenological, qualitative study collected Zoom interviews to understand how, if at all, the Purpose Driven Career Advising Model (PDCAM) used by the Center for Life Beyond Reed (CLBR) promoted sophomores’ self-authorship development. The study asked the question: According to juniors at Reed College who engaged with the Center for Life Beyond Reed (CLBR) as sophomores, how, if at all, did their engagement with the Purpose Driven Career Advising Model (PDCAM) influence their ability to self-author throughout sophomore year? Narrative reflections were recorded and gathered from six juniors who meaningfully engaged with CLBR during their sophomore year. Their interviews were analyzed using in vivo and hand coding to identify three themes that evidenced the PDCAM’s impact on sophomore’s identity development. Drawing from these findings, implications for practice and implications for future research were offered to advance sophomores’ campus experience, career progression, and continued identity development. Implications from this study included a greater need for universally adopting the PDCAM across Reed College and greater integration of identity-based advising practices as a standard in the field of career services
The Student Movement Volume 107 Issue 21: Evensong Vespers Honors President Luxton\u27s Gift of Service
HUMANS
Apple vs Android, Grace No
Senior Plans, Interviewed by: Solana Campbell
Student Workers: Claudia Ruiz, Interviewed by: Nora Martin
ARTS & ENTERTAINMENT
WAUS: An Update on our Beloved Campus Radio Station, Grace No
Creatives on Campus: Mateo Banks, Grace No
Meditation for the Easter Season: Community Celebrates President Luxton, Lily Burke and Alannah Tjhatra
NEWS
A Night of Avant-Garde, Solana Campbell
Environmental Events Bring Awareness to Berrien County, Andrew Francis
Interview with Dr. Heather Thompson Day: Becoming an Author and Inspiring Change, Brendan Oh
The Living Library: Stories from the Andrews Community, Isabella Koh
IDEAS
Enough with the Self Help Books, Valerie Akinyi
Social Media and Authenticity, Nathaniel Reid
The Resurgence of the Jim Crow Era in America, Shania Watts
PULSE
At Home at Andrews University, Elizabeth Dovich
Sex Education in Adventist Institutions, Lexie Dunham
The Importance of the Office of Culture and Inclusion, Zothile Sibanda
LAST WORD
Last Word, Solana Campbellhttps://digitalcommons.andrews.edu/sm-107/1020/thumbnail.jp
Apresiasi Masyarakat Terhadap Tari Olang-Olang Di Desa Mandi Angin Kecamatan Minas Kabupaten Siak
The purpose of the study was to determine the community’s appreciation of the Olang-olang dance in Minas sub-district, Siak district, this study used researchdescriptive by using qualitative methods. The collection technique used is non participant observation. The interview conducted was a structured interview, namely an interview in the form of directed questions and answers to collect some date that was examined structured interviews were used as a data collection techbique. If the researcher or data collection has known with certainty about the information what will be obtained. The researcher used structured interviews, the interviews were arranged in the form of question that were quite clear and very complete. And while the documentation that the researchers got was in the form of photos of people watching the olang-olang dance. The subjects in this study were 9 people, namely: 1 chairman, Mr. Darus, 1 Darsat. 1 vowed musicians Khairul. 6 people Busli,Miftahul, Syukri,Riki,Kevin, dan Leman. This olang-olang dance is a dance used by the Minas community, especially the Mandi Anginvillage with a medicinal dance, the community believes that if there is a family who is sick, first aid is a shaman or called bomo. The local community responds well about the arts that exist in their community, the results of the research that the author conducted show the custums and cultural values in the olang-olang dance in the Minas community, Mandi Angin village
Destination Branding Semarang Chinatown as a Cultural Heritage Site
Semarang Chinatown area is one of the historical sites of Ancient Semarang Heritage City where there are cultural relics in store. Consisting of, viz.: architecture, food, stories, and environment that’s prominent with a Chinese family style atmosphere. Ironically, numerous cultural assets contained in the Semarang Chinatown Area are less celebrated unlike Semawis Night Market since people envision the area Semarang Chinatown only has it as its prime and foremost attraction. People's awareness to to other cultural and historical assets is immensely minimal. Therefore, through this Final Project the writer has chosen to fathom this issue and to come up with a solution. By establishing a brand new and fresh visual identity, the author wishes to be able to introduce Semarang Chinatown Area as an integrated cultural historic area to a wider-reaching audience to array a large selection of richness of philosophy, culture, and value that will not only enrich the knowledge of visitors but also to entertain them with some aesthetic pleasure
Perlindungan Hukum Terhadap Pengetahuan Tradisional Jamu
Knowledge about medicine and medicination or what is called Jamu is one of the most important areas of Traditional Knowledge. This knowledge is owned by almost all indigenous peoples and local communities. Most of all indigenous people have developed plants for various purposes and one of the most important functions of these plants is for medicinal purposes. Local people in Indonesia have used biodiversity for centuries as an ingredient to treat disease and maintain health. The problem in this discussion is whether the information on Jamu has protected the rights of indigenous peoples to Traditional Knowledge by the government, so that the author is interested to discuss this This research discusses the legal basis used to protect knowledge, what is the government's efforts to protect the knowledge of herbal medicine in Indonesia and how the concept of legal protection of traditional herbal medicine knowledge. The purpose of this study is to determine the legal protection of traditional knowledge and to analyze its positive legal regulations. This research method used by researchers is a normative juridical approach. The results of the research conducted by the author in this thesis can be concluded that the Traditional Protection of Jamu needs to be protected in accordance with the Graham Dutfield protection concept that goes with the protection model developed by WIPO, by means of defensive protection and positive protection
THE ROLE OF THE SECRETARY IN ARRANGING THE OFFICIAL TRAVEL AGENDA FOR THE LEADER OF BINA ARTHA SEKURITAS COMPANY, JAKARTA
This research discusses the role of the Secretary in arranging the official travel agenda for the leader of Bina Artha Sekuritas company, Jakarta. The purpose of this research is to know the role of the Secretary at Bina Artha Sekuritas company and the obstacles experienced during arranging official travel for the leadership. Interviews, observations & literature research are used in this report as the method of writing the Final Project. Based on the data, there are two obstacles faced by the secretary: difficulty in asking for signatures and delays in disbursing travel funds for the leader. The author suggests that the secretary must prepare a schedule (travel list) for a leader, must know the schedule of the Executive Vice President, and always be ready to request the signature of the Executive Vice President, to anticipate when there is a sudden schedule before the day of the leader's official trip.
Keywords: secretary role, business travel agenda for the leade
The Impact of Forensic Science on Society
abstract: The Impact of Forensic Science on Society examines the relationship between forensic science and society. Before 2009, society believed forensic science to be a important investigative tool. When the National Academy of Sciences released a report in 2009 detailing the issues within forensic science, society's opinion changed. This thesis analyzes factors that influenced the change in the relationship between forensic science and society, specifically focusing on the 2009 report, the CSI effect, the Innocence Project, and the role of the media. It also looks at how we can continue to improve forensic science, as well as how to strengthen the relationship between forensic science and society
البنية السردية في رواية الأجنحة المتكسرة لخليل جبران: دراسة السرد تزفتان تودوروف
مستخلص البحث
علم السرد هو علم يدرس عن القصة والنصوص السردية. تحليل السرد إلى بنية السردية
وكيف البنية يؤثر فهم القارئ. في علم السرد شرح تزفتان تودوروف أن هناك ثلاثة الجوانب في تحليل الأعمال الأدبية، يعني الجوانب الدلالية والجوانب النحوية والجوانب اللفظية. تزفتان تودوروف هو يعرف مصطلحة علم السرد في السنة 1969. الهدف في هذا البحث لتحليل الجوانب الدلالية والجوانب النحوية والجوانب اللفظية في رواية الأجنحة المتكسرة لخليل جبران باستخدام النظرية السرد تزفتان تودوروف. نوع هذا البحث هو البحث الكيفي الوصفي. مصدر البيانات الرئيسية هي تتكون من رواية الأجنحة المتكسرة لخليل جبران. بينما مصدر البيانات الثانوية تتكون من المجلات والكتب والمقالات العلمية. نتائج هذا البحث هي: 1) الجوانب الدلالية من ثلاثة موضوع منها الحب والثورة والحزن، وتتكون من 14 بيئة المكان، 10 بيئة الزمن. والشخصيات تتكون من خمسة شخصيات منها جبران كشخصية "أنا" وسلمى كرامي أفندي وفارس أفندي كرامي والمطران بولس غالب ومنصور بي غالب. 2) الجوانب النحوية تتكون من 50 التسلسل المزمنية والمنطقية ويظهر الراوي يستخدم الحبكة المتأخرة. 3) الجوانب اللفظية تتكون من ستة الخطاب غير مباشر وثانية الخطاب مباشر وفي وجهة ، استخدام الراوي على وجهة النظر الأول "أنا" كشخصية الرئيسية في رواية الأجنحة المتكسرة لخليل جبران.
ABSTRACT
Narratology is the study of the concept of story and storytelling. The concept of narratology in researching the narrative structure of a literary work is to examine it from the point of view of the story and how that structure influences the reader’s perspective. Tzvetan Todorov explained that in narratology, the analysis of literary works consist of 3 aspect, namely semantic aspects, syntictic aspect, and verbal aspect. Tzvetan Todorov first introduced the term narratology in 1969. The purpose of this study is to determine the semantic aspect, sintakctic aspect, and verbal aspect. This research is qualitative descriptive study. The main data in this research is the novel Broken Wings by Kahlil Gibran published by Bantam Book on 1968. While the second data is books and scientific articles that relate to this research. The result of this research are: 1) the semantic aspect consist of 3 main theme, namely love, wealth, and sadness. There are 14 place settings ang 10 time settings. There are 5 characters including Gibran as the main of character and 4 others as extra character. 2) the syntactic aspect consist of 50 sequences arranged chronologically and logically and show that the events in the story use backward flow. 3) The verbal aspect consist of mode in two form of direct style and six form of indirect style. And the author use the fisrt person point of view in telling the story of novel Broken Wings by Kahlil Gibran.
ABSTRAK
Naratologi adalah ilmu yang mempelajari tentang konsep cerita dan penceritaan. Konsep naratologi dalam meneliti struktur naratif karya sastra adalah mengkajinya dari sudut pandang ceritanya dan bagaimana struktur itu mempengaruhi perspektif pembaca. Tzvetan Todorov menjelaskan bahwa dalam naratologi, analisis karya sastra terdiri dari 3 aspek penting yaitu aspek semantik, aspek sintaksis, dan aspek verbal. Tzvetan Todorov pertama kali menegenalkan istilah naratologi pada tahum 1969. Tujuan dari penelitian adalah untuk menganalisis aspek semantik, aspek sintaksis, dan aspek verbal. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Adapun sumber utama yang digunakan adalah novel Sayap-Sayap Patah karya Kahlil Gibran yang diterbitkan oleh Bantam Book, New York tahun 1968. Sedangkan sumber sekunder adalah buku-buku, kamus, dan jurnal penelitian ilmiah yang berhubungand dengan penelitian ini. Hasil dari penelitian ini adalah: 1) Aspek Semantik terdiri dari 3 tema utama yaitu cinta, harta, dan kesedihan. Terdapat 14 latar tempat dan 10 latar waktu. Terdapat 5 tokoh diantaranya Gibran sebagai tokoh aku yang berperan sebagai tokoh utama dan 4 lainnya sebagai tokoh figuran. 2) Aspek sintaksis terdiri dari 50 rangkaian sekuen yang tersusun secara kronologis dan logis dan menunjukkan bahwa peristiwa pada cerita menggunakan alur mundur. 3) Aspek verbal terdiri dari modus berupa dua wicara gaya langsung dan enam wicara gaya tidak langsung. Dan pengarang menggunakan sudut pandang orang pertama dalam menceritakan kisah pada novel Sayap-Sayap Patah karya Kahlil Gibran
