1,721,199 research outputs found
The Democratization of Genius : Marjorie Perloff
No full text« The Democratization of Genius : Marjorie Perloff », Marjorie@90 International Poetics Symposium, Zhejiang University, University of Central China, 25 septembre 2021 (texte et vidéo).International audienc
Una conversación con Marjorie Perloff
No full textEsta entrevista aborda, fundamentalmente, problermas de poética y códigos de género de la poesía. Marjorie Perloff es una de las críticas y teóricas más connotadas de la tradición norteamericana. En esta conversación, Perloff explica sus ideas en torno a la poesía experimental en oposición al estilo "natural" de la poesía coloquial, que ha dominado el panorama lírico de las últimas décadas
Ludwig Wittgenstein - Private Notebooks 1914-1916, edited and translated by Marjorie Perloff: Book Review
No full textReview of Ludwig Wittgenstein - Private Notebooks 1914-1916, edited and translated by Marjorie Perloff
J. Alfred Prufrock: One Hundred Year Later A Poetry Lecture by Dr. Marjorie Perloff
No full textDigital video file of a poetry lecture given by Dr. Marjorie Perloff, Chapman University Presidential Fellow, entitled J. Alfred Prufrock: One Hundred Years Later. The event was held on the lower level of the Leatherby Libraries in the Center for American War Letters.https://digitalcommons.chapman.edu/library_event_videos/1000/thumbnail.jp
MARJORIE PERLOFF: “A arte tem que mostrar a complexidade da época [...] O papel do crítico hoje em dia é encontrar vida na literatura, mostrar que ela cria outros mundos e é um convite à participação e ao conhecimento”
Full text linkEntrevista realizada em outubro de 2021, durante o XI Encontro do Fórum de Literatura Brasileira Contemporânea da Universidade Federal do Rio de Janeiro. A professora e pesquisadora Marjorie Perloff foi a convidada da mesa de abertura do evento, realizado de modo remoto. Mediada pelos professores Godofredo de Oliveira Neto e Laíse Ribas Bastos, a conversa retoma momentos importantes do percurso de Marjorie Perloff no trabalho e na pesquisa com a poesia brasileira, passa pelo seu trabalho mais recente, Infrathin,desenvolvido a partir do pensamento de Marcel Duchamp, e reforça aspectos determinantes para a leitura de poesia hoje
Marjorie Perloff and the Interpretation of Radical Poetic Practice
No full textU tekstu se bavim načinom na koji je američka kritičarka Mardžori Perlof interpretirala radikalne pesničke prakse. Formirana je u periodu vladavine praktične kritike američkih novih kritičara koji su u proučavanju poezije utemeljili postupak pomnog čitanja. Ovaj postupak je za Perlof ostao ključan, ali ga je ona prilagodila interpretaciji radikalnih modernih i postmodernih pesničkih opusa. Pored pažljivog čitanja pesme, ona poeziju smešta u šire društvene kontekste, a radikalnu pesničku praksu razmatra u njenoj neraskidivoj vezi sa revolucijama u vizuelnim umetnostima.This text deals with the range of interpretations of radical poetry practice made by American critic Marjorie Perloff. As a critic, Perloff was formed in the period of domination of practical criticism of American New Criticism, through which in their interpretation of poetry the method of close reading developed Close reading was fundametal for her approach, and she adjusted it for the interpretation of radical modern and postmodern poetry. Apart from the close reading of poems, Perloff contextulises poetry, placing it in the social cotext in which it is written. On the other side, she considers radical poetry regarding its tight bond to revolutions in visual arts
Autobiographical Language Poetry and the Contesting of Textual Authority in Scholarship: Reading the Letters of Leslie Scalapino and Marjorie Perloff
Full text linkThrough an analysis of an unpublished letter exchange between the late Leslie Scalapino and Marjorie Perloff, I explore the ramifications of scholarly authority as it intersects with authorial intention in autobiographical Language poetry. In 1998, Perloff published an article that included a short reading of a 1976 Scalapino poem. Scalapino disagreed with Perloff’s analysis, particularly in the way that the latter “reordered the intention.” The disagreement resulted in a three-letter exchange between the two and a long essay by Scalapino, in which she considered the constructedness of experience and the ways in which her resistance against that constructedness in her poetry was, in her mind, misread. My analysis of the letter exchange and the essay shows that scholars of poetry cannot be easily grouped in the same category as casual readers since the institutional authority backing their “readings” maintains the social hierarchy that poets like Scalapino have deliberately worked against.application/pdfdepartmental bulletin pape
The Avant-Garde Eliot
No full texttranslated by Tomasz Cieślak-SokołowskiThe author of the article describes a mode of twentieth century poetry for which the
key concept is that of constructivism — the specific understanding that language is
itself a field of meaning-making. In the successive parts of her paper, Marjorie Perloff
ponders on Eliot’s The Love Song of J. Alfred Prufrock with special regard to his actual
literary practice. The poetic mode of instability and dislocation, the poetics of indeterminacy
— she tries to convince us — are to become, in their more extreme forms,
the characteristic mode of such contemporary poets as John Ashbery, Robert Creeley,
Lyn Hejinian and Charles Bernstein.Publikacja dofinansowana przez Wydział Filologiczny Uniwersytetu Łódzkiego
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