1,720,988 research outputs found
Scientific respect and caring. Vinko Bresic, ur. 2013. Članci. Sabrana djela Ivane Brlić-Mažuranić. Kritičko izdanje. sv. 4. Priredila Marina Protrka Štimec. Slavonski Brod: Ogranak Matice hrvatske Slavonski Brod. 290 str. ISBN 978-953-6842-29-2
No full textPrikaz četvrte knjige u nizu Sabrana djela Ivane Brlić-Mažuranić (članci objavljeni u periodici) koju je priredila Marina Protrka-Štimec
Scientific respect and caring. Vinko Bresic, ur. 2013. Članci. Sabrana djela Ivane Brlić-Mažuranić. Kritičko izdanje. sv. 4. Priredila Marina Protrka Štimec. Slavonski Brod: Ogranak Matice hrvatske Slavonski Brod. 290 str. ISBN 978-953-6842-29-2
No full textPrikaz četvrte knjige u nizu Sabrana djela Ivane Brlić-Mažuranić (članci objavljeni u periodici) koju je priredila Marina Protrka-Štimec
"What Is an Author" in Contemporary Croatian Literature?
Get PDFMarina Protrka Štimec, Politike autorstva. Kanon, zajednica i pamćenje u novijoj hrvatskoj književnosti. Zagreb: Hrvatska sveučilišna naklada – Zavod za znanost o književnosti Filozofskoga fakulteta Sveučilišta u Zagrebu. 2019. 238 str
Peripheral canon
Get PDFSabrana djela Ivane Brlić-Mažuranić, kritičko izdanje, ur. V. Brešić, sv. 4: Članci 1903. - 1938., priredila Marina Protrka Štimec, izdavač Ogranak MH Slavonski Brod, Slavonski Brod, 2013. Str. 292Sabrana djela Ivane Brlić-Mažuranić, kritičko izdanje, ur. V. Brešić, sv. 4: Članci 1903. - 1938., priredila Marina Protrka Štimec, izdavač Ogranak MH Slavonski Brod, Slavonski Brod, 2013. Str. 29
A Blueprint of Emancipation
Get PDFZrinka Božić, Marina Protrka Štimec, Ana Tomljenović (ur.), Književnost i revolucije. Zbornik radova, Zagreb: FFpress, 2024, 455 str
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Bibliografija hrvatskih književnih časopisa 19. stoljeća: Sv. 3, Književna zabava (1869) - Iskra (1891)
Get PDFU trećem svesku, držeći se kronologije, obrađeno je još 16 časopisa: od "Književne zabave hrvatsko-srbske" (1869.) do obnovljene zadarske "Iskre" (1891.). Uz časopise se nalaze imenska kazala suradnika. Ova je bibliografija rezultat istraživanja i rada na projektu Hrvatska književna periodika 19. stoljeća, br. 130704. Suradnice na bibliografiji bile su mr. sc. Marina Protrka i Suzana Coha
Bibliografija hrvatskih književnih časopisa 19. stoljeća: Sv. 2, Vienac (1869-1903)
No full textCijeli drugi svezak bibliografije posvećen je "Viencu" (1869-1903). Istaknuta je rubrika Listak, a na kraju se nalazi imensko kazalo suradnika. Ova je bibliografija rezultat istraživanja i rada na projektu Hrvatska književna periodika 19. stoljeća, br. 130704. Suradnice na bibliografiji bile su mr. sc. Marina Protrka i Suzana Coha
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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