1,721,117 research outputs found
RIZOMATICA
No full textRizomatica intende annodare e promuovere le diverse linee di ricerca del Dipartimento di Lingue, Letterature e Culture Moderne in una libera molteplicità di creative intersecazioni, in un incessante processo di scoperta
Confluenze. Rivista di Studi Iberoamericani
No full textCONFLUENZE è una rivista digitale che si occupa di studi iberoamericani nell'ambito delle scienze umane e social
La poesia messicana del secolo XX
No full textIl saggio risale fino alle supposte origini, fra modernismo e avanguardia, della poesia messicana contemporanea. Ne delinea lo sviluppo, fino alle opere più mature di Paz, Huerta, Aridjis, Pacheco, Segovia, Zaid, lasciando al lettore l'interpretazione "aperta" della produzione più recente
Racconto della conquista. Dai mss. 22 e 22 bis della Biblioteca Nazionale di Parigi, Collection Goupil-Aubin, traduzione dal nahuatl.
No full textSi tratta della traduzione dal nahuatl (azteco) del più antico documento in lingua indigena (1528)
Lengua, cultura, identidad
Full text linkUno de los elementos estructurales que distinguen a las llamadas sociedades ‘postcoloniales’ es, sin duda, la multietnicidad. En la mayoría de ellas, tal multietnicidad se instituye por la presencia de culturas autóctonas que han sufrido, a lo largo del tiempo, profundas transformaciones, a causa de los procesos de aculturación que las diferencian, a menudo impuestos con violencia (en otros casos, la multietnicidad se da por la presencia de culturas inmigrantes). La existencia, casi siempre conflictiva, de etnias diversas alimenta y vuelve atormentado el proceso de definición de nuevas ‘identidades’: identidades culturales que se proponen, a veces, como unificantes, construidas en torno a los eventos de la nueva historia de la comunidad, míticamente transfigurados y conciliados con los de una historia antigua; o que en cambio se inclinan por la apertura y la recuperación, a veces anacrónica y falsa, de las tradiciones ‘nativas’. En uno u otro caso, estos ideologemas se fundamentan lingüísticamente y eso vuelve particularmente relevante la cuestión de la lengua y de su poder definitorio, en relación a las culturas, entendidas antropológicamente
Lengua y «civilisation» en la disputa dieciochesca sobre América
No full textEl ensayo trata de la controversia acerca de las palabras abstractas, consideradas como instrumentos para medir el desarrollo de las lenguas y las culturas, en el siglo XVII
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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