1,810,782 research outputs found
The Future of Canadian Climate Policy — with Marc Lee
No full textMarc Lee is a Senior Economist at the Canadian Centre for Policy Alternatives\u27 BC Office. In addition to tracking federal and provincial budgets and economic trends, Marc has published on a range of topics from poverty and inequality to globalization and international trade to public services and regulation. Marc is the Co-Director of the Climate Justice Project, a research partnership with UBC\u27s School of Community and Regional Planning that examines the links between climate change policies and social justice.Resources:Climate Justice Project: www.policyalternatives.ca/projects/cli…tice-projectMarc Lee\u27s Posts on Policy Note: www.policynote.ca/author/marclee/Canadian Centre for Policy Alternatives: www.policyalternatives.ca/Marc\u27s Twitter: twitter.com/MarcLeeCCPA International Panel on Climate Change, 2021 report: www.ipcc.ch/report/ar6/wg1
Climate Justice & Inequality: The Future of Canadian Climate Policy — with Marc Lee
No full textMarc Lee is a Senior Economist at the Canadian Centre for Policy Alternatives\u27 BC Office. In addition to tracking federal and provincial budgets and economic trends, Marc has published on a range of topics from poverty and inequality to globalization and international trade to public services and regulation. Marc is the Co-Director of the Climate Justice Project, a research partnership with UBC\u27s School of Community and Regional Planning that examines the links between climate change policies and social justice.Resources: Climate Justice Project: https://www.policyalternatives.ca/projects/climate-justice-projectMarc Lee\u27s Posts on Policy Note: https://www.policynote.ca/author/marclee/Canadian Centre for Policy Alternatives: https://www.policyalternatives.ca/Marc\u27s Twitter: https://twitter.com/MarcLeeCCPA International Panel on Climate Change, 2021 report: https://www.ipcc.ch/report/ar6/wg1
MARC zapisi i XML = Marc records and XML
No full textThis article describes how a MARC record has evolved in the decades since its introduction, i.e. from the ISO 2709 to XML format. The XML format is a general format for presenting MARC records in a simple and understandable way. Tools that work with the XML format are of the open source type and can be used to process XML records without incurring additional costs associated with one's own software development. XML is also the main format for data transfer on the Internet and for Web services. It is evident though that as long as computer systems using old technology exist, MARC records in the ISO 2709 standard format will also survive
UKMARC AMC: Draft Rev 4.0: UK MARC format for archives and manuscripts control (UK MARC AMC)
No full textThis draft is the first attempt to establish a UK MARC specifically for Archives and Manuscripts Control since the British Library indicated that it would countenance such extensions to the national UK MARC format. In order to keep consistency with the general UK MARC format, standard UK MARC subject fields are not included in this document, since they should be taken from the latest version of the UK MARC manual. {A note of them should perhaps be included in UK MARC AMC.} {NB Text in braces is intended to be explanatory material for readers of this draft}. Certain other fields have not been included that might occasionally be used in the cataloguing of archival materials but would generally only be used for such materials in organizations which were combining archive
databases with library databases. This MARC version is intended for use with descriptions of archive or anuscript material that follow, or fit, the traditional style of cataloguing: we assume that these will normally relate
to paper or parchment originals. It is not intended for use with descriptions of other kinds of material. For these, fields may be drawn from the appropriate UK MARC document. MARC versions for use with archives in special formats should be developed, in order to complete the full range of facilities available to archivists and curators
Marc Chagall: Les Fables de La Fontaine
No full textSome routine follow-up revealed that there is also a hard-bound version of this book, which I have had for some time in paperback form. In fact, the paperback was a second edition from 1995, the year of publication, while this third edition is from 2004. As I wrote of the paperback, here is a beautiful 144-page catalogue prepared for the great showing of the forty-three located gouaches done by Marc Chagall. See, under 1997, my comments on Marc Chagall: The Fables of La Fontaine. Those comments give something of the history of these gouaches and mention this exhibit. Now I have found the book published to catalogue the exhibit. The reproductions of Chagall's work here are exquisite! Each is paired with and faces its La Fontaine text. There is a T of C of the gouaches on 142. At the front of the book, following a short preface by Joséphine Matamoros and Sylvie Forestier, are two essays: Les gouaches de Chagall pour les Fables jugées par la critique des années 1920-30 and Chagall illustrateur des Fables de La Fontaine ou Comment quitter la Russie et devenir français. The exhibits were held at the Musée d'Art Moderne in Céret from October 28, 1995 until January 8, 1996 and at the Musée National Message Biblique Marc Chagall in Nice from January 13 until March 25, 1996.This is a hardbound book (hard cover)Language note: FrenchThird edition revue et corrigéeJean de La Fontain
Marc Chagall: Les Fables de La Fontaine
No full textHere is a beautiful 144-page second edition of the catalogue prepared for the great showing of the forty-three located gouaches done by Marc Chagall. See, under 1997, my comments on Marc Chagall: The Fables of La Fontaine. Those comments give something of the history of these gouaches and mention this exhibit. Now I have found the paperback published to catalogue the exhibit. The reproductions of Chagall's work here are exquisite! Each is paired with and faces its La Fontaine text. There is a T of C of the gouaches on 142. At the front of the book, following a short preface by Joséphine Matamoros and Sylvie Forestier, are two essays: Les gouaches de Chagall pour les Fables jugées par la critique des années 1920-30 and Chagall illustrateur des Fables de La Fontaine ou Comment quitter la Russie et devenir français. The exhibits were held at the Musée d'Art Moderne in Céret from October 28, 1995 until January 8, 1996 and at the Musée National Message Biblique Marc Chagall in Nice from January 13 until March 25, 1996.Language note: FrenchSecond editionSelected and illustrated by Michael Hagu
Supporting data for Functionalized Polymersomes from a Polyisoprene-Activated Polyacrylamide Precursor
No full textFull description in the file WerberREADME.txt. Files are organized based on the figures in the manuscript.These files contain primary data along with associated output from instrumentation supporting all results reported in the associated manuscript referenced below. In this study, polymersomes with novel surface chemistries were synthesized using a post-polymerization modification approach, which enabled us to characterize the soluble precursor polymers and then modify the polymers to create highly amphiphilic block polymers.U.S. Department of Energy, Office of Science, Office of Basic Energy Sciences under Award Number DE-SC-0020210Werber, Jay R; Peterson, Colin; Van Zee, Nicholas J; Hillmyer, Marc A. (2021). Supporting data for Functionalized Polymersomes from a Polyisoprene-Activated Polyacrylamide Precursor. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/k4rh-6j89
Marc Newson. Design per i cinque sensi. Design for the five senses.
No full textA più di 25 anni dal primo incontro con Domus, Marc Newson ci parla della sua maniera di lavorare. L’approccio fortemente corporeo del noto designer australiano è da sempre il carattere principale del suo lavoro. Conoscenza tecnologica, lavoro sulle forme ed estrema cura nella definizione delle superfici donano agli oggetti una potente valenza affettiva e sensoriale.Over 25 years after his first encounter with Domus, Marc Newson talks about his way of working, the main trait of which has always been a bodily approach. Technological knowledge, wrought shapes and meticulous surface definition give objects by the known Australian designer a strong affective and sensorial qualit
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