1,720,960 research outputs found
Class, elite, and community in African development [Elektronisk resurs]
No full textThis paper covers the independent states of tropical Africa (South of the Sahara). Its main focus is on the ex-British colonies. It attempts to deal with a variety of concepts and themes of differing degrees of complexities: these inlude notions of colonialism and imperialist penetration, the process of decolonozation, social and class formations, class and class struggle, élite, and social and political mobilization.</p
Trabalho forçado e cultura obrigatória do algodão: O colonato do Limpopo e reassentamento pós-independência c. 1895-1981
No full textA book of interviews and workers' songs collected by Alpheus Manghezi as part of the research for the Mozambican Miner, published by the CEA in 2003. Portuguese language
Macassane: uma cooperativa de mulheres velhas no sul de Moçambique
No full textA book published by the CEA in 2003 containing research materials gathered by Alpheus Manghezi in his time at the centre. Republished here with th ekind permission of Alpheus
Class, elite, and community in African development
No full textThis paper covers the independent states of tropical Africa (South of the Sahara). Its main focus is on the ex-British colonies. It attempts to deal with a variety of concepts and themes of differing degrees of complexities: these inlude notions of colonialism and imperialist penetration, the process of decolonozation, social and class formations, class and class struggle, élite, and social and political mobilization.Contents: I. Introduction -- II. Theory of Modernization -- III. Community Development : A Critique -- IV. Class and Class Struggle</p
Interview with Alpheus Manghezi
No full textAn interview conducted by Vanessa Rockel in 2012 with Alpheus Manghezi. Part of a series carried out at the Institute of Commonweath Studies as part of the Ruth First Papers project
BBC interview with Alpheus Manghezi
No full textAn interview with Alpheus Manghezi broadcast on the BBC World Service programme 'Focus on Africa' on the 14th of June 2012. Reproduced here with the permission of the BBC
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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