986 research outputs found
Le mobilier céramique du Cayla de Mailhac (Aude) aux Ve et IVe s. av. n. è. : premières données
No full textL’oppidum du Cayla de Mailhac (Aude) est sans aucun doute à considérer comme un des gisements majeurs qui ont marqué l’histoire de la recherche en Protohistoire méridionale. Notamment sous l’impulsion de deux chercheurs Mailhacois, Odette et Jean Taffanel, de nombreuses opérations de fouilles ont été menées entre 1934 et 1982, et ces travaux ont été à l’origine de plusieurs publications dont certaines font encore référence. En dépit de cet historique des recherches particulièrement dense sur le Cayla de Mailhac, plusieurs séries de mobiliers issues des phases les plus récentes du site n’ont pas été étudiées. Sans avoir l’ambition de combler ce manque, ce travail propose de présenter les grandes lignes du faciès céramique du Cayla de Mailhac aux Ve et IVe s. av. n. è., série issue des fouilles anciennes et à ce jour inédite.The settlement of Le Cayla in Maihac (Aude) can be considered as one of the most important archaological site which have count in the history of the research on the Iron Age in the South of France. Two searchers in particular, native of Mailhac, Odette and Jean Taffanel, have driven many excavations between 1934 and 1982, and thanks to all these works, they have published several books and some of them are still used as reference nowadays. In spite of this important story of research on the Cayla of Mailhac, many data related to the more recent phases of the site have not been studied yet. Even if we will not fill this lack in this short paper, we will show the main lines of the pottery of the Vth and IVth c. BC in Le Cayla of Mailhac, which has been discovered in old excavations and are still unpublished
Black Lives Matter Reading Group: Hosted by Dr. Camille Isaacs
No full textSlides that accompanied a lecture by Dr. Camille Isaacs on the work of author and activist Desmond Col
Les monnaies de Mailhac (Aude) (1931-1977)
No full textTaffanel Odette, Taffanel Jean, Richard Jean-Claude. Les monnaies de Mailhac (Aude) (1931-1977). In: Gallia, tome 37, fascicule 1, 1979. pp. 1-53
French ski resort' attractiveness through Instagram
No full textThe purpose of this thesis was to examine the different ways to use Instagram for French ski resorts to support their branding strategy.
The research was executed in three stages: literature reviews, observations and an interview. In the literature review, the author first focused on branding and its components, the consumer decision-making process, consumer engagement and the different Instagram’s features to achieve emotional connections between a brand and its followers/users. Building strong connections with customers is essential for brands to develop and maintain a loyal and lifelong customer relationship.
Observations examined the differences between the three most followed French ski resorts about their practices on Instagram. After this, the author focused on Val Thorens which is the highest resort in Europe. The two most successful posts and the two less were analyzed to determine which factors are causing success and which ones generate less engagement in the eyes of its followers. Then, the community manager of Val Thorens was interviewed regarding the branding strategy of the resort and his insights about Val Thorens’ Instagram profile.
It was discovered that it would be beneficial for Val Thorens to create more appealing content, captions with more hashtags to have a better and bigger visibility. However, one of the main and relevant factors about Val Thorens’ habits on Instagram and which reflects the global idea of the resort is to provide the best atmosphere for its visitors. It is achieved through the community manager’s team which takes care of every tourists and skiers in a personalized and humanized way on Instagram. Val Thorens is a good example of a ski resort which has built strong emotional connections with its visitors
Le pharmacien Camille Charaux (1861-1941), précurseur en phytochimie
No full textDer Apotheker Camille Charaux (1861-1941), ein Vorbote der Phytochemie.
Der Verfasser skizziert kurz Leben und Arbeitsbedingungen bei C. Charaux und entwirft eine Tabelle seiner veröffentlichten und nicht veröffentlichten phytochemischen Arbeiten.The pharmacist Camille Charaux (1861-1941), a precursor in phytochemistry.
The author retraces briefly the life and the working conditions of C. Charaux, and draws up a list of his published and unpublished work in phytochemistry.Plouvier Victor. Le pharmacien Camille Charaux (1861-1941), précurseur en phytochimie. In: Revue d'histoire de la pharmacie, 79ᵉ année, n°288, 1991. pp. 75-84
Development of tools for the study of G protein-coupled receptor-mediated signaling based on the use of lama single domain antibodies
No full textL'objectif principal de ma thèse était de développer de nouvelles technologies et des outils pour l’étude de l’activation des récepteurs couplés aux protéines G (GPCR).À la surface de la cellule se trouve une multitude de récepteurs qui jouent un rôle critique dans la communication cellule-cellule, dont les GPCR, une famille de récepteur utilisant les protéines G intracellulaires pour transmettre leurs signaux. Le ciblage de ces récepteurs à des fins thérapeutique est innovant et très prometteur. Mais à ce jour seuls quelques médicaments ciblant les GPCR ont été mis sur le marché, en partie en raison d'un manque d'outils permettant le suivi de leur action sur les cellules natives.L’objectif de cette thèse est donc de développer des tests simples pour suivre l’activation de n’importe quel GPCR. Pour développer ce type de test, nous avons décidé d'utiliser des fragments d'anticorps appelés nanobodies. Les anticorps sont des protéines du sang produites en réponse à un antigène spécifique qui sont capable de le neutraliser. Les nanobodies correspondent au domaine variable de certains anticorps de camélidés. En raison de leur faible taille (13 kDa) et de leur site de liaison à l'antigène réduit, les nanobodies se lient souvent à des cavités et présentent une grande sensibilité aux changements de conformation de l'antigène.The main objective of my thesis was to develop technologies and tools to study activation of G protein-coupled receptors (GPCRs).The cell surface is displaying a multitude of receptors, who play critical roles in cell-cell communication. Among them, GPCRs represent a large family relying on the use of intracellular G proteins for their signaling. Targeting these receptors for therapies is very promising and innovative. So far, only few new drugs have been put on the market, partly due to a lack of tools enabling the follow-up of their action on native cells.The aim of this thesis is thus to develop simple assays to study activation of any GPCRs. To develop this kind of test, we used antibody fragments called nanobodies. Antibodies are blood protein produced in response to and counteracting a specific antigen. Nanobodies correspond to antibody fragments derived from the variable domain of a special class of camelid antibodies. Because of their small size (13 kDa) and reduced antigen binding site, nanobodies often bind cavities and show a high sensitivity to antigen conformational changes
Unveiling Camille Claudel\u27s Identity through Biographical and Autobiographical Sources: Une Femme, by Anne Delbée and Correspondence, by Camille Claudel
No full textCamille Claudel: sculptor, Paul Claudel’s sister, Rodin’s mistress, madwoman. Throughout her life, Camille’s relationships with others forged her identity. Her own voice comes through in her personal correspondence, which author Anne Delbée uses to create the identity Camille never could make for herself, posthumously, through biographical and autobiographical techniques in “Une Femme.” Although her book is technically a biography, by creating her identity, Delbée writes Camille’s autobiography for her. The author portrays her as a victim of her relationships with powerful people: her family who reduced her to a lunatic in an insane asylum, her love for Rodin who exploited her talent, and her brother, a famous writer, who delivered her into captivity in the asylum. Delbée focuses on Camille’s thirty years of creativity and genius work rather than the last half of her life spent in an asylum. She notes the paradox that Camille could coax meaning and identity out of a piece of marble or stone to create a beautiful sculpture, but could not create her own identity. In order to accomplish this in her book, Delbée uses three voices: the narrator, who knows the full story and reveals it bit by bit; Camille through her surviving letters; and the author herself by presenting her reactions and the personal significance of her journey to free Camille’s true identity from its imprisonment. She uses several other writing techniques, including straying from the chronological order of Camille’s life to emphasize certain points, as well as taking artistic liberty to recreate a dramatic and moving story based on limited factual information about Camille’s life. The result is a combination of Camille’s voice crying out to be freed in her letters and Delbée’s creation of Camille’s identity to free her story after her death
Autofiction in Camille Laurens's Literary Universe
No full text"Camille Laurens'ın Yazın Evreninde Özkurmaca" başlıklı bu çalışma, benli anlatıların yapısal, biçimsel ve izleksel çözümlemesinde önemli bir rol oynayan Serge Doubrovsky, Gérard Genette, Philippe Lejeune, Philippe Gasparini, Roland Barthes gibi kuramcıların çalışmalarından yola çıkarak Camille Laurens'ın yoğun olarak özyaşamöyküsel unsurlar içeren Philippe, Erkeklerin Arasında, Aşkın Romanı, Cet absent-là, Ni toi ni moi, Romance nerveuse adlı yapıtlarında özne/ben kavramının işlev ve durumlarını irdeler. İlk romanlarında kendi yaşamından izleri gizli saklı bir tutum sergileyerek yapıtlarına yansıtan Camille Laurens oğlu Philippe'in doğumu ve ölümünü öykülediği Philippe'te ilk kez özyaşamöyküsel anlatıyı tecrübe eder. Sarsıcı bir deneyimle karşı karşıya kalan yazar kendini yazarak sağaltır. Philippe adlı yapıtından itibaren Laurens kimi zaman yazar-anlatıcı-kişi mutlak ad benzerliğine ait yapıtlar yayımlar kimi zaman anlatıcının kendisiyle aynı adı taşımaksızın kendine gönderme yaptığı romanlar yayımladığı görülür. Yazarın özkurmaca yapıtlarında geçen kişiler, belli başlı olaylar, tarihler ve uzam olabildiğince gerçekliğe uygun bir şekilde yer almaktadır. Bu noktada, söz konusu yapıtlar Doubrovsky'nin "tam anlamıyla gerçek olaylardan ve olgulardan oluşan kurmaca" tanımlamasına uyar. Kendi benini ve varlığının en saf, en çelişkili durumunu açığa çıkarma amacıyla kurmacadan özkurmaca yazarına dönüşen Camille Laurens'ın yaşamıyla yazı iç içe girer. Bundan böyle, Camille Laurens'da roman bir arayış, düşünme, sorgulama aracına dönüşür. Yazar kendine bir kimlik inşa edebilmek için kendini nasıl gördüğüne ve yaşamındaki ötekiler tarafından nasıl görüldüğüne odaklanır. Beni ve ötekiler arasındaki beni tanımak için de dilin tüm olanaklarından yararlanır ve bu yolla da kendi derinliklerine inmeye çalışır. Camille Laurens'ın beni ancak ötekiyle olan ilişkisinde gelişir.Based on the studies of theorists such as Serge Doubrovsky, Gérard Genette, Philippe Lejeune, Philippe Gasparini, and Roland Barthes, who play a crucial role in structural, stylistic and thematic analysis of self-narratives, this study entitled "Autofiction in Camille Lauren's Literary Universe", examines the function and states of the notion of subject/I in Lauren's works Philippe, In His Arms, L'amour, roman, Cet absent-là, Ni toi ni moi, Romance nerveuse, which include autobiographical elements. Reflecting traces of her life by adopting an obscure attitude in her first novels, Laurens tries autobiographical narrative for the first time in Philippe, in which she narrates the birth and death of her son Philippe. The writer, who experiences a traumatic event, heals herself through writing. While in some of her works author-narrator-character share name similarities, in some of her works, it is also seen that the narrator makes direct references to herself without having the same name. The characters she creates, certain events she narrates and space and time she employs in her novels conform to reality. At this point, the afore-mentioned works correspond to Doubrovsky's definition of "fiction, of strictly real events and facts". The writing intertwines with the life of Camille Laurens, who transforms herself from a fiction writer to autofiction writer in order to reveal the purest, the most contradictory aspects of her self. Henceforth, the novel turns into a vehicle for searching, thinking and interrogation for Camille Laurens. The author focuses on how she sees herself and how she is seen by others in order to create an identity for herself. Laurens employs all the possibilities of language to identify the self as well as the self among others and in this way she attempts to explore the depths of her own self. Camille Laurens' self is solely developed with its relation to the other
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