690 research outputs found
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation.La isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización
Visitors Visiting Books: Visitors' Books at the Library of Innerpeffray
No full textThe Library of Innerpeffray, in rural Perthshire, is the oldest free public lending library in Scotland and contains unique manuscript records which are invaluable resources for the fields of library and tourism history. This article argues that two key developments contributed to Innerpeffray’s transformation from a lending library into a reference library and visitor attraction: the impact of one of the library’s patrons, Robert Hay Drummond, and the growth of tourism in mid-nineteenth-century Perthshire, within the wider development of Scottish tourism. Two sources are explored for the first time: annual reports sent to the Governors of Innerpeffray between 1891-1907 by the then-Keeper of Books, Mrs Christian Birnie; and the first volume of the library’s visitors’ books, which contains visitor details from 1859-97. The article presents some preliminary findings about inscribed locations, gender, and repeat visitors to emphasise the value of visitors’ books which primarily contain visitor details without additional commentary.Output Status: Forthcoming/Available Onlin
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
Colección de varios papeles manuscritos que con motibo de haver salido a ley pública en el año de 1758 la ruidosa historia del famoso Predicador Fray Gerundio de Campazas escrivieron unos impugnandola y otros defendiéndola igualmente que se verdadero autor el Rmo. P. Joseph Fran.co de Ysla de la Compañía de Jesús, y al fin ban otros papeles que à diferentes assumptos escribió este celebre jesuita antes y después de extinguida la Compañía
No full textSin foliar. En el índice hay unos papeles al final de los que en realidad se han copiado en este vol.Encuadernación: Pasta española, desprendida la primera tapa y las primeras hojas. Rotul.: Papel varios | Marcas procedencia: Biblioteca Provincial y de la Universidad de SevillaContenido:(h.1-69)Prólogo de los papeles e índice.1.(h. 7-24) Amador de la Verdad, Fray. Carta de un Padre Carmelita Descalzo al Rmo. Padre Isla-. -1758.2.(h.24-33) Amador de la Verdad, Fray. -Progresos y aventuras del Desengañador de Predicadores Fray Gerundio de Campazas y primera mordedura, o dentallada que ha experimentado por el Fray Amador de la verdad-.3.(h.33-40). -Supino de Participio, Fray. -Justos merecidos elogios de Fr. Gerundio de Campazas por Fray Supino de Participio Romanae lírico-. Se asegura ser del P. Cotilla.5.(h.40-41) -Benagasi. -Contra Fr Gerundio : Soneto de Benagasi-.6.(h.41-80). -Padre de las Barvas Largas. -Carta del Padre de las Barvas largas al Reverendísimo Padre Isla-. 1758.7.(h.80-101) -Diálogo entre el cura de Zanganos y el Guardián de Loriana de la más extraña observancia de s. Francisco sobre Fr Gerundio de Campazas Alias Gotes-.8.(h.102-117) -Contra el famosos predicador Fray Gerundio de Campazs y contra su Author el P. Isla provandole varios y notables defectos que cometió en sus sermones-.9.(h.118-127) -Memorial de un Gerundio converso por la lectura del incomparable Fr Gerundio común desengañador de Predicadores bulgares en que pide Justicia seca en el Trivunal de la Misericordia. Obillejo del Padre Huerta-.10.(h.127-134) -Noticioso Fr. Gerundio de que le busca su Autor, le participa su paradero como también los trabajos que ha pasado, y repetidos tiros de la envidia que ha sufrido tomando l hilo del Obilleja del Padre Huerta-.11 (h.133-136) -Décimas del P. Isla en defensa de la Historia de Fr Gerundio con motibo de haver mandado suspender-.12.(h.136-139) -Seguidillas de un Nobicio de la Compañia escritas por la misma causa.-.13.(h.140-205) -Marquina, Matías. -Reparos de un Apostólico Romano a su Historia ruidosa y aplaudida de Fray Gerundio de Campazas (Alias Totes) por un Penitente del M.R, Padre Fr. Mathias Marquina del Orden de Menores Capuchinos de Sn. Fran.co de la Provª de las dos Castillas Coronista della en su Convento de Sn. Antonio del Padro de Madrid- / es obra del mismo P. Fr. Mathias MarquinaA 331/21
Tratament visual de la pelicula La Isla Mínima
No full text[ES] A través de este trabajo de fin de grado se pretende realizar un análisis de la dirección de fotografía de la producción de La Isla Mínima, película española del año 2014 dirigida por Alberto Rodríguez, escrita también por Rafael Cobos y Álex Catalán como director de fotografía .
Para ello se revisarán las referencias cinematográficas que el autor deja ver en las escenas, así como se analizarán todos los elementos que intervienen en la fotografía; los colores, los tipos de plano, su composición, la iluminación, las lentes y los movimientos de cámara.[EN] This project is based on the visual treatment of the direction of photography for the production of La Isla Mínima, a 2014 Spanish film directed by Alberto Rodríguez, also written by Rafael Cobos and Álex Catalán as the Director of photography.
The main idea of this work is to analyze what cinematographic references the author is influenced by, as well as all the elements that assemble the direction of photography of the film; types of shots, composition, lighting, lenses and camera movements.Bartual Latorre, S. (2022). Tratamiento visual de la película La Isla Mínima. Universitat Politècnica de València. https://riunet.upv.es/handle/10251/189221TFG
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización.La isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation
MAN (Reino Unido) (Isla). Mapas generales. 1:65000 (1784)
No full textDedicatoria : "To the High Puissant and Most Noble Prince Jhon Duke and marquis of Atholl Marquis & Earl of Jullibardin ... This Map or Plan of the isle of Man is Most humbly Inscribed by his Grace's Most obliged most devoted and most humble Servant Peter Fanin ..."Escala gráfica de 10 millas estatutarias [= 24'8 cm]. Orientado con lisOrografía de perfil. Sondas batimétricas y fondeaderosEn el margen izquierdo, leyenda que explica la situación de la isla y en el superior nota explicativa sobre los peligros de la costa de la mismaTítulo en cartela con motivos marinos. Sobre la dedicatoria se representa un escudoInserta : "A View of the Southside of Douglas Harbour from His Grace the Duke of Athol's House". "Douglas Harbour". Escala [ca. 1:4550], 400 yards [= 8 cm
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
The Translator's Task: Recreating the Textual Atmosphere of Isla Cofre Mítico by Eugenio Fernández Granell
No full textIn this dissertation, I introduce the Spanish painter, poet, essayist, and novelist Eugenio Fernández
Granell and his seminal surrealist work, Isla cofre mítico. Granell was born in Galicia, Spain, in
1912 and can easily be described as a key figure within the surrealist movement in the second half
of the twentieth century. Isla cofre mítico was Granell’s first published book, and it is the fullest
published discussion about André Breton’s short work Martinique charmeuse de serpents, giving
followers of Surrealism a deeper understanding of Breton’s time in Martinique.
When you first pick up Granell’s book Isla cofre mítico, you are immediately struck by the cover’s
fantastic, mythical creature composed of vibrant colors and amorphous features. The image is a
pictorial representation of Granell’s island book that is Isla cofre mítico. The book represents the
act of translation in all senses of the word. In it, Granell translates his violent experiences from the
Spanish Civil War into words and images. He translates the foreign sights and sounds of the
Caribbean geography and culture as he tries to make sense of the place that becomes his temporary
home. He translates his experience of the world in the aftermath of the Second World War. For
Granell, the aesthetic vision of André Breton is the only mode of expression capable of translating
his experiences and thoughts into visual images and words.
Isla cofre mítico is a visual, textual, and auditory experiment in translation for the original author
and for me, the translator. In Isla cofre mítico, Granell translates the soundscapes of the island
through the sounds created in and between words. He translates French passages from André
Breton’s Martinique charmeuse de serpents into Spanish, as well as passages from other literary
texts and historical documents. He translates images into words, and he juxtaposes words to
produce sound and create meaning. How does one approach the translation of such a complex
work? This dissertation presents an analysis of the complex textual environment of Granell’s text
as well as my interpretive act of translation. I present a number of considerations for the translation
process, including approaches to recreating complex patterns of repetition and textual musicality.
I highlight the problematic role of textual ambiguity created by the author as translator from French
into Spanish and my role as translator from Spanish into English. I also bring in translators who
have contributed to the discussion of translation as an act of violence, and I attempt to demonstrate
that Granell challenges previous notions of translation violence through his clashes of textual
juxtapositions
Education and episcopacy : the universities of Scotland in the fifteenth century
No full textEducational provision in Scotland was revolutionised in the fifteenth century through the foundation of three universities, or studia generale, at St Andrews, Glasgow and Aberdeen. These institutions can be viewed as part of the general expansion in higher education across Europe from the late-fourteenth century, which saw the establishment of many new centres of learning, often intended to serve local needs. Their impact on Scotland ought to have been profound; in theory, they removed the need for its scholars to continue to seek higher education at the universities of England or the continent.
Scotland’s fifteenth-century universities were essentially episcopal foundations, formally instituted by bishops within the cathedral cities of their dioceses, designed to meet the educational needs and career aspirations of the clergy. They are not entirely neglected subjects; the previous generation of university historians – including A. Dunlop, J. Durkan and L. J. Macfarlane – did much to recover the institutional, organisational and curricular developments that shaped their character. Less well explored, are the over-arching political themes that influenced the evolution of university provision in fifteenth-century Scotland as a whole. Similarly under-researched, is the impact of these foundations on the scholarly community, and society more generally.
This thesis explores these comparatively neglected themes in two parts. Part I presents a short narrative, offering a more politically sensitive interpretation of the introduction and expansion of higher educational provision in Scotland. Part II explores the impact of these foundations on Scottish scholars. The nature of extant sources inhibits reconstruction of the full extent of their influence on student numbers and patterns of university attendance. Instead, Part II presents a thorough quantitative and qualitative prosopographical study of the Scottish episcopate within the context of this embryonic era of university provision in Scotland. In so doing, this thesis offers new insights into a neglected aspect of contemporary clerical culture as well as the politics of fifteenth-century academic learning
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