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    JERICA SNOJ: METAFORA V LEKSIKALNEM SISTEMU: Ljubljana: Založba ZRC, ZRC SAZU, 2010. (Zbirka Linguistica et philologica, 24). 213 str.

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    Review: Jerica Snoj: Metafora v leksikalnem sistemu The author presents the scientific monograph by Jerica Snoj, Metafora v leksikalnem sistemu (Metaphor in the Lexical System), published in 2010.Avtorica predstavlja znanstveno monografijo Jerice Snoj, Metafora v leksikalnem sistemu, ki je izšla leta 2010

    Proteomic approach to characterize the biocontrol mechanism of Trichoderma harzianum T39 in grapevine

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    Some biocontrol agents can activate defense mechanisms and increase grapevine resistance against pathogens. In particular Trichoderma harzianum T39 induces systemic resistance and significantly reduces downy mildew symptoms caused by Plasmopara viticola. This biocontrol agent could offer a powerful alternative to chemical pesticides, but more knowledge of the mechanisms of resistance induction is required in order to maximize its efficacy. A proteomic approach was undertaken to increase our understanding of the basis of resistance to these major pathogen and to identify potential new priming effectors in grapevin

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Metafora v Cankarjevih Podobah iz sanj

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    Metafora v Cankarjevih Podobah iz sanj je nastajala iz dveh izhodiščnad plast jo svetopisemske in liturgične simbolike ter lepotnih metafor, ki ponazarjajo idejo odrešilnega trpljenja, so prevladale grde in groteskne podobe vojne, viden je proces razkrajanja lepotne metafore in simbolike. Poleg vojne groze je opazna metaforizacija besede in duhovno-čustvenih plasti človekove notranjosti. V prispevku so analizirane metafore dna, hiše, ogledala, pridevniška in glagolska metafora ter metafore za vojno grozo in smrt.Metaphor in Cankar\u27s Podobe iz sanj has two origins: Biblical and liturgical symbolism, as well as beauty metaphors that illustrate the idea of redemptive suffering. But both have been superceded by those of terror and war, so that a process of decomposition of the beauty metaphor and symbolism is noticeable. In addition to the horror of war, the metaphorisation of the word and of the spiritual and emotional layers of the interior life is also noticeable. The paper analyses metaphors relating to bottom, house and mirror, adjectival and verbal metaphors, and metaphors dealing with war, horror and death

    Metafora v Cankarjevih Podobah iz sanj

    No full text
    Metafora v Cankarjevih Podobah iz sanj je nastajala iz dveh izhodiščnad plast jo svetopisemske in liturgične simbolike ter lepotnih metafor, ki ponazarjajo idejo odrešilnega trpljenja, so prevladale grde in groteskne podobe vojne, viden je proces razkrajanja lepotne metafore in simbolike. Poleg vojne groze je opazna metaforizacija besede in duhovno-čustvenih plasti človekove notranjosti. V prispevku so analizirane metafore dna, hiše, ogledala, pridevniška in glagolska metafora ter metafore za vojno grozo in smrt.Metaphor in Cankar\u27s Podobe iz sanj has two origins: Biblical and liturgical symbolism, as well as beauty metaphors that illustrate the idea of redemptive suffering. But both have been superceded by those of terror and war, so that a process of decomposition of the beauty metaphor and symbolism is noticeable. In addition to the horror of war, the metaphorisation of the word and of the spiritual and emotional layers of the interior life is also noticeable. The paper analyses metaphors relating to bottom, house and mirror, adjectival and verbal metaphors, and metaphors dealing with war, horror and death
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