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    Either this ou aquilo: traduzindo a poesia infantil de Cecília Meireles para o inglês

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Estudos da TraduçãoO objetivo do presente trabalho é discutir as propostas de tradução para o inglês, de uma seleta de poemas do clássico infantil Ou isto ou aquilo, de Cecília Meireles, a saber, “O cavalinho branco”; “A égua e a água”; “Enchente”; “Passarinho no sapé”; “Ou isto ou aquilo”; e “A lua é do Raul”. Para tanto, esboça um perfil da poeta Cecília Meireles, discute suas ideias sobre educação e literatura infantil e contextualiza o livro em questão dentro do escopo de sua obra poética. Em seguida, discute os princípios e critérios da tradução poética praticados pelos poetas-tradutores Paulo Henriques Britto, Mário Laranjeira, Haroldo de Campos, Alípio Correia de Franca Neto e José Lira, entre outros. À luz desses critérios e princípios, analisa os poemas de partida e examina seus atributos nos níveis semântico, prosódico, rítmico e fônico, procurando recriar, nos poemas de chegada, as características poéticas mais significativas antes identificadas naqueles de partida. Comenta e discute os resultados e procura mostrar, no decorrer do processo, que a recriação mais livre de certos poemas, especialmente de “Passarinho no sapé” e “A lua é do Raul”, se deu mais em função da estrutura sonorista desses poemas do que por alguma impossibilidade de correspondência semântica, cultural ou formal. Por fim, este trabalho exibe no Apêndice as traduções para o inglês da poeta-tradutora Sarah Rebecca Kersley dos poemas “A chácara do Chico Bolacha”, “O menino azul”, “A pombinha da mata”, “O mosquito escreve”, “Para ir à Lua”, “O último andar”, “A bailarina”, “Ou isto ou aquilo” e “Pescaria”.ABSTRACT: The aim of this study is to discuss the translations into English of a selection of poems from the classic Brazilian children’s book Ou isto ou aquilo, by Cecília Meireles, namely the poems “O cavalinho branco”, “A égua e a água”, “Enchente”, “Passarinho no sapé”, “Ou isto ou aquilo” and “A lua é do Raul”. To this end, the study begins with a biographical profile of Cecília Meireles, a discussion of her ideas on education and literature for children, and a contextualization of the book in question in relation to her other poetic works. Next, it discusses the principles and criteria of poetic translation practiced by Brazilian poet-translators Paulo Henriques Britto, Mário Laranjeira, Haroldo de Campos, Alípio Correia de Franca Neto and José Lira, among others. In the light of these principles and criteria, the selected source language poems are then analyzed, with an examination of their semantic, prosodic, rhythmic, and phonic features, with the aim of re-creating, in the target language, the poetic characteristics previously identified as being the most significant in the source language poems. The results are then commented on and discussed, with the aim of demonstrating, throughout the discussion, that some liberties in the re-creation of certain poems, particularly in the case of “Passarinho no sapé” and “A lua é do Raul”, were taken more due to sound structure, or phonetic aspects, than a sense of impossibility of semantic, cultural, or formal correspondence. Finally, this study includes, in Appendix, the translation into English by British poet-translator Sarah Rebecca Kersley of the poems “A chácara do Chico Bolacha”, “O menino azul”, “A pombinha da mata”, “O mosquito escreve”, “Para ir à Lua”, “O último andar”, “A bailarina”, “Ou isto ou aquilo” and “Pescaria”

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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