916 research outputs found

    La prosa documentale di Svetlana Aleksievič: tra reportage e memoir collettivo

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    This essay offers an analysis of the work of Svetlana Alexievich as the most complete expression of documentary prose, defined as a hybrid narrative and combining the genres of the reportage and the collective memoir. This narrative trend attained full development in Soviet literature during the 1970s and is characterized by a transfer from the author to direct witnesses of the narrated events. While Iryna Shylnikova traces the origins of this trend, a diachronic study of documentary prose allows her to reconstruct Svetlana Alexievich’s artistic method. She explains, at the same time, how a recourse to living testimonies on real facts can be transformed into an aesthetic phenomenon. In particular, Shylnikova focuses on Second-hand Time in an attempt to establish the core points of the author’s poetics

    Provenance as a tool for supporting the dashboard onboarding process

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    Author Iryna KondrashchenkoMasterarbeit Universität Linz 202

    CHANGE IN NATIONAL SECURITY MARKERS IN OFFICIAL POLITICAL DISCOURSE: UKRAINIAN CONTEXT

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    Discourse analysis allows us to identify markers of change in values, which is a sign of democratic development. However, this does not mean a radical change in values, but rather their correlation with the economic, social, cultural dimensions of society. When it comes to national security as the value of the country, then here we can see the dichotomy of the collective “we” with the individualistic “I”. In democratic societies, the priority of national security is higher than the values of self-expression, while the authorities guarantee human rights and freedoms. The study provides a theoretical analysis of the nature of official political discourse. The influence of discourse on the political system through the category of «security» is considered. At the first stage, the theoretical and methodological analysis is conducted in terms of social practice of G. Deleuze and M. Foucault. At the second stage, a comparative analysis of the concept of national security of Ukraine was conducted. At the third stage, markers of the value components of Ukraine’s national security were identified, which both presidents have used. This allowed us to understand the discourse practice of official political discourse as a strategy to influence the political system

    Explicit and implicit forms of self-determination as geopolitical pressure on the formation of Ukraine's local policy (1994 – 2004)

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    The purpose of the article is to demonstrate open and hidden forms of external influence on Ukraine's domestic policy on the example of regional claims for self-determination. The major problem is that the Russian language issue, difficulties in boundary delimitation and the lack of information strategy in Ukraine's foreign policy resulted in an explicit and implicit influence on the political situation in Ukraine in 1994 - 2004. The analysis of the problem covers the times of L. Kuchma's presidency and has been undertaken on the basis of materials of the Ukrainian press of that time. The content analysis helped to track the reflection of Ukrainian society at the challenges of that time and discover the technologies of influence.The purpose of the article is to demonstrate open and hidden forms of external influence on Ukraine's domestic policy on the example of regional claims for self-determination. The major problem is that the Russian language issue, difficulties in boundary delimitation and the lack of information strategy in Ukraine's foreign policy resulted in an explicit and implicit influence on the political situation in Ukraine in 1994 - 2004. The analysis of the problem covers the times of L. Kuchma's presidency and has been undertaken on the basis of materials of the Ukrainian press of that time. The content analysis helped to track the reflection of Ukrainian society at the challenges of that time and discover the technologies of influence

    Chernivtsi as a text in Iryna Vilde’s story cycle “Butterflies on the Pins”

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    У статті пропонується аналіз семіотичного простору чернівецького тексту в циклі повістей Ірини Вільде «Метелики на шпильках». Розглядаються особливості тексту міста у його візуальному, культурологічному, ольфакторному аспектахThis article draws attention to the semiology of Chernivtsi as a text in Iryna Vilde’sstory cycle “Butterflies on the Pins”. The author of the essay analyses the most important visual, cultural and olfactoral aspects of the city text

    Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-)

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    Interview with Iryna Tsilyk Iryna is a filmmaker and writer born in 1982 in Kyiv. Since 2014 her work has captured the events that followed Russia’s invasion and annexation of Crimea, the subsequent war in the Donbas, and the full-scale Russian invasion of Ukraine which took place in February 2022. Iryna’s short film Home (2016) was included in the short film collection Ukrainian New Wave 20/16+ and her films Tayra and Kid formed part of the anthology documentary Invisible Battalion (Dir. Gorlova, Lishchynska, Tsilyk, 2017) released as part of a global advocacy project that documented the participation of Ukrainian women in the conflict. Her own debut feature documentary The Earth Is Blue as an Orange won the Directing Award at the Sundance Film Festival in 2020, and formed part of the official selection for Berlinale, IDFA, CPH:DOX, Hot Docs and more than 100 other international film festivals. The film featured single mother Hanna Gladka and her four children, bringing to life the family’s experience as residents of the front-line war zone in Donbas, Ukraine. Iryna is also the author of eight books of poetry and short stories published both in Ukraine and having been translated into a number of languages. Her next project is the feature-length fiction film Rock. Paper. Grenade, adapted from the novel “Who are you?” by Ukrainian novelist, and Iryna’s husband, Artem Chekh

    Peculiarities of the Emotional Impact of Propaganda on Society*

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    The peculiarities of the promotion of the narrative of Ukrainian biological weapons by Russian propaganda during the Russian-Ukrainian war are investigated. The impact of such propaganda on public opinion is deconstructed. Measures to counter such propaganda by non-state research organizations and non-state mass media are outlined. It was determined that in the modern world, propaganda turns the real world into a fictional world. As a form of communication, propaganda seeks to direct the reaction and/or behaviour of the subject. An important factor is that with the help of information that is promoted through certain technologies, an opinion that is important to the government is represented. Especially when this government is at war. And when the consumer of information receives a lot of information, he can not only understand the reality in which he is, but can also lose it. Therefore, at least two opposing points of view can form an information space, divide it and counterattack each other. As a result, confrontation between people will be established. In the war with Ukraine, Russia created a multi-level information space, in each of which Ukraine is accused of spreading Nazism, suppressing Russian speakers, spreading biological weapons, etc. A unique aspect of contemporary Russian propaganda is its creation of numerous narratives on diverse subjects, each consistently highlighting the presence of an enemy. And this is Ukraine. Undoubtedly, the goal of such a strategy is to justify a military invasion of the territory of Ukraine, and not only in 2022, but also in 2014. Propaganda narratives must also be thwarted by a multi-layered countermeasure, an important element of which is NGOs

    Classical Crossover and Its Russian and Ukrainian Interpretations

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    This article aims to explore the phenomenon of “classical crossover,” a contemporary music trend that blends “high” and “low” elements. In addition to analyzing the genre’s main features and cultural preconditions for its emergence, the article will examine its historical origins and development. The second part of the article focuses on examples of classical crossover in Russian and Ukrainian music, with an analysis of several artists who have ventured into this new type of production, including the Terem Quartet, Anna Netrebko, Olga Chubareva, and Arina Domski. By applying historical and cultural methodology, the article suggests that classical crossover has a broad audience in Russia and Ukraine, allowing musicians to introduce elite classical music to the masses. Although some may view the genre as a dilution of classical music’s distinctive qualities in order to cater to popular tastes, it also provides musicians with the opportunity to create original pieces that merge tradition with innovation. Considering all of the above, the author of this article aims to explore the cultural significance and impact of classical crossover in the music industry

    Constructing an integrated model of public-sector leadership competencies: an exploration

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    Driven by the forces of globalization, the sweeping developments of recent decades have prompted changes in societal perceptions of leadership. The meaning of the concept itself has changed so dramatically that public leadership does not mean public-sector leadership anymore as the sectoral boundaries have been crossed to include individuals from the private and nonprofit sectors, civic leaders, and community volunteers involved in addressing pressing social, economic, and environmental problems (Luke, 1998). And yet, the chain of recent, universally acknowledged public sector leadership failures indicate that lack of leadership in public organizations is, if not immediately apparent, quite real. Increasingly, leadership quality is being linked to leadership training and development. In particular, an approach to leadership development and selection that is gaining momentum under “the pervasive influence” of New Public Management in the US and a number of other countries (Mau, 2009) is based on a set of identifiable personal characteristics called competencies. This research offers an analysis of competency-based approaches and addresses the need for better articulation of leadership models to ensure a better fit with the public sector (Trottier et al., 2008). The purpose of this theory-building exercise has been to create an integrated model of public-sector leadership competencies that could be used as a template in developing a leadership training program for public sector executives and/or managers. Exploratory in nature and qualitative in terms of methodology, the research offers a phenomenological perspective and provides critical assessment of the competency movement’s place within the processes transforming public service. Grounding the analysis in the existing leadership and public administration literature, I ask the questions: How well does the competency-based approach serve the mission of producing public leaders capable of sustaining high performance in their work communities—departmental units or agencies? And is it capable of capturing and integrating new and emerging competencies as they appear? The synthesis of selected competency models into the integrated model brings the disparate and disjointed language of competency modeling one step closer to a common denominator, thus deepening our understanding of this phenomenon. It also responds to the perceived need to further develop competency-based theory of leadership and contributes, through the advancement of the topic, to the improvement of our civil service and its leadership cadre’s training and development.Ph. D.Includes bibliographical referencesIncludes vitaby Iryna Illias

    Peculiarities of the Emotional Impact of Propaganda on Society*

    No full text
    The peculiarities of the promotion of the narrative of Ukrainian biological weapons by Russian propaganda during the Russian-Ukrainian war are investigated. The impact of such propaganda on public opinion is deconstructed. Measures to counter such propaganda by non-state research organizations and non-state mass media are outlined. It was determined that in the modern world, propaganda turns the real world into a fictional world. As a form of communication, propaganda seeks to direct the reaction and/or behaviour of the subject. An important factor is that with the help of information that is promoted through certain technologies, an opinion that is important to the government is represented. Especially when this government is at war. And when the consumer of information receives a lot of information, he can not only understand the reality in which he is, but can also lose it. Therefore, at least two opposing points of view can form an information space, divide it and counterattack each other. As a result, confrontation between people will be established. In the war with Ukraine, Russia created a multi-level information space, in each of which Ukraine is accused of spreading Nazism, suppressing Russian speakers, spreading biological weapons, etc. A unique aspect of contemporary Russian propaganda is its creation of numerous narratives on diverse subjects, each consistently highlighting the presence of an enemy. And this is Ukraine. Undoubtedly, the goal of such a strategy is to justify a military invasion of the territory of Ukraine, and not only in 2022, but also in 2014. Propaganda narratives must also be thwarted by a multi-layered countermeasure, an important element of which is NGOs
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