2,854 research outputs found
Retracts of violence in the poetry of Claudia Roquette-Pinto
No full textRESUMO: O presente artigo objetiva salientar aspectos da violência social e seus reflexos dentro da poética de Cláudia Roquette-Pinto, em específico em seu poema “Sítio”. Será abordado o modo com o qual a autora trabalha suas criações, e que resulta na classificação de suas obras como referência no âmbito da poesia contemporânea brasileira. _________________________________________________________________________ ABSTRACTThe present article aims to emphasize aspects of social violence and its effects in the poetry of Cláudia Roquette-Pinto, in special into her poem “Sítio”. It will be discussed the way that the author works her creations, which results in the classification of her artworks as a reference within contends about Brazilian contemporary poetry
Identidade e alteridade na Peregrinação de Fernão Mendes Pinto
No full textMestrado em Estudos PortuguesesO presente trabalho pretende apresentar uma análise da evolução
antropológica de Fernão Mendes Pinto aquando do seu contacto com a cultura
Oriental. É também nosso objectivo comprovar que a definição que o autor
tenta fazer do “Outro” oriental lhe vai permitir redescobrir a sua identidade.
O encontro de uma cultura nova permitiu ao homem de Quinhentos
iniciar o processo multicultural, e por conseguinte encetar o diálogo
intercultural. Na análise da Peregrinação tentaremos reflectir de que forma
Fernão Mendes Pinto foi influenciado por esse processo ao descrever o
“Outro” com o qual se encontrou, e em tantos aspectos tão diferente de si.
ABSTRACT: The present work intends to present an analysis of the anthropological
evolution of Fernão Mendes Pinto related to his contact with the oriental
culture. It is also our purpose to prove that through the definition that the author
tries to do of the “Other” he begins to rediscover his own identity.
The encounter with a new culture allowed the men of the 16h century
to begin the multicultural process, and consequently the intercultural dialogue.
In our analysis of the Peregrinação we will try to reflect about the way that
Fernão Mendes Pinto was influenced by the process of describing the “Other”,
with whom he contacted, and in so many ways so different from him
Practicum piece on the author\u27s assistance in helping Joe Pinto of Massachuset
No full textPracticum piece on the author\u27s assistance in helping Joe Pinto of Massachusetts locate a lobster shack he visited in 1942 while stationed at the former Dow Field in Bangor. Pinto has been trying to locate the place since 1947. The lobster shack turned out to be the old Henderson place in North Brooklin
Bulletin No. 433 - Wyo 1966 - A New Pinto Bean
No full textBulletin No. 433 - Wyo 1966 - A New Pinto Bea
Bulletin No. 393 - Chemical Control of Annual Weeds in Pinto and Great Northern Field Beans
No full textBulletin No. 393 - Chemical Control of Annual Weeds in Pinto and Great Northern Field Bean
Seni Kaligrafi Arab dalam Ekspresi Pinto Aceh
No full textPinto Aceh is one of the art objects or motifs that are famous among the people of Aceh and inspired by Pinto Khop. Pinto Aceh was created in 1935 by Mahmud Ibrahim with gold in the form of brooch jewelry. The creation of Pinto Aceh nowaday seen as the aspect of form which is still applied as the initial form from it was created. Based on this phenomenon, the author wishes to create a new form of Pinto Aceh arts and combines it with Arabic calligraphy but still retains its distinctive form. Arabic calligraphy is one of the arts which is known as its religious values created from Arabic letters by embellished writing. In hope this will be an inspiration for art connoisseurs and the people of Aceh. The instructor conduct the research through observation and interview, while the exploration, design and formation stages use the selection of materials, techniques and tools in accordance with the visual that will be created. The method was chosen with the aim that innovation and creation of Pinto Aceh continue to develops. The creation of this work of art is realized by applying Arabic calligraphy following the expression form of Pinto Aceh that have been developed. The artman presents a new form that has never existed before. The media and the tools used are a unity that support the creation of this work
[The Women's Corps, Palo Pinto County Civil Defense]
No full textThe Women's Corp, Palo Pinto County Civil Defense. The photograph pictures 13 (unnamed) women, a young girl, and A. F. Weaver during a flag presentation.
Mr. Weaver, a Ham Radio operator, set up the Palo Pinto County Civil Defense on October 1, 1972 and was the director for 26 years.
Mr. Weaver was also the author of "TIME WAS in Mineral Wells", a photographic history, first published in 1975. The book was revised and published again in three subsequent editions
Academic praise for Owen Fiss
No full textSpeech given by the author at the ceremony for the awarding of the title of Doctor Honoris Causa by the Faculty of Law of the UBAFil: Pinto, Mónica. Universidad de Buenos Aires. Facultad de Derecho. Cátedra Derecho Internacional Público. Buenos Aires, ArgentinaFil: Pinto, Mónica. Universidad de Buenos Aires. Facultad de Derecho. Cátedra Derechos Humanos y Garantías. Buenos Aires, ArgentinaDiscurso pronunciado por la autora en la ceremonia de entrega del título de Doctor Honoris Causa por la Facultad de Derecho de la UB
Retropupillary iris claw intraocular lens implantation in aphakia for dislocated intraocular lens [Corrigendum]
No full textFaria MY, Ferreira NP, Pinto JM. Int Med Case Rep J. 2016 Aug 29;9:261–5.On page 261, Ivo Gama should have been listed as an author.The incorrect author list was:Mun Yueh Faria1–3Nuno Pinto Ferreira1–3Joana Medeiros Pinto1–3David Cordeiro Sousa1–3Ines Leal1–3Eliana Neto1–3Carlos Marques-Neves1–3The correct author list should have been:Mun Yueh Faria1–3Nuno Pinto Ferreira1–3Joana Medeiros Pinto1–3Ivo Gama1–3David Cordeiro Sousa1–3Ines Leal1–3Eliana Neto1–3Carlos Marques-Neves1–3Read the original article
The Marranism and the poetry of João Pinto Delgado, author of On Leaving Lisbon
No full textO presente trabalho configura uma abordagem de um subtipo do corpus da literatura da diáspora sefaradita ocidental. Trata-se de obras escritas em espanhol e português por autores de origem judia, mas que viveram como cristãos nominais por duas ou mais gerações, em função da perseguição inquisitorial. Uma vez reinseridos no judaísmo, teria sido imperativo aos ditos conversos ressignificar sua identidade. Para o fazerem, estes se serviram, entre outros instrumentos, da literatura. Neste sentido, o poema A La Salida de Lisboa, escrito em espanhol na Holanda do século XVII pelo português João Pinto Delgado, teria constituído uma ferramenta na busca pela reconstrução da identidade judaica do autor, como de seus pares. Tal reconstrução não se daria sem que fossem eliciados elementos próprios à cultura ibérica inquisitorial, incluindo as noções de nobreza e pureza de sangue, identificáveis na obra.This paper presents an approach to a subtype of the corpus of Western Sephardic Diaspora literature. These are works written in Spanish and Portuguese by authors of Jewish origin, but who lived as nominal Christians for two or more generations, due to persecution inquisitorial. Once reinserted into Judaism, it would have been imperative for the conversos to re-signify their identity. In order to do so, they used, among other instruments, literature. In this sense, the poem A La Salida de Lisboa, written in Spanish in the seventeenth century in Holland by the Portuguese João Pinto Delgado, would have constituted a tool in the search for the reconstruction of the Jewish identity of the author, as of his peers. Such reconstruction would not take place without eliciting elements proper to the Iberian inquisitorial culture, including notions of nobility and purity of blood, identifiable in the work
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