115 research outputs found
Postilla [saggio introduttivo]
No full textIntroduzione all’opera e all’attività (anche teatrale e pittorica, nonché narrativa) di Basilio Luoni, che continua e aggiorna la nota di Dante Isella, apparsa nel 1993 a presentazione dell’anticipazione del poema dialettale "El librô de figur"
Sulla condizione Fixf=Fixf_2 per una applicazione f di un insieme totalmente ordinato in sé
No full textSi studia, in rapporto a questioni di convergenza globale del metodo
delle approssimazioni successive ed alla questione dell'esistenza
di un punto fisso comune a due applicazioni, la condizione Fix f=Fix
f; si forniscono, tra l'altro, condizioni equivalenti ad essa
e si ritrova, generalizzata, una nota proposizione relativa ai sistemi
dinamici discreti.The condition Fix f=Fix f_{2}
; is studied in relation to questions on global convergence of the successive approximations method, and to the question of the existence of a common fixed point for two applications. Other equivalent conditions for the same are proposed by the author. Using the notion of global convergence of the successive approximations method, the author is able to generalize a known proposition relative to discrete dynamical systems
El «Menologio de Basilio II» y el semestre invernal de la recensio B* del Sinaxario de Constantinopla
No full textStudio analitico (filologico e paleografico) dei testimoni manoscritti (a quelli in precedenza già noti l'autore aggiunge i codici Vaticani Barb. gr. 358 e Vat. gr. 2046), che tramandano il semestre invernale di una fra le più antiche recensioni del Sinassario di Costantinopoli, la cosiddetta recensio B*, volto a indagarne i rapporti esistenti col capostipite della recensio, il famosissimo libro miniato eseguito per Basilio II Bulgaroctono trasmesso nel ms. Vat. gr. 1613.Analytical study (philological and paleographic) of the manuscript witnesses (the author adds the Vatican codices Barb. gr. 358 and Vat gr. 2046 to those previously known), which hand down the winter semester of one of the earliest recensiones of the Synaxarion of Constantinople, the so-called B * recensio. This study aims to investigate the existing relations between these witnesses and the founder of the recensio, i.e. the famous illuminated book realized for Basil II "the Bulgar-slayer " handed on by the manuscript Vat gr. 1613
La poesía de Basilio Fernández: El esplendor y la amargura
No full text[spa] El trabajo analiza la obra poética de Basilio Fernández, un autor creacionista, discípulo de Gerardo Diego, que, tras publicar algunos poemas en revistas de vanguardia de los años 20 y 30 en España e Italia, se sume, hasta su muerte, en un ejercicio secreto de la poesía. Basilio Fernández aunó el vanguardismo de su juventud y el existencialismo de su madurez, y alumbró una poesía en la que la metáfora, la aliteración y la fantasía se conciertan para expresar su dolor por haber renunciado a su destino –a su condición de escritor– y, por ende, a los ideales de juventud: la libertad, el amor y la literatura.
La tesis incorpora una biografía del poeta, cuya principal fuente de información son los trabajos publicados por su sobrino Emiliano Fernández. Atiende, en particular, a los hechos de su juventud y primera madurez, hasta principios de los años 40, esenciales para configurar su fibra moral, su sensibilidad estética y su proyecto literario, como su relación con Gerardo Diego, profesor suyo en el Instituto Jovellanos de Gijón, y con Luis Álvarez Piñer, compañero de estudios y alumno, asimismo, de Diego.
La tesis fija, asimismo, el corpus poético de Basilio Fernández, integrado por unos 140 poemas. Ni las dos ediciones de su poesía completa, de 1991 y 1992, ni las dos antologías de su obra, de 2007 y 2009, incluyen todos los poemas que escribió, algunos de los cuales permanecen inéditos en el archivo personal de Gerardo Diego.
La tesis analiza la obra de Basilio Fernández, creacionista, existencial, órfica y biográfica. En tanto que poesía creacionista, esgrime el poder alumbrador de la metáfora y de la imaginación errabunda. La libertad asociativa del surrealismo, que le acompañará indeclinablemente, es objeto de un examen pormenorizado.
El carácter existencial de su obra, de inspiración barroca y romántica, pero exacerbado por el nihilismo contemporáneo, se refleja en la evocación del pasado, la preocupación por el paso del tiempo, el canto a lo perdido, el tedio de los días y el sinsentido de la vida, plasmados en algunos motivos recurrentes: el ubi sunt, el agua estancada, el río que pasa, y la caída, desdoblada, a su vez, en la hoja seca y la torre inclinada. El sentido existencial se proyecta también en la sociedad, que el poeta considera corrompida y fútil. Frente a los oprobios de la vida, sus únicos consuelos son el amor y Dios, aunque el primero es solo un recuerdo que se diluye en el caminar inexorable hacia la muerte. Únicamente el amor a Dios le ofrece la esperanza de una existencia sin sufrimiento.
La poesía de Basilio Fernández es órfica, porque cree en la naturaleza vivificadora de la palabra y canaliza el descenso a los infiernos de su intimidad, que revela su insatisfacción y su dolor.
Finalmente, es también biográfica, por cuanto los hechos y decisiones de la vida del poeta determinan el tono y el propósito de su obra, y porque sus circunstancias personales se transparentan en un amplio abanico de símbolos, analogías y opciones léxicas.
El trabajo analiza el aparato simbólico, los mecanismos constructivos, los recursos estilísticos –anáfora, similicadencia, paradoja, aliteración, personificación y metáfora– y el cuerpo de pensamiento que integran la poesía de Basilio Fernández. También, algunas claves de su formación, visibles en el recurso a la métrica y la en intertextualidad. Se presta una atención singular a todos aquellos motivos o expresiones que den cuenta del conflicto existencial, y se subraya su dimensión vitalista, que opone al sentido de la declinación y la muerte una palabra sensorial y luminosa, una permanente celebración de la materia.[eng] "BASILIO FERNÁNDEZ’S POETRY: SPLENDOR AND BITTERNESS", The thesis analyzes Basilio Fernández’s poetic work. As a disciple of Gerardo Diego, he was a creationist author, who, after publishing several poems in avantgarde magazines in the 1920’s and early 30’s in Spain and Italy, went into silence for the rest of his life, although he never quitted writing poetry, secretly. Basilio Fernández combined the avantgarde spirit of his youth and the existentialism of his adulthood, and brought about a poetry in which metaphor, alliteration and fantasy joined in order to express his pain for having given up his destiny –becoming a writer– and, hence, having forsaken his purest ideals and wishes: freedom, love and literature.
The thesis includes a biography of the poet, which focuses on his youth, until the early 1940’s, which is essential to understand his moral attitudes, his aesthetic sensitivity and his literary project: mainly, his relationship with Gerardo Diego, who was his teacher and mentor in Gijón, and with Luis Álvarez Piñer, his classmate and friend, and also a Diego’s disciple.
The thesis also determines Basilio Fernández’s poetic corpus, with around 140 poems, some of which have never been published yet.
Basilio Fernández’s poetry is creationist, existential, orphic and biographic. He believes in the creative power of image. The freedom of association, inspired by surrealism, has a significant presence in it. As a existentialist writer, he is overwhelmed by the passage of time, the memory of the past, the lost world of his youth and the spleen of his current life. Some motives reflect all these concerns: the ubi sunt, the stagnant waters, the flowing river and the notion of falling –i. e., the dry leaf and the leaning tower. Human society is also corrupt. His only reliefs are love and God, although love is just a vanishing memory. God alone offers hope and consolation.
Basilio Fernández’s work is orphic, since it believes in the power of language to bring what is dead back to life and to carry out a true descensus ad inferos, which reveals the poet’s unsatisfaction and suffering. It is also biographic, for the facts of the poet’s life determine the substance and purpose of his poetry
PURISMO, CLASSICISMO E ILLUMINISMO NELLA PEDAGOGIA LINGUISTICA DI BASILIO PUOTI
No full textIl contributo richiama l’attenzione sui principi ispiratori e i metodi didattici della celebre scuola di lingua italiana fondata a Napoli nel 1825 da Basilio Puoti. Nonostante le affinità del puotismo con l’indirizzo arcaizzante e normativo imposto dal capofila del purismo ottocentesco, il p. Antonio Cesari, una rilettura delle opere di Puoti e delle testimonianze lasciateci dai suoi allievi diretti fanno emergere la rilevanza dei tratti distintivi del suo insegnamento, riassumibili nell’etica civile, di ascendenza illuministica, e nell’orientamento retorico, di stampo classicista, che lo improntarono. L’educazione al dialogo e al lavoro in comune, l’allargamento del canone degli scrittori da proporre ai giovani (non solo letterati, ma scienziati, storici, filosofi, giuristi) e le cure rivolte all’insegnamento della scrittura come allenamento all’esercizio della chiarezza e dell’efficacia espressive – per l’indissolubile rapporto che lega parola e pensiero – fanno di Puoti un autore su cui tornare a riflettere e a discutere.
Purism, classicism and illuminism in the language teaching of Basilio Puoti
This paper draws attention to the principles and teaching methods of the famous Italian language school founded in Naples in 1825 by Basilio Puoti. Despite the similarities between “Puotismo” with the archaic, regulatory guidelines of the nineteenth-century purism leader, Antonio Cesari, re-reading Puoti’s works and the testimonies left by his students bring out the relevance of the hallmarks of his teaching: civil ethics, derived from the Enlightenment, and a Classical orientation. Focused on dialogue and group work, the broadening of the canon of writers to propose to students (not only authors of literary texts, but scientists, historians, philosophers, jurists) and the care given to the teaching of writing to practice expressive clarity and effectiveness – due to the indissoluble relationship between speech and thought – make Puoti an author to go back to, reflect on and discuss
Apuntes de un sofista cristiano en torno a la literatura griega: Ad adulescentes de Basilio el Grande
No full textThe Cappadocian Basil the Great, one of the most influential of the Church Fathers, wrote a work on the educational value of Greek literature. The contents of the work suggests that the author aimed to establish a clear border between Christianity and paganism; nevertheless, the formal analysis of the text clearly reveals that its author can be considered as a Christian sophist, or as a Christian among sophists. The aim of this paper is to analyse how Basil dialogues with the Greek literary tradition, understood as an unquestionable store of knowledge wich he can imitated, and even criticize, and to observe the formal resources he uses to adapt the greek paideia to the cultural environment of the fourth century AD, placing it at the service of this theological convictions.Uno de los más influyentes Padres de la Iglesia, el capadocio Basilio el Grande, escribió una obra sobre el valor educacional de la literatura griega. Por su contenido esta pieza quizás pretende marcar una nítida frontera entre cristianismo y paganismo; sin embargo, el análisis formal del texto revela claramente que su autor puede ser considerado un sofista cristiano o un cristiano entre los sofistas. En este trabajo, trataremos de analizar de qué modo y con qué recursos formales Basilio dialoga con la tradición literaria griega, entendida como un depósito incuestionable de conocimiento, que puede imitar e incluso criticar, para adaptarla al entorno cultural del s. IV d. C. y ponerla al servicio de sus convicciones teológicas
Un interlocutore dimenticato nel dibattito religioso di metà Cinquecento: Basilio Millanio (alias Ercole Cattaneo?)
No full textBasilio Milanio was a Benedictine monk who led an obscure life among the main north-Italian convents of his order. The only trace he left consists of two elusive writings that he published in Basel during the 1540’s, under a pen name shared by other Italian religious dissenters: Philalethes (lover of the truth). The first work, Ad eos qui iniuria de natura queruntur (Against Those Who Blame Nature, 1545), is a denunciation of Calvinist predestination doctrine, which he compares to astrological determinism. However, instead of offering a traditional Catholic alternative, the text emphasizes the role of God’s grace for the salvation of man. The other one, De passione Christi (On the Passion of Christ, 1549), conveys a simple piety based on the imitation of Christ, but conceals a radical, symbolical view of Eucharist and the affirmation of the possibility for the believer of simulating his own religious beliefs. What is the place of these two apparently so harmless works in the religious dispute of the time? How could a Catholic monk, in the most important typographical centre of Protestant Europe, publish two works whose aim was sometimes even more radical than Protestants themselves could have expected? A careful reading of these texts reveals many similarities with two of the most significant books of Italian Reformation: Il Beneficio di Cristo (The Benefit of Christ, 1542) and, most of all, the Epistola alli cittadini di Riva (Letter to Riva Citizens, 1550). Both these works were written by brethren of Basilio Millanio: respectively Benedetto Fontanini (with the collaboration of Marcantonio Flaminio, who was also related to Millanio) and the visionary prophet Giorgio Siculo. While the Beneficio di Cristo was a best seller and Siculo’s radical predication attracted a lot of enthusiastic followers, Millanio’s works remained unheard and their author spent the last years of his life translating hagiographical works in behalf of the Counter-Reformation bishop Alvise Lippomano and dedicating an Apocalypse commentary to the ‘‘internal Inquisitor’’ of his order Girolamo Scroguerro. This is, at least, what we draw from a superficial analysis of his life. This article suggests, however, the probable identification between Basilio Millanio and the ex Benedictine don Basilio da Brescia, alias Ercole Cattaneo, tried by the Venetian Inquisition for being one of the most active among Giorgio Siculo’s followers. This identification could help to loose the knot between a life lived in such a hidden way and the composition of works presenting many similarities with a mystical adventure, who challenged religion itself
Dialectic and End of History: Merleau-Ponty and the Possibility of Politics
No full textEl siguiente artículo tiene como objetivo abordar la comprensión merleau-pontyana de la dialéctica por fuera de la idea de “fin de la historia”. La dialéctica, liberada de esta última noción, abre la posibilidad de la política como tensión permanente e irreductible del mundo humano. La historia se presente, entonces, como el “medio” donde desplegamos nuestra existencia en una relación permanente con los otros, y no en un proceso determinista donde su realización significaría la superación-eliminación de todas las contradicciones. El planteo del filósofo francés, como se intentará demostrar, tiene como correlato la comprensión de la vida política como un entramado intersubjetivo donde los conflictos sociales deben ser canalizados por medios institucionales.The following article aims to address merleau-pontyan understanding of dialectics outside of the idea of "end of history". The dialectic, freed from this last notion, opens the possibility of politics as a permanent and irreducible tension of the human world. The history is presented, then, as the "medium" where we deploy our existence in a permanent relationship with others, and not in a deterministic process where its realization would mean the elimination-elimination of all contradictions. The approach of the french philosopher, as the author will try to demostrate, has as a correlate the understanding of political life as an intersubjective frame where social conflicts should be channeled through institutional means.Fil: Cladakis, Maximiliano Basilio. Universidad Nacional de San Martín. Escuela de Humanidades. Centro de Estudios Filosóficos; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
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