1,366,799 research outputs found
Testimony of Bo Lundgren
No full textTestimony of Bo Lundgren, Director General, Swedish National Debt Offic
airliners.net - The Heart of the Online Aviation Community
No full textThis commercial site, owned by Lundgren Aerospace International, a private company registered in Sweden, claims to be the "biggest and most visited aviation interest site on the Internet." It has over a million airline related photographs, as well as a large collection of aircraft data and history. Most material is free on the site; for die-hard airline enthusiasts the site offers a "first-class" membership ($55 dollars a year) which allows users to view the site ad free and also receive a daily or weekly newsletter which aggregates aviation news from thousands of resources. Whether you choose to travel first class or economy, this site delivers an excellent set of resources
Lessons Learned: Bo Lundgren
No full textBo Lundgren was Sweden’s cabinet minister for fiscal and financial affairs from 1991 to 1994, making him a key leader in managing the nation’s severe financial crisis during those years. Lundgren had a decades-long political career as a member of the Swedish Parliament from 1975 to 2004, was leader of the Moderate Party (1999–2003), and vice president of the European People’s Party in the European Union. He also served from 2004 to 2013 as director general of the Swedish National Debt Office, the country’s central financial agency. Drawing on his experiences in the Swedish crisis, Lundgren has shared his views with US and Irish government panels examining the 2007–09 Global Financial Crisis and the European debt crisis that followed. He has also written a book about the Swedish crisis. This summary is based on a Lessons Learned interview held in May 2022
Lundgren, Harry
No full textHarry Lundgren was a Civil Engineering faculty member.David Scheatzle, Chair Video History Project
Mrs. George Lundgren
No full textMrs. George Lundgren is wearing a dress, necklace a wide-brimmed hat and eyeglasses. She is standing in front of a shelf on which there is a portrait photograph, a potted plant, and various decorative vases.https://mavmatrix.uta.edu/specialcollections_startelegram1940s/9126/thumbnail.jp
Det nya i det gamla : Ett kreativt och sökande projekt som undersöker olika tillvägagångssätt att skapa ny folkmusik från det traditionella uttrycket för att sedan förmedla det vidare.
No full textI detta arbete skapar jag nya låtar för att undersöka och förmedla olika låttypers kännetecken inom svensk folkmusik, vilket kan betraktas som etyder. Etyder kan vara övningsstycken avsedda att ge möjlighet att lära ut en instrumentalteknisk konst, en vanlig form inom västerländsk konstmusik men inte alls lika etablerat inom svensk folkmusik, där det inte finns en lika formaliserad skolbildning. Med utgångspunkt från deskriptiva studier och egen analys av ett urval av typlåtar, har jag med skapande som metod utvecklat en tolkning av vad jag undersöker där tolkningen och låten vuxit fram iterativt, därför kan detta betraktas som en kvalitativ och explorativ undersökningsprocess. Målsättningen har varit att efterlikna de traditionella melodierna med fokus på stilistiskt karaktäristiska egenskaper, men där låtarna/etyderna samtidigt ska kunna stå på egna ben konstnärligt. I processen har jag utvärderat och delvis utvecklat nya kompositionsmetoder och inlärningsmetoder i ljuset av vad som haft kreativ potential. Arbetet beskriver olika metoder för skapande inom folkmusik och den kreativa potentialen i olika metoder diskuteras mot bakgrund av erfarenheterna från projektet. In this work, I create new tunes to investigate and convey the characteristics of different tune types in Swedish folk music, which can be considered as etudes. Etudes can be exercises intended to provide an opportunity to teach an instrumental art, a common form in western art music but not at all as established in Swedish folk music, where there is no equally formalized schooling. Based on descriptive studies and my own analysis of a selection of tune types, I have with creation as a method developed an interpretation of what I examine where the interpretation and tune has emerged iteratively, in what can be considered a qualitative and exploratory research process. The aim has been to imitate the traditional melodies with a focus on stylistically characteristic features, but where the tunes / etudes should at the same time be able to stand on their own artistically. In the process, I have evaluated and partly developed new composition methods and learning methods in the view of what had creative potential. The work describes different methods for creation in folk music and the creative potential in different methods is discussed in the light of the experiences from the project. Rättvikspolska av Tommy Lundgren - Tommy Lundgren, fiolFarfars Reinlender av Tommy Lundgren - Tommy Lundgren, fiol - Fanny Källström, basfiol - Ingrid Rodebjer, fiolVals av Tommy Lundgren - Tommy Lundgren, fiolDrill-Experiment av Tommy Lundgren - Tommy Lundgren, fiolKungsgården av Tommy Lundgren - Tommy Lundgren, fiol - Fanny Källström, fiolOrsapolska, Orsapolska2 av Tommy Lundgren - Tommy Lundgren, fiolTriolpolska av Tommy Lundgren, Porland (trad) - Tommy Lundgren, fiolSpringlek och Finnskogspols av Tommy Lundgren - Tommy Lundgren, fiol - Alice Evensen Landström, fiol - Albin Myrin, klarinettDen sista brudmarschen av Tommy Lundgren - Tommy Lundgren, fiol - Fanny Källström, fiol - Ingrid Rodebjer, fiol</p
Vem är "Maja Lundgren" i Maja Lundgrens Myggor och tigrar? : Fakta och fiktion som ontologi, framställningssätt eller retorisk kommunikationsakt
No full textMaja Lundgren’s outspoken description in Myggor och tigrar (2007) of the male dominated cultural life of Sweden raised an animated debate in media. Well known authors and journalists felt themselves scandalized and accused Lundgren of being paranoid. Others claimed that the narrator and character »Maja Lundgren« was not to be confused with Maja Lundgren the author, because the book was fictional and not factual. In this article I discuss Myggor och tigrar out from different fiction theories and conclude that it seems most rewarding to approach the problem of fictionality as a question of rhetorical communication rather than ontology or stylistic devices. I also maintain that Lundgren’s book would implode if read as fiction, since the rhetorical strategy implies the identity of the author and the character.</p
Vem är »Maja Lundgren« i Maja Lundgrens Myggor och tigrar? Fakta och fiktion som ontologi, framställningssätt eller retorisk kommunikationsakt
No full textSten Wistrand is associate professor in comparative
literature at Örebro University.Maja Lundgren’s outspoken description in Myggor och tigrar
(2007) of the male dominated cultural life of Sweden raised an
animated debate in media. Well known authors and journalists
felt themselves scandalized and accused Lundgren of being
paranoid. Others claimed that the narrator and character
»Maja Lundgren« was not to be confused with Maja Lundgren
the author, because the book was fictional and not factual. In
this article I discuss Myggor och tigrar out from different
fiction theories and conclude that it seems most rewarding to
approach the problem of fictionality as a question of rhetorical
communication rather than ontology or stylistic devices. I also
maintain that Lundgren’s book would implode if read as fiction,
since the rhetorical strategy implies the identity of the
author and the character
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