136,025 research outputs found
Traversing the boundaries? Art and film in Indonesia with particular reference to Perbatasan/boundaries: Lucia Hartini, paintings from a life
Full text linkThe repressive political conditions of the New Order state and the social dislocation caused by rapid industrial and technological development unquestionably affected the nature of artistic and cultural production in Indonesia. This thesis considers the dynamic of these conditions within a focused long-term study of the art and life of Indonesian "Surealis" painter, Lucia Hartini. My doctoral dissertation comprises this thesis and the forty-two minute documentary film Perbatasan / Boundaries: Lucia Hartini, Paintings from a Life (1999 – 2002) which I filmed in Indonesia and presents Lucia Hartini and her art in the context of her times from the historical standpoint of Reformasi and millennial change. Art historically, this thesis informs us of a wider journey, that of selected twentieth century Indonesian contemporary artists exploring concepts of simulacra, hyper-reality, the meta-real and the surreal through the stylistic use of photo-realism.
Lucia Hartini is known for her "Beautiful Surrealism". A founding member of the "Surealis Yogya", formed in 1985, she was the only woman from the original group to continue painting professionally from the late 1970s, throughout the New Order, and into the era of Reform. The consideration of Lucia Hartini's work in this thesis acknowledges the gradual shift in her concerns. Lucia's paintings respond to her natural and social environment, as well as to the challenges and dramatic changes in her life. This thesis charts the journey of her artistic maturation, so richly embodied in her third solo exhibition, "Irama Kehidupan / The Spirit of Life", in January 2002. Through a critical commentary on paintings selected from her oeuvre and the textual analysis of Perbatasan / Boundaries, I discuss Lucia Hartini’s subject matter, unique systems of image formation and use of detail, her particular contribution to the characteristic qualities of Indonesian "Surealisme". I regard the techniques, conceptual approaches and processes of filmmaking as intrinsic to this exploration, a methodological perspective arising from Hendro Wiyanto (2001) observation that Indonesia's "Surealis" artists present us with "reality bundled as a dream".
Lucia Hartini’s work raises questions of gender and personal transformation. This thesis argues that, for many years, the tensions created by the contrary forces of political repression and social transformation characterising much of New Order Indonesia, were reflected in her art. In a microcosmic-macrocosmic sense, Lucia and her art quietly contributed to attitudinal and social change in Indonesia. Works painted between 1986 and 1996 autobiographically chart a shift from personal distress to a growing sense of empowerment, followed by life-changing spiritual growth. I contextualize these paintings socially by studying the changing interstices between Lucia Hartini’s private life, her professional creative practice and the public persona she adopted in Indonesia’s emergent civilian society. My approach is informed by a conceptual framework based on difference, hybridity and its transformations, on the psychology of borderlands, negotiation and the transcendence of boundaries, witnessed through a study of the spiritual practice and quest for religious tolerance important to Lucia and evident in her art. This thesis reveals those boundaries which were transcended and those which remain negotiable.
Twice filming Lucia Hartini’s art, I was also affected by the dramatically different conditions of production prevailing in 1992 in New Order Indonesia and those possible between 1999 and 2001 during Reformasi. These differences are highlighted in the textual analysis of Perbatasan / Boundaries. Engaging comparisons between contemporary Indonesian art and Indonesian documentary and feature films, I discuss important attempts to solve the problems associated with restrictions on freedom of expression in paintings made prior to Reformasi. I consider the different uses of figurative realism to depict subjects deemed controversial by the state, and the creation of credible representations in art and convincing characterisations in filmmaking. The dramatically real yet poetic work of the Indonesian Neo-realist filmmakers of the 1950s exemplified one such solution. Their films and ideas prompted comparisons with the photo-realism, poetic intent and dramatic juxtapositional image making of the "Surealis Yogya". The relationship I perceive between Neo-realist cinematic practice and contemporary international documentary filmmaking encouraged me to make a documentary about Lucia rather than a purely creative or experimentally surreal work. Because of Reformasi and the changes wrought by Lucia’s personal development, Perbatasan / Boundaries: Lucia Hartini, Paintings from a Life (1999 – 2002) is the documentary which my first short experimental video, Pusaran / Vortex: From the Kitchen to Outer Space (1992 - 1993), made during the New Order, could not be
Geometrie v reklamě
Full text linkNazov prace: Geomctria v reklamc - graficke zobrazovanie Autor: Lucia Quittnerova Katedra: Didaktika matematiky Veduci bakalarskej prace: PhDr. Alena Sarounova, CSc. Email veduceho: [email protected] Abstrakt: Tymto textom by som chcela ukazat' rozne moznosti grafickeho zobrazovania. Na zaciatku tcxtu som uviedla strucny historicky uvod. V d'alsej casti som citatel'a zoznamila s popisnou statistikou, ktorii som v texte pouzfvala. Rozdelenie grafov podfa typu je najobsiahlejsou casl'ou tejlo prace. Dolezity jc i vyber grafu, ktory spravne vystihnc informacie, ktore chceme zobrazit', preto som sa venovala i tcjto problematike. V d'alsej casti textu som ukazala, ako spravne zobrazit' graf a na ktore parametre sa zamerat'. Prfklady roznych typov klamnych, alebo zavadzajucich grafov a obrazkov som prczentovala v zavcrecnej casti prace. Kl'ucova slova: graficke zobrazovanie, typy grafov, zneuzitie grafov Title: Geometry in advertisement - graphs Author: Lucia Quittnerova Department: Didactics mathematics Supervisor: PhDr. Alena Sarounova, CSc. Supervisor's e-mail address: [email protected] Abstract: I would like to show various possibilities of displaying graphs. A short historical introduction opens the text. In its next part is the reader acquainted with the basic notions of descriptive...Nazov prace: Geomctria v reklamc - graficke zobrazovanie Autor: Lucia Quittnerova Katedra: Didaktika matematiky Veduci bakalarskej prace: PhDr. Alena Sarounova, CSc. Email veduceho: [email protected] Abstrakt: Tymto textom by som chcela ukazat' rozne moznosti grafickeho zobrazovania. Na zaciatku tcxtu som uviedla strucny historicky uvod. V d'alsej casti som citatel'a zoznamila s popisnou statistikou, ktorii som v texte pouzfvala. Rozdelenie grafov podfa typu je najobsiahlejsou casl'ou tejlo prace. Dolezity jc i vyber grafu, ktory spravne vystihnc informacie, ktore chceme zobrazit', preto som sa venovala i tcjto problematike. V d'alsej casti textu som ukazala, ako spravne zobrazit' graf a na ktore parametre sa zamerat'. Prfklady roznych typov klamnych, alebo zavadzajucich grafov a obrazkov som prczentovala v zavcrecnej casti prace. Kl'ucova slova: graficke zobrazovanie, typy grafov, zneuzitie grafov Title: Geometry in advertisement - graphs Author: Lucia Quittnerova Department: Didactics mathematics Supervisor: PhDr. Alena Sarounova, CSc. Supervisor's e-mail address: [email protected] Abstract: I would like to show various possibilities of displaying graphs. A short historical introduction opens the text. In its next part is the reader acquainted with the basic notions of descriptive...Katedra didaktiky matematikyDepartment of Mathematics EducationFaculty of Mathematics and PhysicsMatematicko-fyzikální fakult
Education and Training in St.Lucia: A Partially Annotated Bibliography
Full text linkThis bibliography on “Education and Training in St. Lucia” has been specifically prepared for the UWI School of Continuing Studies’ St. Lucia Country Conference. An attempt has been made to be as comprehensive as possible, but because of the weak bibliographical coverage of the literature of the region, important items may have been omitted. This is especially true for policy documents emanating from official sources. It covers all aspects of education and training in St.Lucia including distance education, educational finance,health and family life education and educational reform
Ai confini della tv. Culture “non televisive” del tempo libero
No full textLucia D'Ambrosi ha scritto i parr. 1, 2, 3 e 5
Introduzione di Lucia Chiappetta Cajola – Maria Vittoria Isidori
No full textNel libro, lo studio dei Disturbi Specifici di Apprendimento, DSA (DSM-V, ICD-11), prende avvio da una definizione evidence based di essi. L’angolo di osservazione da cui il libro prende avvio, è il contributo delle neuroscienze cognitive alla progettazione di interventi didattici personalizzati
ad opera di un insegnante ricercatore. Importante il riferimento allo screening dei prerequisiti dell’apprendimento, al PDP, al Piano di apprendimento
individualizzato, alle misure dispensative, al metodo di
studio (come misura compensativa), all’ICF. Stessa attenzione viene dedicata alla circolarità, tra organizzazione della didattica, valutazione
degli apprendimenti (anche nel passaggio dalla
scuola all’università), ruolo strategico dei fattori ambientali del contesto formativo. Il file rouge, di una parte del testo, è rappresentato dalle caratteristiche dei fattori contestuali ambientali che caratterizzano l’e learning inclusivo, la DaD, in condizioni di particolare criticità (ampio il riferimento all’emergenza Coronavirus-COVID19). Il libro, che si conclude con una breve disamina sulle norme e sull’organizzazione scolastica nei DSA, è rivolto agli insegnanti (di cui si riporta diretta testimonianza), agli studenti, ai genitori, agli educatori impegnati in un’educazione che vuole essere equa e inclusiva
Lucia Rodocanachi, la négresse inconnue degli anni Trenta
No full textil contributo propone una ricognizione divulgativa sulla figura di Lucia Rodocanachi e il ruolo che costei svolse nella società letteraria italiana tra anni '30 e '40 del Novecento.the publication offers a popular survey of the figure of Lucia Rodocanachi and the role she played in Italian literary society in the 1930s and 1940s of XX Century
Actor as a co-author
No full textDiplomová práce se zabývá tématem herce jako spoluautora, možností autorského vkladu herce v inscenaci a hranicemi tohoto autorství. Celá problematika diplomové práce se vztahuje k autorskému magisterskému projektu Proměním se v zajíce se zármutkem a obrovskou opatrností. Obsahem první části diplomové práce je schopnost kolektivní spolupráce skupiny Gob Squad. V popisu jejich práce reflektuji své tvůrčí zkušenosti. Ve druhé části se zaměřuji na postup Anny Klimešové a kolektivu u zkoušení inscenace Proměním se v zajíce se zármutkem a obrovskou opatrností. Třetí část řeší téma herce jako spoluautora v souvislosti s výukou na katedře alternativního a loutkového divadla a jejího vlivu na mě, jako na herce a tvůrce.This master thesis focuses on the actor as a co-author, the possibilities of actor’s involvement as an author in the play and boundaries of the authorship. The research problem of the master thesis is tied to the master project I shall go into a hare with sorrow and such mickle care. The first part of the master thesis is focused on the collective ability of cooperation of the God Squad group. In their work I reflect my creative experiences. In the second part I focus on the progress of Anna Klimesova and the group while rehearsing the play I shall go into a hare with sorrow and such mickle care. The topic of the third part is the actor as a co-author in connection to learning on the department of alternative and puppet theatre and its influence on me as an actor and a creator
Lucia di Lammermoor. Excerpts - Don Mus.Ms. 360 : V (4), orch
No full textother parts missingGaetano DonizettiQuelle: manuscript. - Provenienz: Fürstlich Fürstenbergische Hofbibliothek, Donaueschingen[caption title:] Lucia von Lammermmoor Oper v: Donizett
Il bianco e il nero del consumo di tv: i "non televisivi"
No full textLucia D'Ambrosi ha scritto i parr. 1, 3 e 4, pp. 271-272, 275-28
The causes and the effects of the deficiency in the Pre-Legislative and Legislative scrutiny processes in St. Lucia
No full textThis dissertation argues that there is a significant deficiency in the pre-legislative and legislative scrutiny processes in St. Lucia, caused by the failure of Parliament to utilize the Standing Orders in the manner in which they were intended and develop and follow a more systematic scrutiny process. The author explains how this has hindered St. Lucia’s ability to gain more benefit from the legislative process and improve the quality of legislation produced with less likelihood of amendments
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