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Maria Lucia Cattani
An exhibition of the work of the late Brazilian printmaker Maria Lucia Cattani, resulting from a curatorial residency at her archive, Projeto Maria Lucia Cattani, Porto Alegre Brazil. [Complete retrospective
Bhajan Hunjan Connecting With Maria Lucia Cattani
Exhibition catalogue for Bhajan Hunjan Connecting With Maria Lucia CattaniExhibition shown at: Winchester School of Art Library January-March 2023Special Collections and Archives space at Women Artists Slide Library, Goldsmiths College London April-June 2023Bhajan Hunjan (b. 1956) was the 2020 Artist in Residence at Projecto Maria Lucia Cattani, Brazil. https://marialuciacattani.wordpress.com/This initiative celebrates the life and work of the highly respected Brazilian artist, Maria Lucia Cattani, (1958-2015). Artist Nick Rands has invited a succession of artists and curators to respond to his late wife’s work, to use her Porto Alegre studio and to mount joint exhibitions of their own work and hers, selected from the archive of her work.<br/
Bhajan Hunjan Connecting With Maria Lucia Cattani
Bhajan Hunjan (b. 1956) was the 2020 Artist in Residence at Projecto Maria Lucia Cattani, Brazil. https://marialuciacattani.wordpress.com/This initiative celebrates the life and work of the highly respected Brazilian artist, Maria Lucia Cattani, (1958-2015). Artist Nick Rands has invited a succession of artists and curators to respond to his late wife’s work, to use her Porto Alegre studio and to mount joint exhibitions of their own work and hers, selected from the archive of her work.Exhibition shown at: Winchester School of Art Library January-March 2023Special Collections and Archives space at Women Artists Slide Library, Goldsmiths College London April-June 2023<br/
Os vídeos de Maria Lucia Cattani: algumas notas além da superfície da tela
The text is one approach to the videos of Maria Lucia Cattani and seeks to connect them with her graphic procedures, particularly the marks on the surfaces that the artist used to constitute her works, thus indicating the presence through erasures, slips, differences, inclinationsEl texto analiza los vídeos de Maria Lucia Cattani y, procura relacionarlos con sus procedimientos gráficos, particularmente con sus marcas en las superfícies que la artista utilizaba para constituir sus obras, indicando, de esta forma, la presencia a través de diferencias, apagamientos deslizamientos, inclinaciones.O texto analisa os vídeos de Maria Lucia Cattani e procura relacioná-lo com seus procedimentos gráficos, particularmente com as marcas nas superfícies que a artista utilizava para constituir suas obras, indicando assim a presença através de diferenças, apagamentos, deslizes, inclinações
Los videos de Maria Lucia Cattani : algunas notas más allá de la superficie de la pantalla
O texto analisa os vídeos de Maria Lucia Cattani e procura relacioná-los com seus procedimentos gráficos, particularmente com as marcas nas superfícies que a artista utilizava para constituir suas obras, indicando assim a presença através de diferenças, apagamentos, deslizes, inclinações.The text is one approach to the videos of Maria Lucia Cattani and seeks to connect them with her graphic procedures, particularly the marks on the surfaces that the artist used to constitute her works, thus indicating the presence through erasures, slips, differences, inclinationsEl texto analiza los vídeos de Maria Lucia Cattani y, procura relacionarlos con sus procedimientos gráficos, particularmente con sus marcas en las superfícies que la artista utilizaba para constituir sus obras, indicando, de esta forma, la presencia a través de diferencias, apagamientos deslizamientos, inclinacione
How to dis/articulate a system: repetition and difference in the work of Maria Lucia Cattani
The article poses comments on the works by Maria Lucia Cattani, drawing from concepts such as repetition and difference and identification, in which the signs developed in the work reconfigure repetition and difference as two possibly overlapping territories in the space of art, in a work process unfolded in time
Como des/articular um sistema: repetição e diferença no trabalho de Maria Lucia Cattani
O artigo comenta o trabalho de Maria Lucia Cattani a partir de conceitos como repetição, diferença e identificação, em que os signos elaborados nos trabalhos reconfiguram repetição e diferença como dois territórios possivelmente sobrepostos no espaço da arte, em um processo de trabalho desdobrado no tempo
Diagram-image : formulations of video-graphic form in Maria Lucia Cattani
The text is concerned with the poetic operations of the artist Maria Lucia Cattani in the “Paralelas” (2006), “4 linhas” (2004), “4 patos” (2003) videos, to think about the constitutive modes of the image in movement as diagrammatic formulations in time. The constructive principles of the video-graphic form – repetitions and variations, juxtapositions and disconnections – decode, structure, and code other formal and space-time limits, to evoke resistances by the incongruences. Realities are inventedinfo:eu-repo/semantics/publishedVersio
Diagram-image : formulations of video-graphic form in Maria Lucia Cattani
The text is concerned with the poetic operations of the artist Maria Lucia Cattani in the “Paralelas” (2006), “4 linhas” (2004), “4 patos” (2003) videos, to think about the constitutive modes of the image in movement as diagrammatic formulations in time. The constructive principles of the video-graphic form – repetitions and variations, juxtapositions and disconnections – decode, structure, and code other formal and space-time limits, to evoke resistances by the incongruences. Realities are inventedinfo:eu-repo/semantics/publishedVersio
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