1,720,960 research outputs found
Le avanguardie e il male in tre opere di Roberto Bolaño
Nel testi si analizza la rappresentazione che lo scrittore cileno Roberto Bolaño ha dato del rapporto tra l’arte di avanguardia e la trasgressione, la sovversione e la violenza in opere quali "La literatura nazi en América", "Estrella distante" e ">Nocturno de Chile
Bolaño nella sua produzione narrativa si interroga sul piacere del male che ha caratterizzato le avanguardie artistiche del XX secolo e mostra i limiti del mito dell’artista ribelle. Porta, infatti, in primo piano le responsabilità, più o meno dirette, dei movimenti di avanguardia latinoamericani della II metà del Novecento nella tragica storia del continente, segnata da dittature e repressioni di massa
Los muertos que no mueren en “Pedro Páramo” e “Cien años de soledad
Il saggio indaga il tema della solitudine in due classici della letteratura latino-americna. La solitudine viene qui intesa come l'impossibilità di condividere e trasmettere la propria esperienza agli altri
Recordar sin recordar: figuras de desplazamiento en Nocturno de Chile de Roberto Bolaño.
Il saggio a partire dal romanzo di Bolano indaga il tema del ricordo impossibile, o del ricordo neagto. Mettendolo in realzione al trauma e all'impossibilità di ricordarlo ma anche di rimuoverlo definitivamente
Ecos literarios y politicos europeos en “La guerra del fin del mundo”
Il saggio indaga le influenze del 'Gattopardo' su 'La guerra de la fin del mundo' di Vargas Llos
Figuraciones del monstruo. Ars rhetorica y fauna americana en el Sumario de la natural historia de las Indias de Gonzalo Fernández de Oviedo.
Este ensayo aborda la construcción discursivo-retórica de lo “monstruoso” en general y, en especial, la que fue aplicada a la fauna de las tierras americanas del siglo XVI con la llegada de los españoles. Nos referimos, específicamente, a una obra clave del cronista de Indias Gonzalo Fernández de Oviedo y Valdés: Sumario de la natural historia de las Indias (1526), libro de carácter enciclopédico, en el cual Oviedo, al introducir la inédita fauna del Nuevo Continente en sus descripciones y narraciones, suele escamotear sagazmente su referente para desplegar con suma maestría ante sus lectores ansiosos de recibir novedades de América una serie de precisas operaciones y figuras retóricas de una monstruosidad novedosa e inofensiva cuyo fin es persuadir deleitando (delectare) o bien, mediante otras estrategias, despertar complejas emociones, como por ejemplo, la “curiosidad-perplejidad”
De mujer a mujer: la experiencia del cuerpo y la construcción del yo en Anamú y Manigua de Mayra Santos Febres
En el presente estudio, analizaremos cómo Santos Febres elabora la representación del cuerpo para construir el discurso de empoderamiento y autoafirmación de la mujer en Anamú y Manigua, su primer poemario publicado en 1991. En particular, destacaremos la importancia de la puesta en común de las experiencias y de su valoración como ejes en la configuración de la identidad de la mujer puertorriqueña y afrocaribeña que Santos Febres propone al lector
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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