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    Il divenire della disciplina urbanistica: il contributo di Luca Bertolini

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    With this volume - Conversations with TeMA - the Journal opens a new editorial line specifically dedicated to promoting and disseminating the discussion between worldwide researchers on specific issues concerning the contents, methods and timing of our work. This first experience is dedicated to a deepening, in an interview formula, on the future of spatial planning in Italy both from a regulatory and technical-disciplinary perspective, also concerning what is happening in other countries. In line with the aims we had set, we decided to involve, in this first phase, both colleagues working in Italian universities and those working in foreign universities and research centres. This contribution is by Luca Bertolini, Professor in Urban Planning, University of Amsterdam &nbsp

    MAXIM DC/DC Converter Designs

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    Presentazione effettuata da Luca Bertolini a Bologna il 28 maggi

    De planologie van mobiliteit

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    Luca Bertolini stelt in zijn oratie dat het leven in een mobiele samenleving beleidsmakers met bijzondere dilemma's confronteert. Contemporaine leefstijlen en bedrijfsmatige praktijken zijn sterk afhankelijk van mobiliteit. Mensen wonen op de ene plek, werken op een tweede, en recreëren of socialiseren op nog eens een derde. De productie en consumptie van goederen en diensten zijn ruimtelijk diffuse, wereldomvattende processen. Tegelijkertijd zijn de negatieve effecten van mobiliteit, en het besef daarvan, groot. De zorg over files, energieverbruik, schadelijke emissies, verkeersveiligheid, geluidsoverlast en het doorsnijden van buurten en landschappen neemt met de dag toe. Bertolini betoogt dat ruimtelijk en mobiliteitsbeleid de unieke kansen en bedreigingen van deze situatie dient te herkennen en op te vangen. Volgens hem is er echter een grote spanning tussen de grenzeloze, dynamische 'actieruimtes' van huishoudens en bedrijven, en de sterk territoriaal en sectoraal afgebakend arena's van beleid. Een planologie van de mobiliteit, die de diepgaande verwevenheid van mobiliteit en ruimtelijke vraagstukken weet uiteen te rafelen en te beheersen, is nodig. Deze moet echter ook met de vele, hardnekkige onzekerheden op dit gebied weten om te gaan. Bertolini vindt dat alleen een veel intensievere én kritischere uitwisseling tussen wetenschap en praktijk dit teweeg kan brengen

    Miglioramento delle prestazioni di materiali cementizi capaci di ridurre la concentrazione di gas serra

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    Project Coordinator: Francesca Tittarelli - UdR Università Politecnica delle Marche, Local Coordinator: Luca Bertolini - UdR Milano Politecnic

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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